In the process of reading literature, the reader's subjective initiative can be expressed in the following aspects: 1. Emotional experience: Through reading literary works, readers can feel the emotional experience of the characters in the works, such as joy, sadness, anger, etc., and then resonate and react emotionally. 2. Reflection and analysis: The reader can think and analyze the meaning and value of the work based on the plot, characters, theme, etc., and evaluate and reflect on the work. 3. Imitation Creation: The readers can learn the expressions and rhetorical devices from reading literary works and imitate and create according to their own experiences and characteristics. 4. Cultural Awareness: Through reading literary works, readers can understand and understand different cultures and social backgrounds, as well as different cultural traditions and values, so as to expand their cultural vision and cognitive level. 5. Self-improvement: readers can improve their reading ability, writing ability, literary accomplishment, etc. through reading literary works, so as to continuously improve and grow themselves.
The general process of reading literature could be summarized as the following steps: 1. Initial Reading: This is the stage where the reader understands the background, author, theme, and other basic information of the work. The readers could understand the basic situation of the work by reading the foreword, the table of contents, the author's introduction, and so on. 2. Understanding the work: On the basis of preliminary reading, the reader needs to read the work carefully to understand the thoughts, emotions, artistic characteristics, etc. expressed by the work. The readers could understand the work by analyzing the structure, plot, characters, theme, and other factors of the work. 3. Critical reading: On the basis of understanding the work, the reader needs to critically read and think about the problems, shortcomings, and shortcomings exposed by the work, as well as the author's creative intentions and artistic techniques. Through reflection and criticism, readers could understand the meaning and value of the work. 4. Deepen reading: On the basis of critical reading, readers need to read further and dig into the content and value of the work to expand their reading vision and depth of thinking. The readers could deepen their understanding of the works through repeated reading, comparison, and analysis. 5. Summing up and Evaluation: On the basis of deepening reading, readers need to summarize and evaluate the works to share their reading feelings and thoughts. The readers could summarize and evaluate the works by writing notes, writing articles, and communicating with others. Reading literature was a complicated and in-depth process that required readers to spend a lot of time and energy to understand and explore the works. Through continuous reading and thinking, readers can continuously improve their reading ability and literary quality.
Scar literature is an important genre in modern Chinese literature. It mainly describes the pain and suffering that China experienced during and after the Second World War and reflects the losses and trauma that the Chinese people suffered in the war. The influence of scar literature on modern people can be evaluated from both subjective and objective aspects. Subjective aspects: 1. Reflecting on history: Scar literature depicted the suffering and destruction brought to China by war, allowing people to reflect on history more deeply, recognize the cruelty and irreversibility of war, and thus cherish peaceful life more. Reflecting reality: Scar literature makes people more aware of social injustice and injustice by describing the suffering and pain of reality, thus calling for social justice and equality. 3. Shaping the characters: The characters in the scar literature have distinct personalities and make people understand and understand the complexity and variety of human nature. The objective aspect: Inspired the people's courage: The suffering and setbacks described in the scar literature inspired the Chinese people's courage and perseverance, making people more confident and courageous to face all kinds of difficulties and challenges in life. Exposing the dark side of society: The dark side and social problems described in scar literature reveal the dark side and shortcomings of society and promote social progress and development. 3. Forming a literary tradition: Scar literature had a profound influence on the development of modern Chinese literature, forming a unique literary tradition and style, which provided important enlightenment and guidance for later literary creation.
The reader's acceptance process included the following stages: 1. Perception: The reader perceives the language, image, emotion, etc. of the literary work through the senses of sight, hearing, and other sensory organs. 2. Comprehension: The reader will understand and analyze the language, image, and emotions of the literary work based on their perception. 3. Evaluation: The readers evaluate and judge literary works based on their own life experience, cultural background, aesthetic concepts, etc. 4. Accepting: The readers will accept the literary works based on their evaluation. These are the general stages of the reader's acceptance process. Different readers may have different acceptance processes and acceptance methods.
The reader reminders in novels impact the reading process in several ways. On one hand, they help the reader to better contextualize the story. By recalling previous details, the reader can see how the story has evolved. For instance, if a place was described in the beginning of the novel and then mentioned again later with a reminder, the reader can better understand the significance of that place in the overall plot. On the other hand, it can influence the reader's emotional connection to the story. Remembering past events can intensify the reader's feelings towards the characters and the events in the novel.
