The reason why Chinese contemporary literature was nonsense was that many works lacked depth and thought, and only focused on superficial descriptions and entertaining plots. In addition, many of them were unable to create works with a unique style and depth. In addition, there are also some unhealthy phenomena in the market of contemporary Chinese literature, such as excessive pursuit of commercial success and fame and fortune, resulting in many works lacking true literary value.
Modern and contemporary Chinese literature refers to China from the middle of the 20th century to the present, including novels, essays, poems, plays, etc. These works reflected China's history, politics, social and cultural changes, as well as the emotions of the Chinese people. There were many styles and types of modern and contemporary Chinese literature, including realism, romanticism, modernism, post-modernism, and many other schools. The theme and plot of these works were also very colorful, including love, friendship, family, politics, society, history and so on. There are many classic works in Chinese literature, such as "Dream of the Red Chamber","Water Margins","Journey to the West","Romance of the Three Kingdoms" and other novels. These works are regarded as the treasures of Chinese literature, not only in China but also in the world. In addition, famous people like Lu Xun, Lao She, Ba Jin, Mo Yan, Yu Hua, Liu Zhenyun, Lu Yao, etc. Modern and contemporary Chinese literary works have high artistic and cultural value. They not only reflect China's history, culture and people's lives, but also have an important impact on world literature.
" Dub Son-in-law " was a popular historical novel written by Angry Banana and published on Qidian Chinese website. The readers loved this novel very much. The story was about a man who traveled to ancient times and became a son-in-law. He only wanted to live a stable and comfortable life. This book could be read or listened to on the Qidian Reading App. It was recommended that the audio book host, Yaju, tell the story. His voice was real and could restore the original work. It was more immersive than the TV series. Now, you can even get an experience member by going to Qidian to listen to books. You can read authentic books and listen to authentic audio on the Qidian Reading App. The male lead was Ning Yi. He was good at posturing, meticulous in his thinking, and had a talent for business. The female lead was Su Tan 'er. She was smart and capable, had a strong sense of responsibility, and had a tough personality.
Why was there so much nonsense in the novel? Some readers were dissatisfied with the nonsense in " Duty-in-law." They believed that some of the chapters were repetitive and good, or that the author didn't talk nonsense when he failed, but there was more nonsense in other plots. Some people thought that this nonsense might be used to increase the number of words or to give readers an emotional impact, but others felt that this nonsense gave people a feeling of being pretentious. However, these answers did not provide specific reasons or explain why there was so much nonsense. Therefore, based on the information provided, it was impossible to get a definite answer.
The contending characteristics of contemporary Chinese literature are mainly manifested in the following aspects: 1. Diverse literary genre: Chinese contemporary literature covers novels, essays, poems, essays, reviews, and many other literary types. Different types of literary works present different perspectives, styles, and values. This kind of diverse literary genre has made contemporary Chinese literature have a strong debate. Different literary types compete, communicate and learn from each other, forming a rich and colorful literary pattern. 2. Various literary schools: There are many literary schools in contemporary Chinese literature, such as scar literature, idealistic literature, modern literature, post-modern literature, new realism literature, etc. These literary schools present different ways of expression in different historical periods and different social backgrounds, with strong contending. 3. Divergence of literary criticism: Chinese contemporary literary criticism has also shown a variety of characteristics, including literary criticism, cultural criticism, social criticism and other different ways of criticism, showing different ways of interpretation and values. This kind of debate makes Chinese contemporary literary criticism have depth and breadth, providing important critical support for the development of literature. The interpretation of literary works is complex: the interpretation of contemporary Chinese literary works is often complicated. The readers often need to interpret the works from many angles and levels. This complexity makes contemporary Chinese literature have a debate. The competition and dialogue between different readers and different interpretation methods promote the development and progress of literature. Therefore, Chinese contemporary literature has the characteristics of debate. Different literary types, literary schools, literary criticism and literary works all present different perspectives and interpretation methods. This debate makes Chinese contemporary literature full of vitality and creativity, and has made important contributions to the development of Chinese culture.
Chinese contemporary literature can be roughly divided into the following stages: The initial stage (1949 - 1978): This stage was mainly the restoration and reconstruction of the old literary tradition. The literary style was mainly realism. The representative works were "Red Sun" and "Crying in the Drizzle". 2. Modern literature stage (1978 - 1990): During this stage, literature showed a trend of diverse development. The literary style was more diverse. The works reflected real life, but also paid attention to culture, politics, history and other fields. The representative works were "Living" and "Xu Sanguan Selling Blood". 3. The contemporary literature stage (1990 - 2010): This stage of literature focuses on the discussion of human nature, emotions, and social reality. The style of the works is more imaginative and creative. Representative works include Border Town, One Hundred Years of Solitude, etc. 4. Modern and postmodern literature stage (2010-present): This stage of literature presents postmodern works that pay more attention to free individuals and human destiny. The representative works include "The Three-Body Problem" and "Dark Forest". These stages are because the development of contemporary Chinese literature has gone through many periods. There are different cultural, political and social backgrounds in different historical periods. These factors will affect the development and creation of literature. At the same time, the development and changes of literature were also constantly evolving.
