Ouyang Xun had many representative works, the most representative of which was the "Ninety percent Palace Liquan Inscription". This piece of work was known as the " Extreme Rule of Regular Script " and " Number One Regular Script ". It was Ouyang Xun's pinnacle of calligraphy. Other representative works included Huangfu's Birth Stele, Huadu Temple Stele, Zhongni's Dream Liutie, etc. These works showcased Ouyang Xun's unique calligraphy style and techniques, and were deeply loved by calligraphy lovers and collectors. The specific way to read these works was to learn and study Ouyang Xun's calligraphy theory and techniques.
Ouyang Xun's representative works included Zhongni's Dream and Thousand-Character Rune.
Ouyang Xun's representative works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Liutie," and "Running Script Thousand Words."
One of Ouyang Xun's representative works was the 'Ninety percent Palace's Liquan Inscription'.
Ouyang Xun's representative calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie," and "Running Script Thousand Words."
Ouyang Xun's representative works include "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Litie,""Running Script Thousand Words," etc.
One of Ouyang Xun's representative works was the 'Ninety percent Palace's Liquan Inscription'.
Ouyang Xun's representative works included the Inscription of Jiucheng Palace's Liquan, the Stele of Huangfu's Birth, and the Inscription of the Buddhist Monk's Stupa in Huadu Temple. Ouyang Xun's calligraphy was strict, neat, and upright. Although his font was slightly longer, it was divided into white, neat and rigorous, the middle palace was tight, and the main pen was elongated, making it seem bold and unrestrained, sparse and dense, all sides were prepared, exquisite, lively and just right. In terms of the combination of dots and the arrangement of the structure, most of his words expanded to the right, but the center of gravity was still very stable. There was no sense of tilting, but the interest of danger in the right. Ouyang Xun's regular script was mostly in regular script. His writing style was square, slightly formal, strong and meticulous. His calligraphy was called the European style, which emphasized the strength of his fingers. The strokes he wrote were strong and firm, and the backbone was contained. It was neither too thin nor too full. Every stroke was too long and too short. The weight was appropriate and the length was just right.
Ouyang Xun's representative works included the "Ninety percent Palace Liquan Inscription","Huangfu's Birthday Stele", and "Huadu Temple Stele". 'The Ninety percent Palace's Liquan Inscription' was one of his representative works in regular script. It was known as the world's number one regular script, displaying his unique writing technique and skill. The font of Huangfu's Birth Stele was thin, hard and straight, and the composition was dense. " Stele of Huadu Temple " was written by Ouyang Xun in his later years. The style was rigorous and steep, and it was known as the model of European style stele books. Ouyang Xun's calligraphy style inherited the past and the future. In the early days, he was influenced by Wang Xizhi and the Northern School of Calligraphy. At the same time, he was also influenced by the calligraphy styles of the Liang, Chen, and Sui Dynasties. His regular script works were dangerous, rigorous, and clear. They contained the essence of calligraphy from the north and south, which had a great impact on the development of regular script in later generations.
Ouyang Xun's most famous works included "Jiucheng Palace Liquan Inscription,""Zhongni Dream Litie,""Huangfu's Birthday Stele,""Huadu Temple Stele," and so on.
Lu Xun's representative works are "Madman's Diary,""The True Story of Ah Q,""New Stories,""Hesitation,""Canopy Collection,""Scream," and so on. A Madman's Diary was one of Lu Xun's most famous novels. It narrated the protagonist's psychological journey in the first person and revealed the darkness of feudal society and the distortion of human nature through the portrait of the madman. The True Story of Ah Q expressed a new aesthetic trend of modern Chinese literature by describing Ah Q's inferiority complex and struggle. New Storytelling was one of Lu Xun's masterpieces. Through the integration of history, legends, folktales, and other materials, it constructed a unique story world, showing Lu Xun's criticism and thinking of ancient Chinese culture. "Hesitation" was a novel that reflected the social reality and revealed the various ills of the society through the description of the character's psychology. "Huagai Collection" was a collection of poems by Lu Xun, which included many poems that reflected social reality and expressed the yearning for freedom and democracy. The Scream was one of Lu Xun's masterpieces. Through the discussion of life, death, human nature and other topics, it revealed the various difficulties faced by Chinese society at that time.