Consider 'The Great Gatsby'. Gatsby's heart, filled with his unwavering love for Daisy, breathes life into the novel. His dreams, his hopes, and his despair all centered around his love for her are what form the core of the story. It's as if his heart is constantly 'breathing' this complex tale of love, wealth, and the American Dream.
In 'Pride and Prejudice' by Jane Austen, we can see how Elizabeth's heart breathes the novel. Her strong emotions, her pride, her prejudice, all come from her heart. These emotions drive the plot, create the conflicts, and ultimately shape the story, which is like her heart breathing a novel.
Take 'Wuthering Heights' for instance. Heathcliff's passionate and tortured heart breathes the entire novel. His intense love for Catherine and his subsequent revenge and hatred are all emotions that stem from his heart. These powerful feelings are what make the story so intense and full of drama, as if his heart is 'breathing' this dark and stormy love story.
Sure. 'To Kill a Mockingbird' is another one. The story of Atticus Finch's fight for justice in a racially divided society is both inspiring and heart - touching. It makes you feel for the characters and their struggles, and also makes you think about important social issues.
Well, 'heart breathes a novel' might be a very artistic and metaphorical expression. Maybe it's about how the heart, which represents our innermost feelings, is the origin of the kind of stories that are told in a novel. Just like when we feel strongly about something, our heart 'breathes' out those feelings into a story form like a novel.
Sure. Let's say there's a beautiful fairytale about a princess who overcomes difficulties with kindness. A person with a 'black heart on story' might say that the princess was actually weak and that her kindness was just a pretense, trying to ruin the positive message of the story.
There is a 'black heart story' about a jealous sister. She was envious of her younger sister's beauty and popularity. So she spread false rumors about her younger sister in the town. This made the younger sister an outcast. The jealous sister's actions were driven by her black heart, full of envy and spite.
Yes. In some dystopian literature, the idea that the government is always acting in the best interest of the people can be a 'convenient fiction'. The characters initially believe this falsehood, but as the story progresses, they discover the truth. For example, in '1984', the Party promotes the idea that they are creating a utopia when in fact it's a totalitarian regime.
As 'doone of fiction' is not a typical literary term, it's challenging to provide an example. But if we consider it as something that might be related to actions or elements within fiction, the use of magic in the 'Harry Potter' series could be seen as something that is 'done in fiction'. Magic is not real in our world but is a significant part of the fictional world created by J.K. Rowling.
Sure. In 'The Great Gatsby', the idea that Gatsby can recreate the past with Daisy is a convenient fiction. He believes that his wealth and grand parties will bring back the love they once had, but in reality, the past can't be replicated so easily.
Jojo Moyes' 'Me Before You' could also be considered to have elements of a frame story. The main narrative of Louisa taking care of Will is the central story. But the backstories of both characters, their families, and the social environment around them form a kind of frame. This frame helps to explain why the characters are the way they are and how they got to the point where their stories intersect, and it enriches the understanding of the main story.
Another example is from the Greek myth of Zeus impregnating Danaë. Zeus visited Danaë in the form of a golden rain, and she became pregnant as a result. This led to the birth of Perseus, who went on to have many heroic adventures. This story shows how impregnation stories in mythology can be used to explain the origin of heroic or important figures.
The 'Tales of King Arthur' can also be seen as a never - ending story. Over the years, so many different authors have added their own interpretations, new adventures, and characters to the Arthurian legend. It has been continuously evolving since its origin, and there doesn't seem to be a definitive end to the story as new versions keep emerging.