The language of the Water Margins was a classical Chinese in ancient Chinese literature, which was very different from modern Chinese. Here are some of the main differences: 1. Intonation: The intonation of the language in Water Margins is full of music and rhythm. Modern Chinese, on the other hand, was not as musical. 2. Words used: The language used in Water Margins is more classical, such as "hero","righteous" and other words, which are quite different from modern life. Modern Chinese was closer to real life. 3. The grammar of the Water Margins language is more rigorous. For example, the position of the verb and adjective is more fixed, while the grammar of modern Chinese is more flexible. 4. Ways of expression: The language of Water Margins is more exaggerated, often using metaphor, exaggeration and other rhetorical devices to express the character and thoughts of the characters. Modern Chinese was more straightforward and used metaphor and exaggeration to express thoughts and feelings. The language of the Water Margins is a kind of classical Chinese with unique pronunciation, intonation, vocabulary and grammar characteristics, while modern Chinese is closer to real life. There is a big difference between the two.
Water margin was one of the four famous novels in China and was very popular. If you want to read the vernacular version of Water Margins, you can find it on some online literature platforms. For example, the vernacular version of Water Margins could be found on Qidian Chinese Network. This version of Water Margins was easy to understand and suitable for the public to read.
Water margin was one of the four famous novels in China. It told the story of 108 Liangshan heroes who rebelled against corrupt officials at the end of the Northern Song Dynasty. The novel contained many wonderful plots and was deeply loved by the readers. The following is the complete collection of the Water Margins, including all the chapters and content summary: Lin Chong and Wang Lun Wu Song Strikes the Tiger Li Kui Killed His Wife Lu Zhishen Was Drunk and Blown Bright Wu Yongzhi Obtains the Birthday Program Zhu Wu's Righteous Sacrifice Lin Chong Beats Zhu Village Three Times Gathering of Righteousness at Liangshan Lake Wu Wants to Earn Lu Junyi Lin Chong mistakenly entered the White Tiger Hall Lin Chong's Water Moored at Liangshan Chong Lin VS Grand Commandant Gao Lin Chong VS Wang Lun Lin Chong VS Liang Shanpo and the Other Heroes Lin Chong VS Liang Shanbo Official Lin Chong VS Liang Shanpo's Enemy The End of Lin Chong VS Wang Lun The above is an overview of the complete novel of Water Margins. If you want to read the complete novel, you can search and download it on major online reading platforms.
The vernacular refers to the literary form that is expressed in an easy-to-understand language. It usually uses a spoken expression to avoid using overly professional or complicated vocabulary and grammar structures. The Vernacular Movement was a revolutionary movement launched by the Chinese literary world in the early 20th century in order to spread literary works more widely. It aimed to make literary works closer to the readers 'real life and easier to understand and accept. The Vernacular Movement had a profound influence on the development of Chinese literature and the rise of modern literature.
The third to sixth chapters of Water Margins told the story of Song Jiang, the leader of the heroes in Liangshan Lake, and others gathering in Liangshan. This time, Song Jiang and the others learned that the government had captured the righteous men of Liangshan Lake and decided to go to Liangshan to hide. After they gathered in Liangshan, they first established an army composed of various heroes, including Wu Song, Li Kui, Lu Zhishen and other heroes. In the process of gathering at Liangshan Lake, Song Jiang and the others had experienced many battles, including the confrontation with the government and the joint operations with other heroes at Liangshan Lake. They also gradually understood the various factions and disputes within Liangshan Lake and decided to adopt different strategies to deal with different challenges. In this chapter, it also narrated a conversation between Song Jiang and the Supreme People's Court's Chief Justice, expressing their views on law and justice. At the same time, it also showed the sense of justice and heroism of Song Jiang and the others. The third to sixth chapters of Water Margins were about the leaders of the heroes of Liangshan Lake, Song Jiang and others, who gathered in Liangshan. Through the description of the establishment of Liangshan Lake, the establishment of the army, the heroic characters, as well as internal disputes and confrontations, they showed the heroic image and sense of justice of the heroes of Liangshan Lake.