In the process of dating, boys might have many different attitudes if they did not take the initiative. One of the possible mentalities was that a guy might think that he was not attractive enough to make a girl take the initiative to pursue him. Another possible mentality was that boys might think that they were not mature enough or not confident enough to take the initiative to pursue girls. In addition, there may be other reasons why boys do not take the initiative. For example, boys think that pursuing girls is a cumbersome thing or boys are worried that taking the initiative to pursue girls will hurt the feelings of girls. No matter what kind of mentality the boy had, if the boy did not take the initiative, the girl should also express her interest and like in the boy, such as taking the initiative to communicate with the boy. This way, the boys would be able to understand the girl's true thoughts and decide whether to continue pursuing the girl.
What were the aspects of the stylistic consciousness and subjective consciousness of the novelists of the Qing Dynasty? 1. Consciousness of stylishness: The stylishness of novelists in the Qing Dynasty was mainly manifested in the norms and exploration of the novel's form and structure. They paid attention to the rhythm of the novel and had unique innovation in the narrative method, description skills, language application and so on. At the same time, they also had an impact on the genre and trend of thought of the novel. For example, the "Four Famous Books" and "Dream of the Red Chamber" reflected the social and cultural style of the Qing Dynasty. 2. Consciousness of the main body: The main consciousness of the novelists of the Qing Dynasty was mainly manifested in the shaping of the character's personality and fate. They focused on portraying the character's personality and psychology, so that the character had a profound meaning and personality characteristics. At the same time, they also reflected the social reality and revealed the deep-seated problems of human nature through the fate and encounters of the characters. For example, Lin Chong in Water Margins and Jia Baoyu in Dream of the Red Chamber were all representative characters.
Kota Factory shows multiple aspects. Firstly, it shows the student - teacher relationship which is quite unique in Kota's coaching setup. The teachers are not just educators but also mentors and strict disciplinarians. Secondly, it depicts the hostel life of students, the camaraderie as well as the rivalries among them. Also, it shows the role of parents who send their children to Kota with high hopes of their success in competitive exams.
The process of literature accumulation refers to the process of accumulating literary knowledge and skills in the process of creation. It usually includes reading, writing, reflection, and re-reading. This process could help to improve the knowledge of history, society, and human thinking. The process of literature accumulation could be divided into many stages, such as the beginner stage, the accumulation stage, the reflection stage, and the re-reading stage. At the beginner stage And art forms. Grasp literary knowledge and skills in the accumulation stage. During the reflection stage, they would analyze their works to find their shortcomings and improvements. In the re-reading stage, he would improve his literary attainment and creative level. The process of accumulating literature was a long-term and complicated process. Only by doing so could one continuously improve their literary level and creativity.
Reading literary texts referred to the process of reading and understanding literary works, including novels, poems, essays, plays, and other forms of literary works. Reading literary texts was not only a form of entertainment, but also an important way to train one's thinking ability. Through reading literary works, we can understand the author's worldview, outlook on life and values, learn a lot of life philosophy and moral concepts, and improve our own cultural quality and aesthetic standards. At the same time, reading literary texts can also help us better understand and deal with real-world problems, enhancing our critical thinking and independent thinking ability.
The plot is fictional because it can reflect, imagine, and create. The plot was the core of the novel, the driving force and support for the development of the story, and the key to letting the readers resonate and feel. Therefore, they would often use fictional plots to express their thoughts and emotions to attract the attention and resonance of the readers. Can a novel be created without a plot? The answer was no. Plot was an important part of a novel, but not all novels needed a plot. Some novels may use the experiences, emotions, and thoughts of the characters as the main clues without an obvious plot structure. This type of novel was known as " psychological novel " or " biographic novel ", which aimed to convey the author's views and thoughts by showing the inner world of the characters. Other novels may appear in the form of a story but do not have a traditional plot structure. For example," One Hundred Years of Solitude " was a story-based novel, but the plot did not unfold in the traditional way of narration. Instead, it adopted a non-linear narrative that made it difficult for the readers to predict the development of the story. The creation of a novel needed to decide whether a plot was needed according to the specific situation. Plot is an important element of a novel, but not all novels need a plot.