Some characters in 'Pulp Fiction' show their death wish through their risky behavior. For instance, Vincent Vega's casual attitude towards the dangerous situations he gets into, like dealing with Marsellus Wallace's business and his relationship with Mia, which could have easily led to his death.
Nihilism in Pulp Fiction is quite complex. The film presents a world where values are often questioned and seem relative. The violence in the movie is not just for shock value but also to highlight the lack of a solid moral foundation. The characters' actions are not always guided by what society would consider 'right' or 'wrong'. For instance, the way Marsellus Wallace behaves shows that power and self - interest often take precedence over moral principles. The movie's overall tone and the way the story unfolds make it seem like the world it portrays is one where nihilism reigns, where there is no absolute truth or value system that everyone adheres to.
The power dynamics in Pulp Fiction are often sexist. Men are usually in positions of power, whether it's in the criminal underworld or other settings in the story. Women are left to either manipulate men through their femininity or are at the mercy of male - dominated power structures. This shows a lack of equality in the fictional universe.
Nihilism in 'Pulp Fiction' shows up through the characters' attitudes. For instance, Vincent Vega and Jules Winnfield have a rather blasé attitude towards violence. They don't seem overly burdened by moral implications, which is a nihilistic trait. They just go about their business in a world that seems to lack any overarching moral order.
Postmodernism in 'Pulp Fiction' is seen in its characters too. They are not the typical heroes or villains. They have a mix of good and bad qualities. Their actions and dialogues are often unpredictable, like in real life, which is a postmodern take on character development. The film also subverts the idea of a single, overarching moral message. Instead, it presents a world where morality is more ambiguous and depends on different perspectives.
Divine intervention in 'Pulp Fiction' is manifested through the character of Jules. His encounter in the apartment, where the bullets miss him and his partner, is like a moment of divine protection. He interprets this as a sign from above and it changes his whole outlook on life.
For Jules, it shows through his change. He starts as a cold - blooded killer but then has an epiphany. He begins to question his violent ways and seems to be on a path towards something more righteous. Vincent, on the other hand, is more stuck in his immoral ways, but still, there are moments where you can see the concept peeking through. Maybe in his interactions with Mia or his small moments of hesitation in his violent actions.
Well, it could be that the 'death wish' in 'Pulp Fiction' is a way to show the characters' disillusionment with their lives. They are involved in a seedy underworld of crime and violence. Their actions suggest that they don't really value their own lives highly. They are constantly on the edge, whether it's with drugs, like Vincent with his heroin use, or with their interactions with other dangerous characters. This all might point to a death wish as they seem to be self - destructive in many ways.
In 'Pulp Fiction', the 'path of righteousness' shows up in how some characters deal with consequences. For instance, when Vincent Vega makes mistakes, there is a sense that there could be a right way to handle the situation instead of just reacting violently. Also, the conversations between characters often touch on ideas of right and wrong, which is part of the manifestation of the path of righteousness in the plot.
In 'Pulp Fiction', 'divine intervention' is manifested through the characters' survival against the odds. Take the scene where Vincent accidentally shoots the guy in the car but then they manage to deal with the situation. It seems like there is some force protecting them or intervening in the normal course of events. Also, Jules' new - found spiritual awakening during their encounters can be considered as divine intervention changing his course.
In 'Pulp Fiction', 'great vengeance and furious anger' are shown in various ways. The violent scenes are often a result of these emotions. Characters like Butch are driven by a need for vengeance against Marsellus, and their anger fuels their actions. Also, the dialogues are filled with undertones of these strong feelings, which helps in bringing out the overall mood of the movie.