Bo Yikao's metaphor of playing the flute was the pursuit of dreams and freedom. This story conveyed a profound meaning, that is, everyone should pursue their own inner voice, regardless of the judgment and expectations of the outside world, stay true and pursue their own dreams. This play also implied the change of music in the Shang Dynasty, from witchcraft music to licentious music. Bo Yikao's music represented a new form of music, expressing people's true feelings and desires. This metaphor could also be understood as the humiliation and provocation of King Zhou and Daji to Bo Yikao. In short, Bo Yikao's metaphor of playing the flute is a story about the pursuit of dreams, freedom, and music revolution.
Bo Yikao's metaphor of playing the flute was to express the change of music in the Shang Dynasty. During the Shang Dynasty, there was only one kind of music called witchcraft music. It was music played by wizards during sacrifices to pray for peace and prosperity. After King Zhou ascended the throne, he ordered musicians to start creating obscene music. This was a kind of music used for debauchery and was criticized by Confucius as "decadent music." The scene of Bo Yikao playing the flute hinted at this kind of music revolution. His flute sound echoed with King Zhou's drumming and Daji's dance, symbolizing the emergence of a new musical form. The meaning of this play was to show the change of music in the Shang Dynasty from praying for national prosperity to debauchery.
The song Bo Yikao played for Daji was Qing Shang. This song was considered an elegy from ancient times. The tune was sad and was regarded as the sound of the country's demise. In the novel Investiture of the Gods, Bo Yikao played this song to express his dissatisfaction and resentment towards King Zhou, as well as his grief and mourning for the demise of the Shang Dynasty.
Bo Yikao and Daji were not lovers. Bo Yikao and Daji had a complicated relationship, but it was not explicitly stated that they were lovers. In the adapted TV series related to the Romance of the Gods, Daji and Bo Yikao were once lovers, but this was not the plot in the original work. According to the original book, the Romance of the Gods, Daji was Bo Yikao's mother, and Bo Yikao was the son of King Zhou of the Shang Dynasty. Bo Yikao's attitude towards Daji was to humiliate her. However, Daji's feelings towards Bo Yikao were complicated. On one hand, she was attracted by his handsome and talented face and fell in love with him. On the other hand, she used King Zhou to make things difficult for Bo Yikao. Therefore, Bo Yikao and Daji were not lovers.
There was no clear answer as to why Daji loved Bo Yikao but killed him in the end. In document 1 and document 2, it was mentioned that Daji lied that Bo Yikao molested her, which caused King Zhou's anger and eventually led to Bo Yikao's death. However, the other documents did not provide a specific reason. Therefore, according to the information provided, I am not sure why Daji loved Bo Yikao but killed him in the end.
The reason why Bo Yikao taught Daji how to play the zither was that Daji had developed feelings for Bo Yikao and hoped to be alone with him and seduce him. However, Bo Yikao did not accept Daji's request and even humiliated her. Therefore, Daji decided to take revenge on Bo Yikao and framed him by framing him and exposing her true form. In the end, King Zhou believed Daji's calumny and executed Bo Yikao cruelly.
Bo Yikao was conferred the title of the God of the North Pole Emperor of Ziwei by Jiang Ziya. He could also be called Emperor of Ziwei. Emperor Ziwei had the most honorable status among the stars, representing honor, power, and the emperor. This Deity Position wasn't completely conferred based on merit, and it had nothing to do with personal ability. His status was largely determined by the status of his father, Marquis of the West, Ji Chang. Because Ji Chang was the leader of Xiqi, and Bo Yikao was his eldest son, his position was naturally extraordinary. Therefore, after King Wu conquered King Zhou, when Jiang Ziya returned to the country and became a god, Bo Yikao was conferred the title of Emperor Ziwei.
The relationship between Bo Yikao and Daji was that Daji had a good impression of Bo Yikao, but Bo Yikao was not moved by her. After Daji saw Bo Yikao, she was attracted by his appearance and talent and tried to seduce him many times. However, Bo Yikao remained sober and upright and was not tempted by Daji. In the end, Daji hated Bo Yikao because of his refusal, framed him and killed him. Therefore, their relationship could be said to be a kind of good impression and hatred later.
In Investiture of the Gods, Bo Yikao was conferred the title of the god of the Great Emperor of the North Pole of Zhongtian, and was named the Noble God. This Deity Position was one of the highest Deity Position in the Investiture of the Gods. It represented honor, power, and the Emperor. Although Bo Yikao's presence in the novel was relatively low, as the eldest son of King Wen of Zhou, because of his sacrifice and filial piety, he avenged his father and younger brother and opened the chapter of conquering Zhou. His sacrifice also became the beginning of the story of the Investiture of the Gods, which had an important promotional effect. Therefore, it was reasonable for Bo Yikao to be given the high position of Deity Position.
Bo Siyan and Qu Yan had two different answers. According to document [1] and document [3], Bo Siyan was played by Yang Jinheng. However, according to documents [2] and [4], Bo Siyan was played by Lu Junyan. Due to the conflicting information provided, it was impossible to determine the exact actor of Bo Siyan and Qu Yan.
Huang Bo played the role of Jiang Ziya in the movie " Apotheosis: Part One." Jiang Ziya was a disciple of the Clan of Enlightenment under the Heavenly Lord Yuanshi of the Jade Palace in Kunlun Mountain. After 40 years of cultivation, he went down the mountain to become a god on behalf of heaven and assisted Ji Fa in overthrowing Shang Zhou. In this role, Huang Bo demonstrated his ability to shape characters and his acting skills. Although some viewers thought that Huang Bo's image of Jiang Ziya was not sage-like enough, the director chose Huang Bo because his temperament was more appropriate to the original work. Huang Bo's appearance in the film took eight and a half hours of makeup time. He lost some of his facial expressions after wearing the silica gel mask, so he needed to be magnified and exaggerated during the performance. Huang Bo showed Jiang Ziya's old age through his body and lines. At the same time, he added some folk and market elements to make the character more rich. Huang Bo's acting and humor could bring Jiang Ziya new charm. Although some viewers were dissatisfied with the image of Huang Bo's version of Jiang Ziya, as a capable actor, Huang Bo's performance had already deviated from his image and successfully presented an unusual Jiang Ziya.