It depends. Some short stories can handle subplots effectively if they're crafted well, but generally, they have limited space.
Not necessarily. Short stories can be effective without subplots if they have a strong central plot and well-developed characters.
Short stories can have subplots, but it's not a requirement. Many short stories are designed to be straightforward with one central plot. However, if the author wants to introduce more elements or create more tension, a subplot could be incorporated.
It depends. 72,000 words can be considered a novel, but it might be on the shorter side for some genres. In general fiction, it could work, but for epic fantasy or historical novels, it might feel incomplete.
It really depends. Generally, a fantasy fiction novel can be considered long enough if it fully develops the story, characters, and world-building. A minimum of 50,000 words might be a rough starting point, but some can go well over 100,000 words and still be engaging.
As long as I run fast enough, the next sentence will be,"This unwarranted sorrow can't catch up with me."
In some cases, this sentence could be understood as a metaphor that a person could surpass others around him through his own continuous efforts and progress, making them his vassals. However, this saying was not completely accurate in real life. In real life, it was very difficult for a person to surpass others through their own efforts and progress. Usually, if a person wanted to surpass others, they needed to rely on the help of the external environment, such as opportunities, resources, connections, and so on. Therefore, even if a person was strong and outstanding enough, he could not force others to become his vassals. Instead, he should respect their choices and freedom. In the novel, this sentence could also be used as a metaphor to express the protagonist's continuous efforts and progress, eventually surpassing the others around him to create a strong influence and control. However, it should be noted that this metaphor should not be abused or misunderstood, but should be appropriately understood and used according to the specific situation and background.
Look for secondary storylines that run parallel to the main plot and contribute to the overall theme or character development.
Well, start by thinking about themes or conflicts that can enhance your main story. Maybe introduce new characters or events that relate to but don't overshadow the main plot.
It depends. Sometimes 1200 words can be enough if the story is concise and the plot is straightforward.
In 'The Hunger Games', Katniss Everdeen's story has many subplots. Her relationship with her sister, her fight against the Capitol, and her inner struggle with her role as a symbol all revolve around her as a female character.