Incorporating a small story can be a great way to make the overall narrative more engaging. It can introduce new elements or build suspense. But it needs to be relevant and seamlessly woven into the main storyline to have a positive impact.
It can add depth and authenticity. The personal story gives the narrative a more relatable and human touch.
It can completely change the direction of the overall narrative. It might introduce new conflicts or relationships based on the changes in the origin.
Well, it depends on the nature and extent of the changes. Minor tweaks might not matter much, but major alterations could completely change the story's direction and the way characters develop.
The pregnancy affects the narrative by changing Rose's priorities. Instead of just thinking about her own freedom and love with Jack, she has to consider the future of her child. This might lead her to make different choices during the sinking of the Titanic. For example, she might be more willing to take risks to ensure the safety of the unborn baby. And it also gives the other characters more to react to, like how Cal might feel even more enraged or how the crew might try to help a pregnant woman in a more special way.
In 'One Thousand and One Nights', the frame story has a huge impact on the overall narrative. The main frame is Scheherazade telling stories to the king to avoid being killed. This creates suspense. Each night, the king is eager to hear the end of the story, so it keeps the narrative going. It also allows for a vast collection of different stories to be incorporated. The frame story gives a reason for all these diverse tales to exist within the same work.
They often introduce an element of mystery and suspense. Consider the bootstrap paradox. It makes the audience wonder about the origin of things and keeps them engaged as they try to figure it out. Also, paradoxes can be used to explore complex themes such as identity. In the case of the teleportation paradox, it makes us question what makes a person who they are. They can also drive the plot forward as characters try to resolve the paradox within the story.
The common themes of stories often determine the direction and tone of the narrative. If the theme is revenge, the story will likely be filled with tension and a sense of impending conflict. This affects how the characters interact and the choices they make. Also, themes like friendship can bring a warm and positive tone to the narrative, with characters working together towards a common goal. In contrast, a theme of loss can create a more somber and reflective narrative. It makes the story more than just a sequence of events; it gives it an emotional core.
Small changes can have a domino effect. If, say, Kakashi was more open about his past earlier, it might make Naruto more determined to solve the mystery of his father's death sooner. This could lead to him training harder and perhaps unlocking new powers faster. So, it can speed up or slow down character development and plot progression.
When Star Wars ignored the back story, it lost an opportunity to build a more immersive world. The back story could have provided context for the political situation in the galaxy. Without it, some of the power struggles and alliances in the movies felt rather forced. It also made it harder for the audience to connect with the characters on a deeper level as their pasts and the events that shaped them were left in the dark.
The use of such dialogues can add depth to the characters. Since pulp fiction dialogues are rich in character, when used in another work, they can bring out more complex personalities in the new characters as well. For instance, if a character in the new story uses a pulp - fiction - style dialogue, it can immediately show that the character is street - smart or has a certain attitude.