Characteristics? Well, the first - person POV in these stories can make the reader empathize deeply with the narrator. We are basically in their shoes. They tend to have a lot of internal monologue which can be used to heighten the sense of horror. For example, in 'The Cask of Amontillado', the narrator's thoughts as he lures his victim into the catacombs are quite chilling. Another thing is that the first - person perspective can be used to create a sense of claustrophobia. The narrator might be trapped in a room or a situation, and we feel that confinement along with them. And often, there's a sense of impending doom that is conveyed through the narrator's eyes.
One characteristic is the intense sense of immediacy. Since it's from the first - person point of view, the reader feels like they are right there with the narrator experiencing the horror. For example, in 'The Tell - Tale Heart', we can almost feel the narrator's racing heartbeat as he becomes more and more paranoid.
One characteristic is immediacy. Since it's in the first person, it gives the sense that the events are happening right now or just happened. Also, they tend to be concise. They focus on a particular moment or a short sequence of events. For instance, a short first person story might be about a single encounter with a stranger on the street and how that made the narrator feel. It won't go into a long - winded backstory but just capture the essence of that one moment.
Often, popular first - person short stories allow for a deep exploration of the narrator's inner thoughts and feelings. In 'The Love Song of J. Alfred Prufrock' by T.S. Eliot, which can be considered in a sense a first - person exploration, we get a detailed look into Prufrock's insecurities, his self - doubt, and his view of the world around him, all through his own voice.
One characteristic is the immediacy. Since it's in the first person, the reader gets a direct sense of the narrator's thoughts and feelings right away. For example, in a story about a person's adventure, we feel their excitement or fear as if it were our own.
One characteristic is the intense sense of intimacy. Since the story is told from the first - person perspective, the reader gets a closer look into the narrator's thoughts and feelings. For example, in 'The Bell Jar' by Sylvia Plath, we are right there with the narrator as she battles her mental health issues.
One characteristic is the sense of immediacy. Since it's first - person, it makes the reader feel like they are right there with the narrator experiencing the events as they unfold. For example, in stories like 'The Tell - Tale Heart', the narrator's guilt and madness are palpable because we are seeing it through his eyes.
One characteristic is the vivid sense of immediacy. Since it's in first person, we feel like we're right there with the narrator. For example, in 'Lamb to the Slaughter', we experience Mary's shock and her quick thinking as if we were in her shoes. Another is the unreliable narrator aspect. Sometimes, like in some of his more devious character - led stories, the narrator might not be telling the whole truth or might be exaggerating for effect. This adds an element of mystery and keeps the reader on their toes.
In a first person plural short story, one key characteristic is the sense of community. It gives the feeling that a group is speaking as one. For example, when a family tells their story together. Another is the sharing of responsibility. Since it's a collective voice, no single character has to take all the blame or credit for what's being described. It also often creates a more inclusive atmosphere compared to a single - narrator story.
One characteristic is simplicity. First horror stories often have a straightforward plot. For example, they might just focus on one spooky element like a haunted house or a strange creature. They are designed to introduce the basic elements of horror, like fear and the unknown.
Typically, they are likely to have elements of the unknown. The fear of the unknown is a common characteristic in horror. For example, an unexplained sound or a shadow that moves on its own.