I recommend good Chinese painting novels.
Chinese Painting was a novel written by Wang Yuewen about officialdom. It was considered a masterpiece among officialdom novels. The novel took the rise and fall of the protagonist Zhu Huaijing's career as a clue, vividly depicting the survival of a group of people living in the center and the edge of power. In the story, Zhu Huaijing began his new journey in officialdom because of a request from his superior. He faced various choices and challenges in his career and personal feelings. 'Chinese Painting' had an in-depth discussion of the corruption of officialdom and the alienation of officials, showing the spiritual comics of a generation. This novel was known as a textbook for officialdom, and it had a high ornamental value and reading value.
This Game Is Too Real
Excerpt from Chinese painting novels
The following are some of the sayings from Chinese Painting: - The biggest law was not the constitution, but the views of the leaders. - "Brother, are you the only smart person in the world?" Who doesn't know that every word you say makes sense? But reality doesn't need your theories. If you don't listen to my advice, we can make you immortal in history, but you have to disappear from reality immediately." - Zeng Li: "Some people say that my couplet is self-proclaimed to be brilliant, thinking that I am the only clear one in the world." Now, of course, no one will use one or two sentences to punish you, but they will remember your sins in their hearts and use some very secular methods to punish you. They will make you suffer from very secular confusion and torture, making you unable to live a peaceful life. This is the helpless reality." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
An ancient Chinese painting.
There are many famous paintings in ancient China. The following are some of them: The Painting of Along the River During Qingming Festival, painted by the Northern Song Dynasty painter Zhang Zeduan, depicted the city scene and social life of Bianjing (today's Kaifeng City, Henan Province) during the Northern Song Dynasty. 2. The Painting of the Luo God, painted by the Tang Dynasty painter Zhao Gou, depicting the dialogue between the Luo God and Zhao Gou. It was one of the masterpieces of the Tang Dynasty painting. 3. The Painting of Thousands of Miles of Rivers and Mountains, painted by the Northern Song Dynasty painter Huang Gongwang, depicting the beautiful scenery of thousands of miles of rivers and mountains in southern China, is one of the most representative works of ancient Chinese painting. 4 Mona Lisa-Painted by Da Vinci during the Italian Renaissance, it is considered one of the world's most famous paintings. It portrays a mysterious female portrait that reflects the artistic ideas and aesthetic concepts of the Renaissance. 5 Sunrise on Mount Tai-The painting of the sunrise on Mount Tai by the Ming Dynasty painter Wu Daozi is one of the masterpieces of ancient Chinese painting. "Residence in Fuchun Mountain"-Painted by the Southern Song Dynasty painter Zhang Zeduan, depicting the landscape of the Fuchun River in southern China is one of the most representative works of ancient Chinese painting. These are some of the famous paintings in ancient China. They not only reflect the essence of ancient art, but also are important witnesses of Chinese culture and history.
Master of Chinese Painting
Xu Beihong was a Chinese painting master surnamed Xu. He was honored as the founder of modern China art education, advocating the development of "traditional China painting" improvement, based on modern China realistic art. Xu Beihong's works included figures, animals, flowers and birds, etc. His artistic achievements were widely recognized, and his works were collected in the collections of museum and private collectors all over the world. His contribution to China's art education could not be ignored. He had promoted the modernisation and internalisation of China's art education.
