We can use it to describe a character's excessive ambition, like Macbeth in Shakespeare's play. His unruly appetite for power drives the whole tragic plot forward, and it has no relation to eroticism.
In adventure stories, the unruly appetites of the protagonists for discovery and treasure can be depicted. Take 'Treasure Island' for instance. Jim Hawkins and his companions have an unruly appetite for the hidden treasure, which is not related to erotic stories at all.
In dystopian novels, the unruly appetites of the ruling class for control over the masses can be a major theme. For example, in '1984', the Party's unruly appetite for totalitarian control is explored deeply, without any erotic undertones.
One could try 'The Hunger Games' series. It shows the unruly appetite for power among the Capitol and the struggle for survival of the districts, which has nothing to do with erotic stories.
In non - erotic literature, reluctant seductions can be shown through the power of words. A character might use gentle persuasion, like sharing interesting stories or ideas. For example, a young man in a coming - of - age story might try to convince a girl to join his adventure by telling her about the amazing places they could go. It's a form of seduction because he's trying to draw her in, but she's reluctant as it goes against her normal, more cautious nature.
In 'Animal Farm' by George Orwell, the pigs gradually gain domination over the other animals on the farm. They start with good intentions but are corrupted by power. It shows how power can lead to the abuse of domination in a political and social context, without any erotic elements.
In non - erotic literature, the adrift working man can be explored through his relationships. For example, in 'The Jungle' by Upton Sinclair, the main character is a working - class immigrant who is adrift in a new and hostile environment. His relationships with his family and fellow workers show his struggle to survive and find meaning in his work.
We can focus on the unique abilities and characteristics of the monster girl. For example, if she has the power to fly, the story could be about her using this power to save a village from a natural disaster.
One way to avoid the theme of 'degradation' in non - erotic literature is to focus on positive values. Writers can choose to highlight themes such as kindness, courage, and justice. For example, instead of writing about a character being degraded, they can write about how the character overcomes difficulties through positive traits. Another approach is to promote understanding and empathy. By creating well - rounded characters with diverse backgrounds and experiences, the focus shifts from degradation to connection.
Authors can focus on portraying housewives in a more positive and multi - dimensional way. Instead of emphasizing their 'loneliness' in a sexual context, show their strength, intelligence, and contributions to family and society.
I'm not sure if Strombringer is a well - known concept specifically in non - erotic literature. It could potentially be a name used in some works, but without more research, it's hard to say for certain.
The character can be portrayed as having a strong sense of self - awareness. He knows who he is and doesn't conform to traditional gender roles just for the sake of it. He might be involved in activities like gardening or interior design, which are often seen as more feminine. But the story can show how these activities bring beauty and comfort to his family's life, and how his family values him for his unique contributions rather than looking at him in a negative or erotic light.
I'm not familiar with 'asstr fb' in the context of non - erotic literature. It could be a very niche or new concept. It might be a specific group or platform that is dedicated to a particular sub - genre of non - erotic literature, but without further information, it's hard to say for sure.