"Three" in Chinese classical novels
The "three" in Chinese classical novels usually referred to three important characters or plots: 1. Three visits to the thatched cottage: refers to the three visits to the thatched cottage that led to Zhuge Liang, the wise man, to help Liu Bei establish the Shu Han regime. 2. The Three Ends of Grace: It refers to the three benefactors, namely Xiang Yu's Xiang Bo, Fan Zeng and Liu Bang's Lu Gong, who helped and supported Xiang Yu when he was in danger and finally achieved the Han Dynasty. Three long and two short: refers to three kinds of unfortunate encounters, namely short life, physical defects, or encountering disasters. This term was often used in literature to describe the tragic fate of a character.
The classical Chinese about the Three Kingdoms
There were many classical Chinese texts related to the Three Kingdoms. The following were some of the common ones: 1 The classical Chinese in Romance of the Three Kingdoms: - The classical Chinese in the Records of the Three Kingdoms: - In the "Three Kingdoms·Shu Shu·Biography of the First Lord","the road to start a business collapsed halfway" - "Wu Zixu, the prefect of Kuaiji, rebelled" in the Records of the Three Kingdoms, the Book of Wei, and the Records of Emperor Wu. - In the Chronicles of the Three Kingdoms, the Book of Wu, and the Biography of Sun Quan,"The power took advantage of the situation and took advantage of the victory to occupy the south of the Yangtze River. The power of the sea was only because the young master did not realize it, so he collected the disaster." 2. The dialogue in Romance of the Three Kingdoms: - In the dialogue between Liu Bei and Zhuge Liang,"Zhuge Liang said,'You can bring defeat upon yourself.'" - In the dialogue between Cao Cao and Sun Quan, Cao Cao said,'I also wanted to come to Hunting City by boat, but I was afraid that you would not agree.'" - In the dialogue between Guan Yu and Liu Bei, Guan Yunchang said,'I am Guan Yunchang, Marquis of Hanshou Pavilion. I'm lucky to be able to see you today. I'll shed tears and bid you farewell." 3. Historical documents related to the Three Kingdoms: - The Biography of Zhuge Liang and the Biography of Guan Yu in the Records of the Three Kingdoms - Biography of Liu Bei and Biography of Cao Cao in Romance of the Three Kingdoms - Han Ji and Wei Ji in Records of the Historian The above was only a small part of the common classical Chinese of the Three Kingdoms. There were many other contents.
The answer to the classical Chinese of the "Three Shangs" article
The answer to the "Three Shangs" article in classical Chinese could be: Three times referred to reading 'Dream of the Red Chamber'. The first time he read it was Gao E's continuation of 'Dream of the Red Chamber'. The first 80 chapters and the last 40 chapters were continued by Cao Xueqin. The second time he read it was the Gengchen edition of 'Dream of the Red Chamber' that Gao E had sorted out. This was the original copy of Cao Xueqin's original novel. The third time he read it was the current version of 'Dream of the Red Chamber'. This was the original copy that Gao E had organized.
Was the Romance of the Three Kingdoms written in classical Chinese or vernacular Chinese?
The Romance of the Three Kingdoms was a classical Chinese. The Romance of the Three Kingdoms was a long novel written by Luo Guanzhong, a novelist of the Ming Dynasty. Compared to modern Chinese, classical Chinese had a more complicated and strict grammar and expression.
3. Chinese classical novels?
Chinese classical novels refer to the works of novels that have been widely spread in China from ancient times to modern times and have been read and appreciated by people. Most of these novels were literary works, including 'Dream of the Red Chamber',' Journey to the West','Water Margins' and 'Romance of the Three Kingdoms'. These works not only occupied an important position in the history of Chinese literature, but also had a profound impact on world literature.
What were the three main elements of ancient Chinese classical novels?
The three main elements of ancient Chinese classical novels are the plot, the creation of characters and the use of language. The plot is the core of the novel, including the occurrence, development and ending of the event; the character shaping is the soul of the novel, which shows the true face of social life through the behavior, psychology and personality of the characters; the language application is the artistic means of the novel, which attracts the attention and resonance of the readers through the vivid, vivid, implicit and humorous language.
"Three Kingdoms·Wu Shu 10" classical Chinese title
The answer to the classical Chinese question in the Records of the Three Kingdoms is as follows: Kongming once said to his brother Kongming,"I have succeeded because I am clever and have no idea about the affairs of the country, so I have to try. You must study hard. Don't do good because it's small. Don't do evil because it's small." (Translator:) Zhuge Liang once said to his younger brother Zhuge Liang,"The reason why I can succeed is because of my intelligence and ability. There are some aspects of the country's affairs that have not been fully understood, so I have to try." You must study hard, don't stop doing good things because they are small, and don't do bad things because they are small." In the autumn and early July of the first year of Jianning, four gates were set up, namely, the East Pass, the South Pass, the West Pass and the North Pass. Each gate was guarded by a general and ten thousand soldiers. (Translator:) In the autumn of the first year of Jianning, four city gates were set up. Each city gate was equipped with a garrison general and ten thousand soldiers to guard it.
The classical Chinese in the first three chapters of Water margin
The first three chapters of the Water Margins are as follows: First round: King Gongming entered the city of Tokyo and loyal heroes made trouble in Liangshan. The second round: Lin Chong fought hard in Liangshan Lake. Wu Song's prestige convinced Happy Forest. The third round: Song Jiang outwitted the Wuwei army Wu with stratagem placed in Yanbo River.
Could Romance of the Three Kingdoms be considered classical Chinese?
The Romance of the Three Kingdoms was written in the vernacular, not in classical Chinese. The Romance of the Three Kingdoms was a long novel written by the Ming Dynasty novelist Luo Guanzhong. It described the war and political struggle between Shu Han and Dongwu during the Three Kingdoms period. Although the Romance of the Three Kingdoms used some classical Chinese vocabulary, its style was closer to modern vernacular rather than traditional classical Chinese.
Chinese classical novels…Anxious!
Chinese classical novels referred to novels and short stories that occupied an important position in the history of Chinese literature. They usually included classic works such as Dream of the Red Chamber, Water Margins, Journey to the West, Romance of the Three Kingdoms, and Strange Tales from a Chinese Studio. These works reflected the social style and people's lives by describing the fate of the characters and the plot of the story. At the same time, they also displayed the unique charm of Chinese literature and art. The Chinese classical novels have distinctive features in literary form, language style, plot design and so on. They have played an important role in the development and prosperity of Chinese literature.
Translate novels in classical Chinese
I'm not a fan of online novels. I'm a novel reader and can answer questions about languages and language learning. But I can't translate classical Chinese novels.