Shi Jiazhen was the dean of the Luoyang Institute of Cultural Relics and Archeology. He was a professor and a supervisor of PhD students. He had been engaged in cultural relics protection and field archaeology for a long time. He presided over the archaeological excavation of many large-scale ancient sites and tombs, and his archaeological projects were repeatedly rated as the top ten archaeological discoveries in the country. Shi Jiazhen also sought a balance between cultural relics protection and urban construction, and proposed the Luoyang model, which was to protect and display cultural relics in basic construction. His work was also recognized and he received many awards, including the second-class merit award from the Henan Province Department of Culture and the Provincial Cultural Relics Bureau, as well as the name of the Luoyang Municipal Party Committee and Municipal Government as an outstanding expert.
Shi Jiazhen was the director of the Luoyang City Institute of Cultural Relics and Archeology. He had extensive experience in cultural relics protection and field archaeology, and had presided over several archaeological projects. His work was recognized, and the archaeological projects he presided over were repeatedly rated as one of the top ten archaeological discoveries in the country and won the National Archeological Quality Award. Shi Jiazhen had also published many professional papers in national core journals and published many books. His achievements earned him a special government allowance and he was named the seventh batch of outstanding experts. His research focus included the archaeological excavation of important tombs such as the Han Dynasty Emperor Mausoleum in Luoyang and the Mang Mountain Mausoleum. In short, Shi Jiazhen was an expert with outstanding achievements in the field of cultural relics protection and archaeology.
Shi Jiazhen, male, born in March 1963, from Changge, Henan Province, professor, supervisor of PhD students, current president of Luoyang City Institute of Cultural Relics and Archeology. He had been engaged in frontline work in cultural relics protection and field archaeology, and had presided over the archaeological excavation of many large-scale ancient sites and tombs. His archaeological projects have been rated as one of the top ten new archaeological discoveries in the country and won the National Archeological Quality Award. Shi Jiazhen had also published professional papers in national core journals and published many books. He was awarded second-class merit by the Henan Province Department of Culture and the Provincial Cultural Relics Bureau, and was named as an outstanding expert by the Luoyang Municipal Party Committee and Municipal Government. In 2020, he stepped down as the president of Luoyang City Institute of Cultural Relics and Archeology and became the president of Longmen Grotto Research Institute.
The tombs excavated by Shi Jiazhen in Luoyang included dozens of important tombs such as the paleolith site of Sunjiadong on the south bank of Yihe River in Luanchuan County, Luoyang City, and the tomb of Han Emperor in Luoyang.
The tombs excavated by Shi Jiazhen in Luoyang included dozens of important tombs such as the Paleolith site of Sunjiadong on the south bank of Yi River in Luanchuan County, Luoyang City, and the mausoleum of Han Emperor in Luoyang.
Shi Jiazhen, the director of the Dragon Gate Grotto Research Institute, was a professor and a supervisor of PhD students. He was currently the director of the Dragon Gate Grotto Research Institute. He had been working on cultural relics protection and field archaeology, and had presided over the archaeological excavation of many large-scale ancient sites and tombs. Shi Jiazhen said that Longmen Grotto was a model of the art of the royal grotto temple, showing the imagination, creativity and willpower of the ancients. He also emphasized that the digitized results of Longmen Grottoes needed to be studied in depth to fully explore the information and value of cultural relics. Shi Jiazhen was also committed to bringing cultural relics from overseas back to China through various means. His vision was to present the exquisite cultural heritage of Longmen Grottoes to the world and let people experience the brilliance of Chinese civilization.
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
The archaeological investigation and survey of the Eastern Zhou Dynasty's royal tomb in Jin Village, Luoyang, had recently started. According to the preliminary plan, the archaeological work would be divided into three stages, lasting five years, with the aim of fully understanding the basic cultural relics of the royal tomb area of Jin Village. Jin Village's Eastern Zhou royal mausoleum was an important site in China's archaeological community. It was once excavated in the 1920s and 1930s, and a large number of precious cultural relics were lost overseas. The goal of this archaeological investigation and survey was to clarify the cultural relics of the Jin Village royal mausoleum area, but it did not involve the excavation of the Eastern Zhou mausoleum. The project was expected to last for five years, with the hope of finding some precious cultural relics and contributing to China's archaeological research and cultural relics protection.
Beiqi Cultural Relics Park was located in Wangjiafeng Village, Yingze District, Taiyuan City. The total land area was 18.94 hectares, and the nature of the land was G1 park green space. The main body of the park was the Northern Qi Mound Museum, which covered an area of 9037 square meters. The nature of the construction was public culture. The Northern Qi mural museum mainly displayed the tomb of Xu Xianxiu's tomb. The tomb was composed of a slope tomb path, a hole on the top of the earth, a courtyard, a brick corridor, and a tomb chamber. It was about 31 meters long and 8.1 meters deep from the ground. The tomb was a single-chamber structure with a dome roof and brick coupons. The plane was square with an arc edge, about 6 meters square, and there was a rectangular coffin bed on the west side. After the completion of the park, it would become an important ecological layout of the East Street of the South Inner Ring, providing leisure and entertainment for the citizens. Currently, the Northern Qi cultural relics park was undergoing a design tender and was scheduled to open to the public within the year.
The cultural relics of the Northern Qi Dynasty mainly included pottery, stone carvings, bronze mirrors, jade articles, glassware, and so on. Among them, pottery was the most abundant and diverse type, with green glaze, yellow glaze, white glaze, and other varieties. In addition, there were also the Northern Qi gray pottery warrior with a shield, the Northern Qi warrior Tao Li, and other pottery figurines. The grotto culture of the Northern Qi Dynasty was also an important cultural heritage, such as the grottoes of Xiangtang Mountain in the north and south, the grottoes of Shuiyu Temple, etc. In addition, there were some tomb murals, such as the Northern Qi Lou Rui Tomb and the Northern Qi Xu Xianxiu Tomb. In general, the cultural relics of Northern Qi were rich and varied, showing the art and craftsmanship of the time.
The discovery of the Xia cultural relics did exist. In the cultural relics unearthed from the ancient Zeng State site of Baliqiao in Fangcheng, Nanyang, the "Xia characters" were discovered. This discovery proved that the Xia Dynasty had entered the era of written records. In addition, the Erlitou site in Yanshi, Henan Province was also one of the important discoveries of Xia cultural relics. After 60 years of excavation, it had achieved world-renowned results and enriched the content of Xia culture. In addition, there were other archaeological discoveries that further confirmed the existence of the Xia culture. Therefore, it could be said that the discovery of Xia cultural relics provided direct evidence for the authenticity of Xia culture.