Hong Xiuzhu's Calligraphy Works
Hong Xiuzhu's calligraphy works mainly consisted of official script, regular script, and running regular script. Her calligraphy was dignified and elegant, with regular strokes and precise arrangements. Hong Xiuzhu's calligraphy works showed her calligraphy level and unique understanding of traditional calligraphy. Her regular script highlighted the style of Yan Zhenqing's regular script. Every word was written full and square. In semi-cursive, she specialized in the Zhao style, with lines of varying thickness and outstanding expression. Hong Xiuzhu's calligraphy works were deeply recognized and praised by experts and peers. Her calligraphy works demonstrated her talent and skills, and at the same time conveyed her tenacious and courageous spirit. Hong Xiuzhu's calligraphy works attracted widespread attention across the country, demonstrating her love and persistent pursuit of traditional culture.
Hong Xiuzhu's family photo
Hong Xiuzhu's family photo showed her spending time with her family. In the photo, Hong Xiuzhu's parents were dignified and generous, full of cultural heritage. Her father was wearing glasses and looked like a cultured person with rich content, while her mother was wearing a cheongsam and had a fashionable hairstyle, showing the elegant demeanor of a young lady from a noble family. Hong Xiuzhu herself showed her unique temperament and demeanor in the photo. She wore a slightly classic short-sleeved shirt, exuding a unique temperament. This photo was not just a photo, but also a testimony to a period of time. It presented the family life and social style of Taiwan in the early 1960s, showing the richness and richness of Taiwan's culture at that time. Hong Xiuzhu's family background and upbringing undoubtedly had a profound impact on her personality and temperament.
Hong Xiuzhu's current husband
Hong Xiuzhu did not have any public information about her husband.
Xu Hong's Calligraphy
Xu Hong was an artist, and his calligraphy works were exhibited in the solo exhibition "Paradise in the Deep Valley". The exhibition displayed Xu Hong's paper manuscripts, drawer series, and paintings on shelves, totaling 24 pieces. Xu Hong's writing style and characteristics could not be learned from the search results provided.
Xu Hong's Calligraphy
Xu Beihong was a famous Chinese painter, and his calligraphy art was also studied and appreciated. Xu Beihong's calligraphy style was unique, influenced by the Northern Stele and the inscriptions on gold. He had started learning the inscriptions when he was young, and after becoming Kang Youwei's disciple, he continued to study the Northern Stele System. Xu Beihong's calligraphy works showed his personal style. His strokes were coherent, handsome, and naive. His calligraphy works integrated the characteristics of the inscriptions in form, while retaining the style of calligraphy of Wang Duo and others in the Ming Dynasty. Xu Beihong's calligraphy works expressed his enthusiasm for fighting. His calligraphy was regarded as the best in modern times and had a high aesthetic value. Xu Beihong's calligraphy art has inspired and guided contemporary calligraphy lovers and calligraphers.
Price of Xu Hong's Paintings and Calligraphy
The prices of Xu Beihong's paintings varied greatly in the market. According to different auction records and transactions, the price of Xu Beihong's works ranged from hundreds of thousands to hundreds of millions. For example, his Five Horses Painting was sold at Sotheby's in 1993 for 3.32 million Hong Kong dollars, setting the highest price for Xu Beihong's Chinese painting at that time. In addition, his work "Running Horse Painting" was sold at a price of 820,000 yuan in 2002, and the total price plus commission reached 902,000 yuan, setting the highest price for a single horse in the Xu family market at that time. In addition, there were also reports that Xu Beihong's works had been auctioned for more than 50 million yuan. However, the specific price of a work would be affected by many factors, including the subject matter, age, size, and artistic value of the work. Therefore, the price of Xu Beihong's paintings and calligraphy works had a wide range of changes. The specific price would be determined according to the market situation and the auction results.
