It's hard to give an exact number. Different types of fiction handle the topic differently. Some might focus on one major murder as the central plot point, while others could have a series of related or unrelated killings. It all depends on the story and the author's vision.
The number of murders in fiction really depends. In crime thrillers, there could be a significant number. But in other genres, like romance or fantasy, there might be very few or none at all.
It varies a lot. Some comics might have just a few common superpowers like strength and speed, while others create complex and numerous powers for a more diverse cast of heroes and villains.
It really depends on the specific creation story you're referring to. Different cultures and religions have their own versions, and the duration can vary widely.
The number of worlds in novel chapters can be all over the place. Some fantasy novels might have two or three distinct worlds, but a sci-fi one could have a dozen or more, depending on the author's imagination and the complexity of the plot.
They are often depicted as large, powerful and intelligent creatures. They might have the ability to fly and breathe fire or some other form of energy. For example, in the 'Eragon' series, dragons are majestic beings with their own language and a deep bond with their riders.
Typically, parallel universes in fiction are shown as places with distinct characteristics. Some may be utopias or dystopias compared to our world. They might have different technological levels. Like in 'The Dark Tower' series by Stephen King, there are different worlds with their own rules and threats, and the concept of parallel universes is crucial to the story's structure and plot development.
Often, they are depicted as alternate realities with different versions of characters or events. For example, in 'Sliders', each parallel universe has distinct cultures, technologies, and sometimes even different physical laws.
They are often depicted as barren, with vast sandy or rocky landscapes. There's usually little water, and the climate is extremely harsh, with intense heat during the day and cold at night. Creatures that live there, if any, are adapted to the arid conditions, like having thick skins to prevent water loss.
Typically, alien prey in science fiction can be shown in various ways. Some are made to look like defenseless animals from Earth but with a twist, such as glowing fur or the ability to fly in a vacuum. Others are presented as more intelligent than expected, which adds an ethical dimension to the idea of hunting them. They may live in complex societies or have advanced communication methods that the hunters either don't understand or choose to ignore.
Typically, alien races in science fiction are depicted in various ways. Some are humanoid with just minor physical differences like pointed ears or strange skin colors. For example, the Vulcans in 'Star Trek' are humanoid but have distinctively arched eyebrows and a strong sense of logic. Others can be completely non - humanoid, like the Goa'uld from 'Stargate' which are snake - like parasites that take over human hosts. They can also vary in their intelligence levels, from highly intelligent beings like the Time Lords in 'Doctor Who' to more primitive ones.
Pocket dimensions in fiction are like hidden, separate spaces. They can be small worlds within our own or completely different realities that characters can access. Usually, they have unique rules and properties.