Why is there no Romance of the Gods in the Four Great Classics?
The Investiture of the Gods was not an official novel in the history of Chinese literature, but an ancient myth. Therefore, the Four Great Classics referred to the four classic novels in the history of Chinese literature, including Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. Although the Investiture of the Gods was not an official novel in the history of Chinese literature, it had an important position in Chinese culture and was regarded as a classic work of ancient Chinese myths and legends. Therefore, although the Four Great Masterpieces did not include the Investiture of the Gods, it still had a very important position in Chinese culture.
Why did the Four Great Classics become the Four Great Classics?
The Four Great Classics referred to the four classic works of Chinese classical novels. They were Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. The reasons why these four works became classics of Chinese classical novels were as follows: 1. Unique plots and characters: Dream of the Red Chamber depicted the rise and fall of a family with the aristocratic society as the background; Journey to the West described the journey of Tang Sanzang and his three disciples to the West to obtain Buddhist scriptures with the mythical story as the background; Water Margins described the resistance and sacrifice of a group of righteous men with the peasant uprising as the background; Romance of the Three Kingdoms described the political struggles and vivid images of historical figures during the period of the Three Kingdoms. 2. Profound thoughts and cultural implications: Dream of the Red Chamber explored social class, human nature, love, marriage and other issues through the description of aristocratic life; Journey to the West expressed issues about justice, courage, faith and other aspects through mythical stories; Water Margins emphasized loyalty, loyalty, faith and other issues through the description of righteous people's struggles; Romance of the Three Kingdoms discussed history, human nature, morality and other issues through the description of war and political struggles. 3. Spread widely and have great influence: Dream of the Red Chamber is regarded as the pinnacle of Chinese classical novels and the treasure of Chinese culture; Journey to the West is widely read and becomes an important part of Chinese culture; Water Margins and Romance of the Three Kingdoms also have a wide spread and far-reaching influence. To sum up, the reason why the four masterpieces became the classics of Chinese classical novels was because of their unique plots and characters, profound thoughts and cultural implications, as well as their widespread and great influence.
Who are the authors of the Four Great Classics? Why are they called the Four Great Classics?
The Four Great Classics referred to the four classic works of Chinese classical novels: Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. These four works all had high literary value and influence, and were regarded as classics in the history of Chinese literature. The author of 'Dream of the Red Chamber' was from the Qing Dynasty. He used the love story of Jia Baoyu, Lin Daiyu, and others as the main line to describe the rise and fall of a feudal family. The author of Journey to the West was the Ming Dynasty novelist Wu Chengen. He used the adventures of Sun Wukong, Zhu Bajie, and Monk Sand as the main line to describe a mythical world. The author of " Water Margins " was from the Yuan Dynasty. He used Song Jiang, Lin Chong, and the others 'struggles as the main line to describe a dark and cruel social reality. The author of Romance of the Three Kingdoms was from the Yuan Dynasty. He used the history of the Three Kingdoms period as the main line to describe a historical period where heroes came forth in large numbers and wars were frequent. These four works were called the Four Great Classics mainly because of their complicated plots, rich characters, profound cultural heritage, high artistic value and influence, and were widely read and studied. At the same time, these four works also represented the four aspects of ancient Chinese literature: novels, operas, poems, and essays.
Why didn't the Investiture of the Gods become one of the Four Great Classics?
There were several reasons why the Investiture of the Gods did not become one of the Four Great Classics: 1. Age Restriction: The Investiture of the Gods was written in the Ming Dynasty, while the Four Great Masterpieces were widely read and selected in the late Qing Dynasty. The Investiture of the Gods was written earlier and lacked the modern cultural recognition and historical background that was comparable to the last three masterpieces. 2. Unpleasing literary style: The literary style of the Investiture of the Gods is more cumbersome, lengthy, and the description of the characters is more abundant, but the story is relatively complicated and difficult to attract the interest of the readers. In contrast, the story of the last three masterpieces was relatively simple and the characters were more vivid and more easily accepted by the readers. 3. Political interference: When the Romance of the Gods was written, the Ming Dynasty was in a period of political turmoil. Political factors may affect the quality and circulation of the work. In addition, some of the political events and relationships involved in the Investiture of the Gods may not be in line with the political reality of the society at that time, resulting in its limited spread. 4. Different reader preferences: The Four Great Masterpieces are classics in the history of Chinese literature and are deeply loved by readers. Although the Investiture of the Gods was also an excellent novel, its audience was relatively small and could not be compared with the other three masterpieces. To sum up, the reason why the Investiture of the Gods did not become one of the Four Great Masterpieces was mainly due to the limitations of the era, literary style, storyline, and readers 'preferences.
