The Dragon Throne was a special chair in the Imperial Palace. It was used by the emperor to hold important ceremonies and handle state affairs. The dragon throne was usually placed on a high platform in the center of the hall. The base was made of a "Sumeru Seat" and there was a golden dragon carving on the back of the throne. The dragon throne was made of precious wood, such as mahogany and red sandalwood. The design of the dragon throne was full of symbolic meaning. The dragon was regarded as a symbol of authority and honor, so the design of the dragon throne was to highlight the supreme status of the emperor. In addition, the design of the dragon chair also fully considered practicality. The seat part was designed with cushions and backrests to maintain the comfortable posture of the emperor. Most of the dragon chairs in the Palace Museum were relics of the Ming and Qing Dynasties. After many repairs, they became today's works of art.
There were a few novels that the imperial concubines favored. Among them were " The Imperial Concubine's Favor in the Imperial Palace,"" The Imperial Concubine is the Empress,"" The Concubine's Favor,"" I See the Imperial Concubine's Charm," and " The Imperial Concubine's Favor." These novels covered harem struggles, love, and power stories, suitable for readers who liked these kinds of topics. Please note that these recommendations are only based on the search results provided. There may be other suitable novels that are not included.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel written by Qin Yu. The novel described how the main character Qin Yu and Qin Hai transmigrated to the Great Qian Dynasty and became the most favored prince. They also obtained the Sovereign Descent System. He had made many military achievements in the Northern Territory for eight years and had a high prestige. In the capital city, Qin Hai had ascended the throne in a hurry. He had only received the support of a portion of the people and not everyone's approval. In addition, the search results did not provide more information about the specific plot and story development. Therefore, for the details of the novel 'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne', he needed to read the full text of the novel or other relevant materials.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many important figures of the barbarians in the seven great expeditions and stabilizing the Northern Territory of the Empire. Because the late emperor did not appoint a crown prince, Qin Hai only received the support of a small number of people when he ascended the throne, especially in the northern region. The plot of this novel is fascinating and highly recommended.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many enemies in the seven great expeditions. In the capital city, Qin Hai ascended the throne in a hurry, probably because he fabricated the late emperor's posthumous edict. This novel was very popular with the readers. The plot was fascinating, and it was highly recommended.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many enemies in the seven great expeditions. In the capital city, Qin Hai ascended the throne in a hurry, probably because he fabricated the late emperor's posthumous edict. This novel was very popular with the readers. The plot was fascinating, and it was highly recommended.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many enemies in the seven great expeditions. This novel was full of inspirational spirit. The main characters were Qin Yu and Qin Hai. The specific plot and ending could only be understood after reading the full text.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many enemies in the seven great expeditions. In the capital city, Qin Hai ascended the throne in a hurry, probably because he fabricated the late emperor's posthumous edict. This novel was very popular with the readers. The plot was fascinating, and it was highly recommended.
'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne' was a novel about transmigration and rebirth. The author was Qin Yu. The story was about the protagonist Qin Yu and Qin Hai transmigrating to the Great Qian Dynasty to become a prince and obtain the Sovereign Descent System. In his memory, he had made many achievements in the Northern Territory, especially killing many enemies in the seven great expeditions. In the capital city, Qin Hai ascended the throne in a hurry, probably because he fabricated the late emperor's posthumous edict. This novel was very popular with the readers. The plot was fascinating, and it was highly recommended. As for the specific plot and story development, the search results did not provide any more information. Therefore, for the details of the novel 'Eighteen Imperial Edicts, I Lead the Dragon Knights to Seize the Throne', he needed to read the full text of the novel or other relevant materials.
The dragon on the dragon chair referred to the dragon pattern carved on the chair where the ancient Chinese emperor sat. The dragon chair was usually made of wood. The back and armrests were engraved with the image of a dragon, and then painted with yellow paint to express the majesty of the royal family. The dragons on the dragon throne were usually three-dimensional carvings. They were lifelike and displayed a mighty and majestic image. The dragon chair was exquisitely designed and exquisitely crafted. It was regarded as one of the masterpieces of traditional Chinese craftsmanship. There were many explanations for the specific meaning of the dragon on the dragon throne. One explanation was that the dragon symbolized the supremacy of the emperor, and the dragon on the dragon throne represented the power and status of the emperor. The other explanation was that the dragon on the throne represented the emperor's bloodline inheritance and symbolized the emperor's descendants. In general, the dragon on the dragon throne was the symbol of imperial power in ancient China, representing the dignity and power of the emperor.
The dragon on the dragon chair referred to the chair that the emperor sat on in ancient times with a dragon pattern on the armrest. The dragon on the dragon chair was usually presented by carving a dragon pattern on the back of the chair and the armrest. For example, in the Hall of Supreme Harmony in the Forbidden City, there were nine golden dragons coiled around the back of the dragon chair, and 13 golden dragons coiled around the chair ring. In addition, the golden screen behind the throne was also decorated with dragon patterns. The dragon pattern on the throne symbolized the majesty of the royal family and the supreme feudal imperial power.