Li Du and Du Fu were sick and weak.
Du Fu was a weak and sickly person. According to the description in document 1, he had gone through several life-and-death situations. There was once when he almost couldn't survive. A Daoist said that his Yin Qi was too strong and that he needed to form a contract with a man. Du Fu's family had to agree to this request for his health. As a result, Du Fu was alive and kicking the next day. From then on, when Du Fu was at the age of marriage, the whole family hoped that he could find a person with strong yang qi to marry. However, every time Du Fu found a suitable girl, his illness would relapse. It was not until he found a girl who was full of Yang qi that Du Fu collapsed. Therefore, according to the information provided, it could be said that Du Fu's illness was related to his contract.
Du Fu Cottage Du Fu
Du Fu's Cottage was the former residence of Du Fu, a great poet of the Tang Dynasty in Chengdu. It was located at 37 Qinghua Road, Qingyang District, Chengdu City, Sichuan Province. Du Fu lived here for nearly four years and wrote more than 240 poems. The thatched cottage covered an area of nearly 300 acres, completely retaining the architectural layout of the 13th year of Hongzhi of the Ming Dynasty and the 16th year of Jiaqing of the Qing Dynasty. There were more than 30,000 volumes of various materials in the Cottage. It was the center of Du Fu's research and collection of Du Fu's poems and paintings. The Cottage Museum was established in 1955. It was the largest, most well-preserved, and most famous Du Fu memorial site. The thatched cottage was announced as one of the first batch of national key cultural relics to be protected in China.
Introduction of Li Bai and Du Fu
Li Bai and Du Fu were both famous poets of the Tang Dynasty. Li Bai was known as the "Immortal Poet". His poems were fresh and refined, full of romanticism, often describing natural scenery and expressing personal feelings. Du Fu was known as the " Saint of Poem." His poems were deep and profound, involving politics, history, society, and other aspects. He was known as one of the founders of Tang poetry. Both of them had a deep understanding of the political, cultural and social changes of the Tang Dynasty, and their works had a profound impact on the literature of later generations.
Du Fu, Du Fu, the poems in the thatched cottage
Du Fu wrote many poems in the thatched cottage, some of which were famous, including "The back of the Guo Tang is shady, and the Yuanjiang Road is familiar with the green suburbs." And "Jiang Village" in "go to the hall swallow, close to the water gull." There was also the line in the Cottage," Once upon a time, I went to the Cottage, and the barbarians filled the city." "Now that I have returned to the Cottage, Chengdu will be safe." Wait a minute. These poems described Du Fu's life and thoughts in the Cottage, expressing his feelings and thoughts about society and life.
Is Du Fu the Du family of Jingzhao?
Du Fu was born in the Du family of Jingzhao. His grandfather was Du Shenyan, a poet of the early Tang Dynasty, and Du Fu's distant ancestor was Du Zhou, a famous general of the Han Dynasty. Although Du Fu's family came from a branch of the Du family in Jingzhao, he was far from the faction of another Tang Dynasty poet, Du Mu. Therefore, it could be confirmed that Du Fu was a member of the Du family of the capital.
Du Fu's Cottage, Du Fu's Poem
Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Guest Arrival","Quatrain","Riverside Unique Seeking Flowers (5)" and "Riverside Unique Seeking Flowers (6)".
Du Fu's Cottage, Du Fu's poem
Du Fu's poems related to the Cottage are as follows: 1. The back of the Guo Tang is shaded by the white grass, and the road along the river is familiar with the green suburbs. Tang Cheng 2. Swallows in the hall, gulls in the water close to each other. Jiang Village 3. The thatched cottage has few flowers, but now I want to plant them. I don't care about green plums and yellow plums. "Looking for Fruit Plants at Xu Qing." 4. As the clerk of King Chen, I don't send money to the thatched cottage. "Secretary Wang, Xu Xiu's thatched cottage doesn't have enough resources to talk about Xiao Jie." 5. Darkwater Flower Path, Spring Star Grass Hall. "Night Banquet at Zuo's Manor" 6. I love the quiet thatched cottage of Yushan Mountain, and the refreshing atmosphere of autumn is fresh and new. Cui Clan's Cottage on East Mountain 7. Go out of the small hole in the outer wall of the city, and get a small road through the hazel. A stream runs like water, and twists and turns are crossed many times. 'Xizhi Village, looking for a thatched cottage.' 8. A thatched cottage to the west of Wanli Bridge. The water of Hundred Flowers Pond is Canglang. Mad Man The above is a poem related to Du Fu's Cottage.
Du Fu's Cottage, Du Fu's 83 poems
Du Fu's Cottage was a museum located in Chengdu. It was named after Du Fu, the great poet of the Tang Dynasty. Du Fu wrote a lot of poems in the thatched cottage, including 83 poems called "Several Poems: Poets of the Tang, Song and Ming Dynasties Ode to Sichuan." These poems showed Du Fu's love and concern for Chengdu and Sichuan. The Du Fu Cottage Museum held a poem recitation challenge, requiring participants to recite these 83 poems within a specified time. The winner would receive a lifetime free admission benefit. Meng Jidian was the first citizen to successfully challenge the Cottage. He recited the poems in less than an hour and received a certificate of honor from the Cottage and free admission for life. This activity was to pass on the culture of poetry and let more people understand and appreciate Du Fu's poems.
Representative works of Li Bai and Du Fu
Li Bai's representative works include "Drinking","Lushan Ballad","Night Moored by Niu Zhu Recalling the Past" and so on. Du Fu's masterpieces included Climbing High, Joyful Rain on a Spring Night, Remembering My Brother on a Moonlit Night, and so on.
Classic poems of Li Bai and Du Fu
Li Bai and Du Fu were both outstanding poets of the Tang Dynasty. Their poems were widely regarded as the classics of Chinese classical poetry. Li Bai's poems were full of the spirit of romanticism. He created many popular poems with his free and unrestrained strokes and rich imagination. Du Fu, on the other hand, used a realistic style and profound thinking to describe the social turmoil and the sufferings of the people in the Tang Dynasty. His poems were full of concern for the country and the people, as well as thoughts about life. Although the specific classic poems of Li Bai and Du Fu were not given in the information provided, there were many popular poems in their works, such as Du Fu's "Spring View","The country is broken, the mountains and rivers are still there, the city is deep in spring," and Li Bai's "Going into Wine","Singing in the daytime must be indulged in wine, and youth can accompany you to return home". These poems displayed their talents and thoughts about life and the country.
Li Bai and Du Fu's poems
Li Bai and Du Fu were both famous poets of the Tang Dynasty. Their poems were regarded as one of the treasures of Chinese classical poetry. Both of them were good at creating landscape idyllic poems and narrative poems, leaving behind many popular works. Li Bai's poetry style was bold and unrestrained, good at using exaggeration, metaphor and contrast to give people a feeling of passion. His poems covered a wide range of topics such as philosophy of life, natural scenery, historical events, etc. They often used myths and legends as material to show a spiritual realm that was beyond the secular world. Du Fu's poems were known for being deep, reserved, and tactful. His works focused on emotional expression and character portrayals, often using small details and small people's encounters to express big emotions and thoughts. His poems also included history, politics, and philosophy of life, which were full of deep thinking and concern for social reality. Both of them were regarded as the representative figures of Tang Dynasty poetry. Their poems had a profound influence on the development of Chinese classical poetry. Their poems were widely praised and became an important part of Chinese culture.