Why couldn't the highly sought-after Romance of the Gods become one of the Four Great Classics?
" Investiture of the Gods " was a very popular novel from ancient China. However, it did not become one of the Four Great Classics for the following reasons: The literary value of Investiture of the Gods was not very high. Although it is one of the representative works of ancient Chinese novels, its story and character image are not very outstanding, and its literary achievements are limited. Compared to the other four masterpieces, its literary level was relatively low. 2 The historical background and characters of Investiture of the Gods were not very clear. Although its plot involved the mythical story of the Investiture of the Gods, it did not dig deep into the background and characters of the story, so it was difficult to compare with other masterpieces. 3. The influence of Investiture of the Gods was limited. Although it had an important position in the history of Chinese literature, it did not have a widespread influence on a global scale. Compared to the other four masterpieces, it had a limited audience and influence. To sum up, although the Investiture of the Gods was one of the representative works of ancient Chinese novels, it did not become one of the four great masterpieces because its literary value, historical background, and character image had certain limitations and limited influence.
Why did the "Seven Great Classics" become the "Four Great Classics"?
This question was related to a historical event in the history of Chinese literature, namely the process of the "Seven Famous Books" becoming the "Four Famous Books". At the beginning of the 20th century, the Chinese writer Lu Xun and others criticized the Chinese classical novels and proposed the concept of "Four Great Masterpieces", namely "Dream of the Red Chamber","Journey to the West","Water Margins" and "Romance of the Three Kingdoms". This concept caused widespread discussion and controversy at the time. However, as time went on, people began to find that the "Four Great Masterpieces" were not enough to represent the highest level of Chinese classical novels, so they proposed the "Four Great Masterpieces", namely "The Scholars","Strange Tales from a Chinese Studio","Flowers in the Mirror" and "Miserable World". In the end, Miserable World, Flowers in the Mirror, and Strange Tales from a Chinese Studio were considered to be more important works outside of the Four Great Masterpieces, while Dream of the Red Chamber, Journey to the West, and Water Margins became the Four Great Masterpieces. In this process, the reason why the "Four Great Classics" became "Four Great Classics" was mainly because they had a high influence at that time, were widely circulated and studied, and were regarded as one of the classics of Chinese literature. However, with the passage of time, people's aesthetic concepts and literary styles are constantly changing. Therefore, the "four great masterpieces" are not a constant concept, nor should they be limited to the scope of the time.
Why are the Four Great Classics of China called the Four Great Classics? What is the meaning behind it?
The Four Great Chinese Classics referred to the four classic novels, Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. The reason why these four novels were called the Four Great Masterpieces of China was because they had a very important position in the history of Chinese literature. Their plots are rich and colorful, and the characters vividly describe the social reality and human weaknesses in different periods of Chinese history, with profound cultural and educational significance. "Dream of the Red Chamber" was set in the aristocratic society of the Qing Dynasty. Through the description of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters, it reflected the various problems of the feudal society, especially the unequal status of men and women, the conflict of family interests, etc. It had a distinct realism color. Journey to the West, on the other hand, narrated the legendary story of Tang Sanzang and his disciples, who went to the west to learn Buddhist scriptures. It depicted a magical and thrilling journey, expressing the ancient Chinese people's desire for religious beliefs and saving mankind, as well as their deep insight into the weaknesses of human nature. Water Margins, on the other hand, reflected the values of loyalty, loyalty, and integrity in ancient Chinese society, as well as the good and evil and weaknesses of human nature through the stories of heroes such as Song Jiang and Lin Chong. Romance of the Three Kingdoms was a historical novel set in the Three Kingdoms period. Through the descriptions of historical figures such as Cao Cao, Liu Bei, and Sun Quan, it reflected the chaos of war and political struggles in Chinese history, as well as the cunning and loyalty of human nature. The reason why these four novels were called the Four Great Masterpieces of China was because they had a very high status in the history of Chinese literature. They not only represented the outstanding achievements of ancient Chinese novels, but also had a profound impact on the inheritance and development of Chinese culture.