Chinese contemporary literature is an important part of Chinese literature. Realism and realism are the two main schools of Chinese contemporary literature. Realist literature focused on reflecting social reality, paying attention to people's lives, emphasizing the authenticity and profundity of the plot and characters. On the other hand, modern literature emphasized the uniqueness and artistry of literature, which was more focused on expressing the author's personal thoughts and emotions. The works of contemporary Chinese literature covered a wide range of fields such as novels, essays, poems, plays, movies, and so on. Among them, the novel was one of the main genre of contemporary Chinese literature, and a large number of classic works such as "Dream of the Red Chamber","Water Margins","Journey to the West","Romance of the Three Kingdoms" and so on. In the development of contemporary Chinese literature, there were also many such as Mo Yan, Yu Hua, Jia Pingao, Mai Jia, etc. Their works had a wide influence in China and internationally. The contemporary Chinese literature has made great contributions in reflecting the social reality, expressing the author's feelings and thoughts, exploring the uniqueness of literature, and so on. It is an important part of Chinese literature.
Chinese contemporary literature refers to a literary phenomenon in the mainland of China, covering all literary writing from the 1980s to the present. The main schools of Chinese contemporary literature were: 1. Modern literature: The representative characters are Chen Zhongshi, Jia Pingao, Mo Yan, etc. Their works are mainly featured by realism and magical realism, depicting the complexity and humanity of contemporary Chinese society. 2. Modern novels: The representative characters include Ernest, Margaret Atwood, Calvino, etc. Their works explore contemporary social issues such as urban development, global development, political power, etc. 3. Poetry: The development of contemporary Chinese poetry can be traced back to the 1970s. The representative figures include Haizi, Yu Guangzhong, Beidao, etc. Their works reflect the emotions and state of mind of contemporary society. Prose: The development of Chinese contemporary prose began in the 1980s. The representative figures were Zhou Guoping, Zhu Ziqing, Lao She, etc. Their works presented the life and culture of contemporary China in the form of prose. The achievements and influence of contemporary Chinese literature were also attracting worldwide attention. His works not only reflected the social and cultural situation of contemporary China, but also deeply influenced the development of contemporary Chinese literature and world literature.
The contemporary Chinese literature was experiencing the process of moving from the center to the edge. In the past few years, the competition in the Chinese literary market has become increasingly fierce. At the same time, the rise of online literature also brought new opportunities and challenges to Chinese literature. Online literature was a new form of literature that spread through the Internet platform with a wide audience and a low threshold. The emergence of online literature broke the limitations of traditional literature. At the same time, online literature also brought many new literary schools and works such as science fiction, fantasy, martial arts, etc. These works were more innovative and diverse than traditional literature. However, with the development of online literature, Chinese literature also faced some problems. The audience of online literature was relatively small, and it was difficult for it to compete with traditional literature. The wavering of the central position of Chinese literature also brought about creative challenges. Secondly, online literature often lacked depth and breadth, and often only pursued short-term traffic and income, which led to the decline in the quality of some literary works. In addition, the development of online literature also brought some negative effects, such as the adverse impact on literary creation and the impact on traditional literary values. Therefore, the process of Chinese literature moving from the center to the edge is a complicated need, and the critics and readers have to work together. Chinese literature needs to pay more attention to the needs of the audience, pay more attention to the depth and breadth of writing, and also strengthen the maintenance and inheritance of the value of traditional literature. Only in this way could Chinese literature better adapt to the changes in the market and the needs of readers to maintain its position and reputation on the world literary stage.
Chinese contemporary literature is gradually going global through the following ways: Translate: Chinese contemporary literature can be translated into many languages and published by international editors. For example, Mo Yan's Red Soroliang Family had been translated into many languages and published domestically and abroad. 2. International exchange: Chinese contemporary literature can go to the world through international exchanges and interact with foreign literature to learn from and inspire each other. For example, contemporary China shared its literary experience. 3. Literature creation: Chinese contemporary literature can also go to the world through literary creation to express their thoughts and feelings. For example, the contemporary Chinese expressed their thoughts on the reality of Chinese society. The contemporary Chinese literature is entering the world through various channels, providing readers from all over the world with a rich and colorful literary experience.
Many contemporary Chinese literature took the rural areas as the background because the rural economy, society, and culture had made great progress since the reform and opening up. It had become one of the important forces in the development of Chinese society. At the same time, rural areas are also one of the important subjects of Chinese literature, because rural areas have a unique lifestyle and cultural characteristics, which can deeply reflect the reality of Chinese society and people's feelings. In contemporary Chinese literature, the rural works often involve social, political, economic, cultural and other aspects. They reflect the living conditions of farmers, the protection of rights and interests, cultural inheritance, values and other aspects. At the same time, they also reflect the challenges and problems faced in the process of urban development. These works not only have profound social significance and humane care, but also can deeply reflect the reality of contemporary Chinese society and people's feelings of life. They have high artistic value and literary value. There were many works with rural theme in contemporary Chinese literature, covering different literary schools such as realism, realism, magical realism, scar literature, local literature, etc. These works reflect many aspects of Chinese society, have a wide range of social significance and literary value, and are also an important part of Chinese literature.