Chinese painting of crane
The crane painting had a unique meaning and value in China traditional painting art. In China, cranes were known as spiritual birds that lived for thousands of years. Their bodies were elegant and refined, and they were seen as the mounts of immortals. Therefore, the crane painting symbolized nobility, longevity, and full of spiritual aura. Judging from the theme, the Immortal Crane Painting had a variety of elements. For example, in some works, there would be the composition of cranes and pine trees, plum blossoms, bamboos, lotus flowers, lake rocks, etc. There would also be pictures of cranes and deer in spring, and there would be paintings of parasol trees, cranes and deer. These combinations contained specific auspicious meanings. Among them, the combination of cranes and pine trees was "pine cranes prolong life". Because pine trees were evergreen trees, both of them were longevity objects and were often used to congratulate longevity. Crane and deer in spring were one of the traditional China auspicious patterns. Cranes were longevity immortal birds, deer were longevity immortal beasts, and parasol trees were regarded as spiritual trees among the people. The combination of the three was used to celebrate health and happiness. From the perspective of artistic development, the Tang Dynasty was the earliest era to discover the image of cloud cranes. There were many cloud crane images painted in the tombs of Princess Dachang, Princess Yongtai, and Prince Jiemin. At that time, the cloud crane theme had already appeared to be combined with immortals and auspicious beasts, forming a more profound auspicious image with a strong decorative effect. After that, images of cranes and clouds appeared frequently in the tombs of the Five Dynasties, Song, and Liao Dynasties. From the images of decorative tombs, they gradually developed into paintings that focused more on depicting the charm of cranes. In addition to paintings, the cloud crane pattern was also widely used in the decorative patterns of various arts and crafts, such as porcelain and embroidery. Especially in China porcelain, the decorative patterns began to be advocated in the Yuan Dynasty. In the Qing Dynasty, the decorative patterns became more elaborate and emphasized auspicious meanings. In terms of painting techniques, there were works that specifically introduced the fine brush painting of the crane. There were partial disassembled drawings of the crane, various dynamic line drawings, detailed step diagrams and text descriptions of the completion of a work, and important introductions to the ink, color, and rendering process. These provided technical guidance for the creation of the Chinese painting of the crane. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Chinese Traditional Culture: Chinese Painting
Chinese painting is a traditional Chinese painting with a long history and rich cultural content. Its main feature was the use of ink and colored brushes to express people, mountains, rivers, flowers, birds and other natural scenery through lines and ink. Chinese painting originated from the Han Dynasty and developed to the peak of the Tang Dynasty. After that, it went through the continuous innovation and development of the Song, Yuan, Ming, Qing and other dynasties, forming a unique painting style and technique. The main material of Chinese painting was ink and wash. The use of water was very clever, which could produce different effects. The use of ink was mainly black. Through different ink methods, ink blocks, ink dots, and other means, different light and shadow effects and atmosphere were expressed. The colors in Chinese paintings were relatively light, with ink as the main color, pursuing a profound artistic effect. Chinese painting focused on the expression of lines, the use of brush and ink, and the creation of rhythm. In terms of composition, Chinese paintings emphasized on artistic conception and far-reaching artistic conception. They often expressed the inner meaning and philosophy of natural scenery in a concise and abstract form. In terms of subject matter, Chinese paintings covered various aspects such as figures, landscapes, flowers, birds, animals, etc. It had a wide coverage and profound cultural content. Chinese painting is an important part of Chinese traditional culture, with unique artistic value and historical value, which has a profound impact on the inheritance and development of Chinese culture.
What was the dotting method of Chinese painting? What was a Chinese painting? What was the charm of Chinese painting? The name of a famous Chinese artist and his work?
The dotting method of Chinese painting referred to the use of basic elements such as dots, lines, and surfaces in the process of painting. In Chinese painting, the use of dots was more common. They could express different objects and scenes through different shapes and sizes to convey the author's emotions and artistic conception. There was another important concept in Chinese painting called "Qi Yun", which referred to the overall atmosphere and charm of a work. Vividness was an important standard in Chinese painting. It meant that the work could resonate with the audience and convey the author's unique aesthetic concept and thoughts. The famous Chinese paintings were Wu Daozi, Li Keran, Bada Shanren, Shi Tao, Van Gogh, and picador.
