The ending often resolves the main conflicts and gives a sense of closure. It ties up loose ends and leaves the reader satisfied.
A story's ending typically serves to either confirm or subvert expectations. It might offer a moral lesson or leave a lasting impression. Also, it can influence how the entire story is remembered and evaluated by the reader.
The genre of the fiction can also influence the point of view. For example, in a mystery, a limited point of view might build suspense and keep the reader guessing.
I don't think there is a specific canon comic dedicated solely to explaining General Grievous. But you might find some background info in related comic series.
Tension in fiction is like a buildup of suspense or uncertainty. It keeps readers on the edge of their seats, not knowing what's going to happen next.
The plot development often does. A well-structured plot that unfolds in a clear and logical manner can provide a solid foundation for explaining the themes and concepts within the fiction.
Conflict in fiction is basically a struggle or a problem between characters or within a character. It could be something like a fight over resources or a moral dilemma.
The setting often creates the atmosphere and mood that affects how readers feel about the story. It can make a story seem more real or add a sense of mystery.
I think the term 'plot development' might explain it. It covers how the events and elements of Rama's stories are unfolding and evolving.
I think the term 'mythological narrative' might explain Rama stories well. It emphasizes their traditional and often symbolic nature.
A flash-forward is when the story suddenly shows something that will happen in the future. It's like a little window into what's ahead. It might be used to shock the audience, make them curious, or give them a sense of hope or dread depending on what's shown.
The point of view in fiction apex often depends on how the author chooses to present the story. It could be first-person, where the narrator is a character in the story, or third-person, offering an outside perspective. Different points of view affect the reader's connection to the events and characters.