In the beginning, the narrator views the Burmese with a mixture of contempt and indifference. But the incident with the elephant changes all that. He is thrust into a situation where he has to make a difficult decision. As he stands there with the gun, he realizes that his actions are not just about him or the elephant, but about the complex relationship between the colonizers and the colonized. He begins to see himself as a victim of the system as much as the Burmese are, and his perspective on his role in the colony is completely transformed.
Yes, it is. 'Shooting an Elephant' is widely recognized as a short story.
The narrator, Esperanza, has a first - hand perspective which makes the story very personal. Her view shapes the way we see the events. For example, when she describes the family's move from Mexico to California, we feel her confusion and fear because it's from her own experience.
The narrator might change in terms of tone, perspective, or level of detail. Sometimes, they become more involved or detached depending on the plot's development.
To write such a short story, you need to build up the tension and drama. Describe the setting, the motives of those involved, and the aftermath. Make the readers feel the weight of the action.
It's a short story. 'Shooting an Elephant' is recognized as a short fictional narrative rather than an essay.
The story 'Shooting an Elephant' is a great piece of literature that delves into themes of power, pride, and the human condition. The fact that the narrator shoots the elephant not out of his own will but because of the crowd's expectations shows how our actions can be dictated by external factors. Moreover, it also highlights the inhumane side of colonial rule. The elephant, a symbol of something majestic and powerful, is brought down by the unjust system of colonialism, which is also a comment on how the colonized people were oppressed.
Well, start by establishing an all-knowing viewpoint. You need to be able to describe not just the main character's thoughts and feelings but those of multiple characters. Make sure to smoothly transition between different characters' perspectives to keep the story engaging.
The narrator, Jane Eyre, makes the story very intimate. We see things as she sees them.
It could be from a first-person perspective, where the narrator is a character in the story. Or it might be a third-person perspective, observing the events from outside.
A narrator's confession can end a short story by resolving a mystery or a conflict. If the story has been building up tension around a particular event, the confession can be the key to unlocking that mystery. Say, in a story where a valuable item has gone missing and everyone is suspected. When the narrator confesses to taking it, the story reaches its conclusion.