Fuchun Mountain Residence Painting Chinese Painting Scroll
The Painting of Residence in Fuchun Mountain was a paper ink painting created by Huang Gongwang, a painter of the Yuan Dynasty, in 1350. It was one of the top ten famous paintings in China. The original painting was drawn on six pieces of paper, which were then mounted into a long scroll of about 700 centimeters. It was set against the Fuchun River in Zhejiang Province. The painting was painted in elegant ink. The arrangement of mountains and rivers was appropriate. The ink color was thick and clear, and it was mixed with dry and wet colors. It was extremely rich in variety and was known as the "Orchid Pavilion in Painting". The painting changed hands several times, and the body and head were cut into two pieces due to the "burning of the painting and burial". The first half of the volume is the Painting of the Remaining Mountains, which is now collected in the Zhejiang Province Museum, and the second half is the Useless Master Volume, which is now collected in the National Palace Museum in Taiwan. From the structure of the painting, the painting could be divided into several parts. The first part of the painting,"The Remnant Mountain Painting", started from a thick mountain. The peaks converged and were round and thick. The earth piles were piled up layer by layer and then tilted to the left. Huang Gongwang used the "long and thin" brush technique to show the thick texture of the soil. The mountain mist was misty, showing the humid climate of Jiangnan. In the second part, the development of the mountain range had a turning point. As the level of the mountain range changed, the trees, slopes, houses, and boats in the river gave people a feeling of being surrounded by layers of mountains and desolate mountains. At the end, the main mountain range was on the left, and the mountains echoed on the left. The nearby pine and cypress swayed to the right and echoed the distant mountains. The third part was rich in ink color and space. From the second part to the third part, the painting changed from dense to relaxed, alienated and beautiful. The water waves, silk grass, wide water and fine sand were sketched with thick ink and fine brush. The scenery was lively. The fourth part had the least amount of brush and ink. There was no chapped dye, only mountains and rivers, which restored the original nature. The composition spanned across the fifth part. There was a large blank space as if the four seasons were flowing, and the years were rushing. There were dried moss, small trees, and small bridges on the river bank connecting the fifth part. From the fifth to the sixth part, there was a wide white sand. In the blank space, there were two boats running parallel in the river. The fisherman on the boat was the point scene, and there were distant mountains in the distance. The line drawing of the pen and the dragging of the ink continued in the blank space. The whole picture is full of mountain rocks and chapped strokes, turning naturally. The long hair is covered with hemp and chapped dry and wet. The skill is profound, free and easy, and there is spiritual aura. The picture is full of beautiful forests and lush vegetation. It is full of the poetry of recluse leisurely wandering in the forest and spring. It exudes a strong literary atmosphere of Jiangnan. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
I recommend books on traditional Chinese painting and western landscape painting, but they must be theoretical.
The books on traditional Chinese painting and western landscape painting were recommended as follows: 1 History of Chinese Painting ( ·T·Ross) -This is a book on the history of Chinese painting, covering many periods and different painting styles from the Neoliths to the Qing Dynasty. History of Western Painting ( ·M·Jordeline) -This is a book on the history of Western painting, covering many periods and different painting styles from the Renaissance to the modern school. 3. Landscape Painting ( · ·Goya) -This is a treatise on landscape painting theory, which explains the origin, composition, color, light and shadow, and lines of landscape painting. Techniques of Western Landscape Painting ( ·Fletcher) -This is a treatise on Western landscape painting techniques, introducing various landscape painting techniques, including perspective, shadow, light and shadow, and color. These four books are all important theoretical materials related to traditional Chinese painting and western landscape painting. They can help you understand the basic concepts and techniques of these art forms more deeply.
The characteristics of Chinese literati painting
The characteristics of Chinese literati painting can be summarized as follows: 1. Paying attention to traditional culture and aesthetic value: Chinese literati paintings emphasize the understanding and inheritance of traditional culture, emphasizing the embodiment of aesthetic value, emphasizing the artistic conception of "poetry and painting" and the style of "harmony, elegance and vulgar appreciation". 2, emphasize the painter's personal style: Chinese literati painting emphasized the painter's personal style and creative personality. The painter would give full play to his imagination and creativity to form a unique artistic style. 3. Paying attention to brush and ink skills and performance effects: Chinese literati paintings pay attention to brush and ink skills and performance effects, emphasizing the use of brush and ink and the improvement of performance skills, pursuing the artistic conception and effect of "brush and ink should follow the times". 4, emphasizing the continuity and variation of performance: Chinese literati painting emphasized the continuity and variation of performance, pursuing the continuity and variation of the picture, emphasizing the overall grasp of the picture and the performance of the details. 5. Pay attention to the painter's ideology and emotional expression: Chinese literati painting pays attention to the painter's ideology and emotional expression, emphasizing the painter's understanding and perception of life, nature and society, and pursuing a "metaphysical" artistic conception and a "profound artistic conception" style.
A Chinese painting with a profound meaning?
As an art form, Chinese painting had a long history and cultural heritage. It usually uses traditional painting techniques to use a variety of colors and materials to represent natural landscape, people, animals, plants and other elements. In traditional Chinese painting, a profound meaning was an important characteristic. Artists usually used the layout, lines, colors, light and shadow of the painting to express a certain meaning or emotion. For example, landscape paintings often implied lofty aspirations and pursuits, while plum blossoms symbolized a strong and unyielding spirit, while peony paintings symbolized wealth and prosperity, and so on. Therefore, Chinese paintings could often resonate with the audience, allowing them to feel some kind of meaning or emotion in the process of appreciation.