The matriarchs of the Fan manor were Lin Wan 'er and Sisi.
The matriarchs of the Fan manor were Lin Wan 'er and Sisi. Lin Wan 'er and Sisi handled the Fan family's affairs and the Hangzhou Conference together. They worked well together. Lin Wan' er put forward ideas, and Sisi was responsible for finding gaps and filling in the gaps. The Fan manor's ending was Fan Xian taking his wife Lin Wan 'er, his concubine Liu Sisi, his son Fan Liang, and his daughter Fan Shuning to live in seclusion in West Lake.
The matriarchs of the Fan manor were Lin Wan 'er and Sisi. Lin Wan 'er and Sisi handled the Fan family's affairs and the Hangzhou Conference together. They worked well together. Lin Wan' er put forward ideas, and Sisi was responsible for finding gaps and filling in the gaps. The Fan manor's ending was Fan Xian taking his wife Lin Wan 'er, his concubine Liu Sisi, his son Fan Liang, and his daughter Fan Shuning to live in seclusion in West Lake.
In the end, Fan Xian took his wife, Lin Wan 'er, his concubine, Liu Sisi, his son, Fan Liang, and his daughter, Fan Shuning, to live in seclusion in West Lake. Fan Xian had successfully found the murderer of his mother, Ye Qingmei, his real father, the Qing Emperor. He had joined forces with others to fight against the Qing Emperor. Fan Xian's second wife did not mention the specific ending in the play.
In the end, Fan Xian took his wife, Lin Wan 'er, his concubine, Liu Sisi, his son, Fan Liang, and his daughter, Fan Shuning, to live in seclusion in West Lake.
In the end, Fan Xian took his wife, Lin Wan 'er, his concubine, Liu Sisi, his son, Fan Liang, and his daughter, Fan Shuning, to live in seclusion in West Lake. Fan Xian had successfully found the murderer of his mother, Ye Qingmei, his real father, the Qing Emperor. He had joined forces with others to fight against the Qing Emperor. Fan Xian's second wife did not mention the specific ending in the play.
In the end, Fan Xian took his wife, Lin Wan 'er, his concubine, Liu Sisi, his son, Fan Liang, and his daughter, Fan Shuning, to live in seclusion in West Lake. Fan Xian had successfully found the murderer of his mother, Ye Qingmei, his real father, the Qing Emperor. He had joined forces with others to fight against the Qing Emperor. Fan Xian's second wife did not mention the specific ending in the play.
Master Fan was a figure in the Fan manor courtyard. He was the master of the Fan manor and a person of status. He was highly respected in the play and was regarded as a benefactor by Guo Caisan, played by Sun Honglei. However, under the concept of class, Guo Caisan was always regarded as a servant by Master Fan. Master Fan's character in the play displayed the outdated ideology of feudal society, but he also insisted on national integrity.
Cao Cuifen played the role of the old lady of the Fan manor during the celebration.
During the Qing years, the old lady of the Fan manor was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. She played an important role in the rise of the Qing Kingdom. She was the only person the Qing Emperor trusted and had contributed to the rise of the Qing Kingdom in her small courtyard in Danzhou. Her identity was not clearly stated in the play, but according to the plot, she was the Qing Emperor's wet nurse and had a very high status. She appeared cold to Fan Xian, but in private, she pitied him and helped him deal with the murder. She was an old ancestor who looked confused but was actually shrewd, cold but actually affectionate. Cao Cuifen played the role of Old Lady Fan, a veteran actress.
Cao Cuifen played the role of the old lady of the Fan manor in " Celebrating Years." The old lady Fan she played was Fan Xian's grandmother, the mother of Fan Jian, the assistant minister of the Ministry of Revenue. Old Lady Fan played an important role in the play. She was the only one trusted by the Qing Emperor and had contributed to the rise of the Qing Kingdom. She was a wise old lady who was always deeply rooted in people's hearts and saw things through. Even though he appeared cold to Fan Xian on the surface, in private, he felt great pity for him. Old Lady Fan's performance in the play moved the audience. Her eyes, back view, and parting scene all moved people to tears. Cao Cuifen was a veteran actress. She was born in 1944 and was a national first-class actress at the Beijing Film Studio.