The Water Margins was a classic work of Chinese classical literature. It described the story of 108 heroes who gathered together to rebel against the imperial court. The following is one of the selections: Song Jiang heard the sound of the crowd he knew that he had to go and help them He knew that they were in trouble and that he had to do something to help He couldn't let them fall to the hands of the official residence who were always looking for reasons to send them to the wall He had to do something and so he walked over to the top of the steps and into the crowd As he made his way through the mass of people he couldn't help but feel a sense of excitement and fear He knew that he had to be brave and that he had to do what had to be done He couldn't let the government take control of their lives and he had to make a stand As he made his way to the top of the steps he saw the other good man led by Wu Song They were all ready to fight and they knew that they had to do it They couldn't let the official residence get away with this and they had to show the world what they were capable of So with a fierce determination in his heart Song Jiang walked up to the steps and into the fight He and his friends were ready to face any challenge and they knew that they had to do what had to be done They were on a mission and they were not going to stop until they had achieved their goal
Modern Chinese and vernacular Chinese were two different writing styles in the history of Chinese literature. The vernacular was a literary style that emerged during the New Culture Movement in the mainland of China. It emphasized the language's easy-to-understand nature, pursued the language's conciseness, and opposed the cumbersome and difficult to understand classical Chinese. The vernacular was originally used as a form of language for news reports and daily life, but it gradually developed into literature, movies, television, and other cultural and artistic fields. Modern literature referred to a formal style used in modern China, including literary works, academic papers, administrative documents, and so on. The writing style of modern literature emphasized on the norms and rigor of grammar, structure, logic, and other aspects. It pursued the norms and standards of language. There was a big difference between vernacular and modern Chinese in terms of language style and writing style. Vernacular Chinese was easier to understand, while modern Chinese paid more attention to the norms and rigor of grammar, structure, logic, and other aspects.
The third chapter of the vernacular version of the Water Margins was " Lin Chong's Snowy Night on Liangshan."
The Romance of the Three Kingdoms and the Water Margins are two important works of Chinese classical novels. The Romance of the Three Kingdoms mainly narrated the historical stories of the Three Kingdoms period, including the wars and political struggles between the Three Kingdoms. It described the stories of heroes such as Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, etc., emphasizing the values of loyalty, trust, and courage. The Water Margins mainly narrated the story of the peasant uprising at the end of the Song Dynasty. It described the stories of heroes such as Song Jiang, Wu Yong, and Lu Junyi, emphasizing the values of righteousness and eliminating evils for the people. In addition, the Romance of the Three Kingdoms and the Water Margins were different in terms of character creation, plot arrangement, story structure, and so on. There were many heroes in the Romance of the Three Kingdoms, and each of them had their own unique personality and destiny. The storyline was also more complicated, while the heroes in the Water Margins were relatively simple. Everyone had their own story and characteristics, and the storyline was relatively simple. The Romance of the Three Kingdoms and the Water Margins are different in terms of characters, plots, values, etc. They are two very classic Chinese classical novels worth reading.
Vernacular novels were a form of literature that used easy-to-understand language to combine the narrative methods of traditional novels to tell modern stories. The difference between vernacular novels and modern novels was that modern novels usually used more professional terms and expressions, paying more attention to logic and science. Vernacular novels, on the other hand, paid more attention to the expression of emotions and human nature, and paid more attention to the actual experience and feelings of social life. At the same time, vernacular novels also created new narrative methods, such as prose novels, scene novels, etc.
Vernacular novels refer to literary works written in modern Chinese. Its language is easy to understand, close to life, and often uses spoken expressions, so it has an important significance in the history of Chinese literature. Compared to modern novels, vernacular novels had the following differences: 1. Different language styles. The language of vernacular novels was more easy to understand and used oral expressions, while modern novels paid more attention to the accuracy of language and grammar. 2. Different writing purposes. The main purpose of vernacular novels is to describe social life and express the author's thoughts and feelings, while modern novels pay more attention to depicting characters and plots to reflect social reality. 3. Different forms of literature. Vernacular novels originally appeared as a form of folk literature, while modern novels paid more attention to the emergence of formal literature. 4. Different readers. The readers of vernacular novels were mainly the general public, while the readers of modern novels were more extensive, including readers of different ages, cultures, classes, and genders. The vernacular novel is a literary work with the significance of the times. It has played an important role in the development and progress of modern Chinese literature.