Are there any of the Seven Great Classics? Why did it become the Four Great Classics?
Dream of the Red Chamber was a masterpiece of Chinese classical literature, and was hailed as a classic in the history of Chinese literature. It was published in 1877 by the Qing Dynasty.
Which of the Four Great Classics was the best? Then why?
Each of the Four Great Classics had its own unique charm and value. It was hard to say which one was the best. Everyone's reading preferences and cultural background were different, so they would evaluate the same book differently. However, it could be said that 'Dream of the Red Chamber' was a classic in the history of Chinese literature and was hailed as 'the pinnacle of novel'. It had high literary and artistic value. "Dream of the Red Chamber" portrayed a huge social reality with rich imagination, meticulous description and profound thoughts. It showed the various shortcomings of China's feudal society and the complexity of human nature. It was one of the great works in the history of Chinese literature. In addition, Journey to the West and Water Margins also had a very high literary status and a wide range of readers. Journey to the West portrayed Sun Wukong, Zhu Bajie, Monk Sand and other characters with fantastic plots, thrilling scenes and humorous language, reflecting the myths, legends and philosophical concepts in traditional Chinese culture. Water Margins, on the other hand, reflected the heroism and sense of justice in Chinese folklore by describing the stories of heroes such as Song Jiang and Lin Chong, showing the complexity and variety of human nature. Therefore, he could choose the books that suited him according to his preferences and cultural background.
Why are the authors of the Four Great Classics controversial?
The authors of the Four Great Classics (Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms) were controversial mainly because of the different historical backgrounds and eras of these works, as well as the personal experiences and writing styles of the authors. 'Dream of the Red Chamber' was believed to be written by Cao Xueqin, but Cao Xueqin's true identity and creative process had always been controversial. In addition, there were many different versions and understandings of 'Dream of the Red Chamber' during the process of editing and organizing. Many of the authors of Journey to the West believed that it was written by Wu Chengen, but there were also some disputes about Wu Chengen's true identity and creative process. In addition, Journey to the West had also been adapted and interpreted many times, resulting in many different versions and interpretation. The author of "Water Margins" was also controversial. It was generally believed that it was written by Shi Naian, but Shi Naian's true identity and creative process were also controversial. In addition,"Water Margins" had also been adapted and interpreted many times, resulting in many different versions and interpretation. The author of Romance of the Three Kingdoms is generally believed to be Luo Guanzhong, but there are some disputes about Luo Guanzhong's true identity and creative process. In addition, Romance of the Three Kingdoms had also been adapted and interpreted many times, resulting in many different versions and understandings. Due to the different historical backgrounds and eras of these works, as well as the author's personal experience and writing style, there were different standards and views on the author.
Why are the Four Great Classics all novels?
The Four Great Classics referred to the four classic works of Chinese classical novels: Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. The reason why these four works became classics was because they all had high literary and artistic value. Among them, Dream of the Red Chamber was the pinnacle of ancient Chinese novels and was hailed as the epitome of the history of Chinese novels. It depicted the life of the aristocratic society in the Qing Dynasty and expressed the deep level of human nature. Journey to the West tells the story of Xuanzang, a monk of the Tang Dynasty, who took his three disciples, Sun Wukong, Zhu Bajie, and Monk Sand, to India to obtain the true scriptures after going through 81 difficulties. This story was full of myths and legends, showing the good and evil of human nature, desire and adventurous spirit. Water Margins described the life of a group of righteous thieves at the end of the Song Dynasty, showing the kindness, justice, and courage of human nature. There were many famous characters in this story, such as Lin Chong, Song Jiang, Wu Yong, and so on. Their ups and downs of fate and their psychological journey were the essence of this story. Romance of the Three Kingdoms was a historical story about the Three Kingdoms period, describing the wars and political struggles between Wei, Shu, and Wu. There were many famous characters in this story, such as Cao Cao, Liu Bei, Zhuge Liang, etc. Their ups and downs in fate and their psychological journey were also the essence of this story. The reason why the four masterpieces became the classics of Chinese classical novels was that they all had high literary value, artistic value and historical value. They showed the good and evil, desire, adventurous spirit, justice, kindness, courage and other qualities in human nature. They were the treasures of Chinese literature history.