The screenwriter, Wang Juan, was born in 1979, so he should be 42 years old this year.
Wang Juan was a male screenwriter and literary planner from mainland China. He had a high reputation and reputation in the screenwriter industry. His representative works included the original drama " Legend of Dance "," Song Dynasty Youth Chronicles ", as well as the adapted screenplays " Wind and Cloud in the Wood Mansion," Celebrating Years,"" Douluo Continent," and Sword Snow Stride ". Wang Juan's works were nimble and flexible, and he was known as the "gold screenwriter". He focused on innovation and brought a unique drama experience to the audience by colliding modern ideas with ancient systems. His works emphasized the values of patriots, equality, and professionalism. Wang Juan's script portrayed vivid characters, rich emotions, and wonderful dialogue, often bringing unexpected surprises to the audience. His works were not only highly sought after in China, but also internationally recognized and praised. In short, Wang Juan was a screenwriter with an obvious personal style and outstanding talent. His works had an important position and influence in the Chinese screenwriter industry.
Wang Juan was a well-known screenwriter in China and had won many literary awards such as the Chinese Literature and Media Award, China, etc. His unique style of screenwriting focused on emotional descriptions and character portrayals, which were deeply loved by readers. According to the comments of some online readers, Wang Juan's scriptwriter level could be ranked relatively high. His scriptwriter works such as Celebrating the Year, Choosing the Heavens, and Nirvana in Fire not only performed well in the plot and character creation, but also had their own unique aspects in the narrative rhythm and line design, which were recognized by readers. Of course, everyone's evaluation criteria were different. Wang Juan's scriptwriter level could also be controversial. But overall, his scriptwriters enjoyed a high reputation in the Chinese online literature circle and had a certain degree of influence.
Yes, the screenwriter of the live-in son-in-law drama was Wang Juan.
Wang Juan was a highly acclaimed screenwriter, and his screenwriting skills were considered very high. He was good at suspense and reversal, and he was able to integrate positive energy and meaningful values into the plot, moving the audience. He also paid more attention to female characters in male dramas, and the characters he created were more voluptuous. His representative works included the original drama " Legend of Dance " and " Song Dynasty Youth Chronicles ", as well as the adapted works " Wind and Cloud in Wood Mansion," Celebrating Years,"" Douluo Continent," and Sword Snow Stride." His screenwriting style was considered to be a unit structure, a road film mode, a young man united and fought against the big conspiracy to destroy the world, and the secondary characters were outstanding. In summary, Wang Juan's scriptwriter level was considered very high, and his works were loved and recognized by the audience.
Wang Juan's scriptwriter level was considered very high. He was good at suspense and reversal, able to integrate positive energy and meaningful values into the plot, moving the audience. He also paid more attention to female characters in male dramas, and the characters he created were more voluptuous. His representative works included the original drama " Legend of Dance " and " Song Dynasty Youth Chronicles ", as well as the adapted works " Wind and Cloud in Wood Mansion," Celebrating Years,"" Douluo Continent," and Sword Snow Stride." In summary, Wang Juan's scriptwriter level was considered very high, and his works were loved and recognized by the audience.
Wang Juan was a highly acclaimed screenwriter, and his screenwriting skills were considered very high. He was good at suspense and reversal, and he was able to integrate positive energy and meaningful values into the plot, moving the audience. He also paid more attention to female characters in male dramas, and the characters he created were more voluptuous. His representative works included the original drama "Song Dynasty Youth Annals" and the adapted screenwriter "Celebrating Years." Wang Juan's scriptwriter skills were widely recognized in the industry, and he was known as the "gold medal scriptwriter."
Old Nine was a novel written in 2015.
The scriptwriter, Wang Juan, had buried the meme very deeply. In " Celebrating the Years," he cleverly used hidden plots and foreshadowing. For example, the " spring examination " incident mentioned in the first season, which laid the foundation for the second prince's character and the development of the second season. This kind of scriptwriting technique demonstrated Wang Juan's level and meticulous design of the plot. Although he was not obliged to explain the plot to the audience, he used these memes to convey the concept of " don't look at the show, look at the hidden " to the audience. However, the scriptwriter did not come out to explain how Fan Xian faked his death. This could be the director's decision, or it could be to leave suspense for the second season. In general, the screenwriter Wang Juan's use of memes in "Celebrating Years" added depth and interest to the plot.
Wang Juan expressed that the logic of dividing the seasons was very simple. Putting aside all the plot events, in the end, it still belonged to Fan Xian himself. In the first season, Fan Xian discovered that his entire life was a chess piece being manipulated. In the second season, Fan Xian found the real chess player he had to face on the confusing chessboard. The ending of Jiangnan would be the prelude to Jingdou. He also revealed that the third season wouldn't take so long.
According to the latest information, Wang Juan said that he wouldn't wait five years for " Celebrating Years 2 ". He had already started preparing for the third one.