Not necessarily. Just because a novel features a real city doesn't automatically make it an allusion. It depends on how the city is incorporated and what purpose it serves in the narrative.
Yes, it can be. If the real city is used in a symbolic or representative way to add depth or meaning to the story, it could be seen as an allusion.
It depends. Sometimes a real city is just a setting and not an allusion. But if it has special significance or ties to a broader cultural or historical context, then it might be.
An allusion can be either real or fictional. It all depends on how it's used and the context in which it appears.
An allusion refers to the name of a historical event, character, cultural phenomenon, or related plot. It is usually used in novels, movies, television dramas, and other literary works to better reflect the character image, plot background, and so on. The formation of allusions was usually due to a historical event or cultural phenomenon being widely praised by later generations and given a new meaning. Therefore, the composition of allusions needed to have a certain historical background and cultural significance, as well as a certain degree of representation and authority. Although any historical story could also become an allusion, it needed to have a certain historical background and cultural significance, and it needed to be widely praised and quoted by future generations to become an allusion. If a story did not have a historical or cultural background, or if it was not quoted and praised by later generations, then it could not be considered a true allusion.
Well, novels can be a mix. Some are inspired by real life but have fictional elements added for entertainment. Others are completely made up from the author's imagination.
In a novel, allusion is when the writer brings in something from the outside world to make the story more interesting or give it more layers. It could be a reference to a famous person, a classic story, or a well-known place. Kind of like using a shortcut to convey a lot of meaning.
There are many stories about reading. The following are some of them: 1 Nang Ying night reading: From "Jin Shu·Che Yin Biography." Although Che Yin's family was poor, he was diligent and studious. He used the time at night to study. He had a firefly that lit up the pages of the book so that he could concentrate on reading. 2 Wei Bian San Jue: From Zuo Zhuan, Xuan Gong three years. During the Spring and Autumn Period, Confucius 'students were good at memorizing the Book of Songs. 3. Chiseling the wall to steal light: From the Records of the Historian, the Chronicles of the First Emperor of Qin. During the Qin Dynasty, the father of the young Qin Emperor, Chen Shengqi, was reading in a cave. Because there was no light, he used his fingers to chisel a small hole in the wall to let the candlelight shine in. 4. Burning books and burying Confucianism: From Han Shu·Yi Wen Zhi. During the reign of Emperor Wu of the Han Dynasty, the Confucian classic Book of Rites was suspected of being related to witchcraft and Emperor Wu of the Han Dynasty ordered it to be burned. After that, Confucianism was suppressed and many scholars were killed. 5. Boyi and Shuqi starved to death in Shouyang: From Mencius, King Hui of Liang. During the Spring and Autumn Period, Boyi and Shuqi were expelled by Confucius 'disciples because they opposed Confucius' Confucianism. They decided to give up their lives and starve to death on Mount Shouyang. These books told us that reading could change a person's fate and life. No matter what kind of difficulties and setbacks you encounter, as long as you are diligent and studious, you can overcome them and succeed.
The allusion of mulberry and Zi originated from the Book of Songs, Xiaoya, Xiaobian: " Wei Sang and Zi must be respectful." This poem meant that people in ancient times often planted mulberry trees and cocoons beside their houses to express their respect for their parents. Later, people used the word "mulberry" to describe their hometown. This allusion expressed his respect and love for his hometown.
The tricky allusion was referring to the Ming Dynasty novelist Wu Jingzi's work, The Scholars. In this novel, there was a story about a man who made cat meat into a meat patty to deceive others. When he was discovered, he was called a cat fetter. This term was later used to describe something that seemed reasonable but was actually deceptive. For example, when you buy a cheap phone and find that the performance of the phone is not as good as promised by the merchant, it can be said that the merchant's behavior is fishy. In short, the story of the cat and the mouse originated from the Scholar's Unofficial History and was used to describe deceptive things.
Pan An's white temples originated from Pan Yue's Preface to Autumn Hing Fu in the Jin Dynasty. Pan Yue started to have white hair at the age of 32, which was considered a sign of premature aging. He borrowed the ancient allusions of Song Yu and Jia Yi's sorrow for autumn to write "Autumn Prosperity Fu", which mentioned the poem "Pan Bin enters autumn sorrow" to describe the scene of middle-aged people's hair turning white. This allusion was later widely used to express the feelings of the passage of time and the gradual decline of the body and mind, or to refer to the lack of achievements and inaction. Pan An's white sideburns also became the earliest nickname for the " beautiful man with patterns " in China, forming a cultural symbol.
There were many explanations for Chaoyun's story. Chaoyun was mentioned as Su Shi's concubine, and Su Shi mentioned Chaoyun's name and birthplace in Chaoyun's Epitaph. In addition, Chaoyun was also mentioned as the name of the Goddess of Wu Mountain. In Song Yu's " Gaotang Fu," Chaoyun was described as the goddess in King Huai's dream. She left behind a poem describing her form of existence. Chaoyun's story was also related to Su Shi. She was Su Shi's maid and accompanied him on the long journey to Huizhou. Chaoyun had been steadfast by Su Shi's side until she died of illness. Before she died, she recited Buddhist scriptures and expressed her views on everything in the world. In general, Chaoyun's story involved the story of Su Shi and the Goddess of Wushan Mountain, as well as Chaoyun's experience as Su Shi's maid.
There were many explanations for Chaoyun's story. Chaoyun was mentioned as Su Shi's concubine, and Su Shi mentioned Chaoyun's name and birthplace in Chaoyun's Epitaph. In addition, Chaoyun was also mentioned as the name of the Goddess of Wu Mountain. In Song Yu's " Gaotang Fu," Chaoyun was described as the goddess in King Huai's dream. She left behind a poem describing her form of existence. Chaoyun's story was also related to Su Shi. She was Su Shi's maid. However, the specific background and meaning of the allusions needed further research and understanding.