Xu Hong learns calligraphy
Xu Beihong was an artist who studied calligraphy. He started learning painting from his father when he was young, and he also learned inscriptions under his father's guidance. His calligraphy foundation was very solid, especially when it came to Wei steles and inscriptions on gold. He had copied many famous steles, such as Zheng Wengong Stele, Stone Gate Inscription, Zhang Menglong Stele, etc. Under Kang Youwei's guidance, he continued to study the inscriptions and expanded his vision to the inscriptions of the Southern Dynasty and the earlier inscriptions on bones and bronze. Xu Beihong's calligraphy style was unique. It had the vigor and imposing manner of the Northern Stele, but it also had its own unique characteristics. His calligraphy works were full of artistic accomplishment and aesthetic value. All in all, Xu Beihong was a very talented calligrapher.
Yan Zhenqing's Calligraphy and Works
Yan Zhenqing's calligraphy was distinguished by its awe-inspiring, vigorous, and heroic style. His regular script was called Yan Style, which had a square and dense structure. It was light in horizontal strokes and heavy in vertical strokes. His strokes were vigorous and upright. Yan Zhenqing's calligraphy works were full of power and vitality. The strokes and lines were carefully arranged and sketched, giving people a majestic feeling. His calligraphy style was unique, with a backbone and a strong beauty. Yan Zhenqing's representative works included "Sacrificial Nephew Manuscript","Yan Family Temple Stele","Duobao Pagoda Stele" and so on. Among them,"Sacrificial Nephew Manuscript" was known as "the second cursive script in the world", showing the extraordinary style of Yan Zhenqing's cursive calligraphy. 'Yan Family Temple Stele' was one of his representative works in regular script. It was dignified and magnificent. The Pagoda Stele was Yan Zhenqing's early masterpiece. The regular script was square and the strokes were smooth. Yan Zhenqing's calligraphy works had become an important chapter in the history of Chinese calligraphy with its unique style and strokes.
Yan Zhenqing's Calligraphy Works
Among Yan Zhenqing's calligraphy works, some were very famous and highly respected, including Yan Qinli Stele. This was the Divine Stele that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It recorded the Yan Clan's lineage and Yan Qinli's life story. Yan Qinli Stele showed the mature style of Yan Zhenqing's regular script. His writing style was vigorous, dignified and elegant, and the font structure was rigorous yet flexible. Yan Zhenqing was good at using techniques such as lifting, pressing, and stopping to make the strokes and lines show rich changes, both powerful and rhythmic. This stele also demonstrated Yan Zhenqing's superb ability to form words. He handled the interweaving and evading between strokes, making every word present a harmonious beauty. The entire work was unified without losing its changes, full of vivid charm. Yan Qinli Stele had the characteristics of dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. The brush is horizontal, thin and vertical, thick and thick, hiding the head and protecting the tail, using both square and round, vigorous and powerful. The vertical painting takes the momentum of "facing each other". The vertical painting is thick and the goose tail is forked. The hook is like a bird's beak. The momentum between the dots is coherent. This stele emphasized laws and regulations, and it had the aura of the Great Tang. Yan Qinli Stele was one of Yan Zhenqing's representative works of regular script in his later years and was considered a treasure of his calligraphy art.
Yan Zhenqing's Calligraphy Works
Yan Zhenqing's calligraphy work,'Persuade Learning,' was a seven-character ancient poem. Through the description of the learning environment, this poem expressed the meaning that one should study hard when they were young, and study late when they were old. The poem exhorted teenagers to cherish their youth, study hard, and make a difference. Otherwise, it would be too late to regret when they reached old age. This poem was written by Yan Zhenqing to encourage future generations, showing his emphasis on learning and his attitude of cherishing time. Yan Zhenqing was a famous official and calligrapher of the Tang Dynasty. His calligraphy works were known as one of the "Four Masters of Regular Script".
Mi Fu's Calligraphy Works
Mi Fu's calligraphy works included Shu Su Tie, Yan Shan Ming, Tiaoxi Poetry Volume, Hong County Poetry Volume, Duojing Lou Poetry Volume, and Empress Dowager Elegy Tie. These works showed Mi Fu's attainments in running script, regular script, official script, and other calligraphy styles. His calligraphy style was stable and not ordinary, with many changes, taking into account the overall charm and perfection of the details. Among them, Shu Su Tie was known as the best calligraphy in China. It was one of Mi Fu's most famous works and one of the top ten famous calligraphy pieces in China. These works demonstrated Mi Fu's unique talent and charisma in calligraphy.