About Mao Dun's deeds
Mao Dun was a famous writer, theorist, ideologist, and social practitioner in the 20th century. His creative career spanned the first half of the 20th century and the second half of the 20th century. His representative works included novels such as Midnight, Spring Silkworm, City Story, etc., essays such as Lushan Notes, Dongli Yuefu, etc., as well as literary theory works such as Theory of Literature Phenomenon and Psychology of Literature and Art. Mao Dun had won many literary awards, including the 1955 Nobel Prize in Literature and the 1982 Mao Dun Literature Prize. He was also an important person in the history of modern Chinese literature who made an important contribution to the development and prosperity of Chinese literature. Mao Dun's deeds and spirit influenced many aspects of modern Chinese literature and culture. His thoughts and practices were also widely spread and influenced.
Seeking Mao Dun's literary achievements, Mao Dun's contribution to New China, and Mao Dun's spirit.
Mao Dun (1896 - 1981) was an outstanding figure in the history of Chinese literature in the 20th century, known as the "Father of Modern Chinese Literature". His literary works exposed and criticized social reality as the theme, fresh and natural style, profound thoughts and beautiful language, known as the "literary master." Mao Dun's literary achievements were brilliant. His works were widely spread and had a far-reaching impact. His masterpieces include Midnight, Spring Silkworm, Teahouse, etc. These works deeply reflected the various problems of Chinese society at that time and became classics of modern Chinese literature. Mao Dun's literary works not only had a profound influence in China, but also gained a high reputation internationally. In addition to his outstanding achievements in literary creation, Mao Dun was also one of the founders of modern Chinese literary theory. He proposed the concept of "literature serves society" and created a new field of modern literary theory. His theory had a profound impact on the development of Chinese literature. Mao Dun had made great contributions to the new China. During the period of the New Culture Movement, he actively spread the ideology of progress and made an important contribution to the cultural and intellectual construction of New China. He also actively participated in the literary cause of New China and made great contributions to the development of Chinese literature. Mao Dun's spirit was firm belief, hard work, courage to explore and constant innovation. His spirit has always inspired the development and progress of Chinese literature and is also the spiritual wealth of the Chinese people.
Mao Dun's Introduction
Mao Dun (November 22, 1896-September 22, 1971) was a famous modern China writer, dramatist, philosopher, and social practitioner. He was the most outstanding literary master in China 20th century. Mao Dun's representative works include the novels "Dream of the Red Chamber","Scream","Hesitation","Midnight", and the plays "Spring Silkworm","Teahouse", etc. His works deeply reflected the reality of China society and the sufferings of the people at that time. They revealed the complexity and contradictions of human nature and were praised as the classics of modern China literature. Mao Dun was not only an outstanding writer, but also a philosopher and social actician. He paid attention to social problems, called for the reform of social systems, and actively participated in various social activities such as literary research associations, literary journals, literary publishing houses, etc. Mao Dun's life and thoughts were deeply loved by people, and his influence went beyond the field of literature to have a profound impact on the development of modern China literature and society.
Mao Dun's Shaking
Mao Dun's Shaking was a novel about the economic transformation of China's rural areas in the 1930s. It described the fate of a rural family in the process of agricultural industrialization and the transformation of the handicraft industry. The protagonist of the novel was a rural woman named Mrs. Li, who had experienced changes in her family, society, and herself. Before the arrival of the industrial era, the main source of income for Mrs. Li's family was agricultural production. However, after the arrival of the industrial era, Mrs. Li's family gradually fell into poverty. In order to get rid of poverty, Mrs. Li decided to learn craftsmanship skills and change the fate of the family through the means of the modern craftsmanship. In the novel, Mrs. Li finally became a skilled craftsman through hard work and practice, and changed the fate of her family and herself through the modern means of craftsmanship. At the same time, the novel also described the fate of other rural families after the arrival of the industrial era, reflecting the complexity and difficulty of China's rural economic transformation.
Mao Dun's works
Mao Dun's main works include: 1 Midnight Spring Silkworm 3 Teahouse 4. The contradiction 5. Party A and Party B City and Country 7 Under the Neon Lights 8 " A Night Intoxicated by the Spring Breeze " 9 "The Night Is Hard to Clear" Light These works all described the dark side of society and people's fate with the city as the background. At the same time, they also explored the theme of human nature, love, family, friendship and so on. They were regarded as one of the founders of modern Chinese literature.
Mao Dun's Masterpiece
Mao Dun's representative work was On the Theory of contradiction.
Mao Dun's Collection
Mao Dun was a famous literary critic and social actician in China in the 20th century. His representative works include the novels "Party A Party B","Party B Party B","Party C Party C","Ding Fang Ding Fang","E Fang Wu Fang","You Yi Fang","Geng Fang Geng Fang","Xin Fang Xin Fang","Ren Fang Ren Fang","Gui Fang Gui Fang" and other prose collections "Mountain Field","Trace","Nostalgia","Mao Dun Literature Collection" and other literary works such as essays, reviews, essays and so on. Mao Dun's works mainly described social reality and human nature, with profound social significance and humane care. His novels often reflected the problems and contradictions of Chinese society through the fate and experience of the characters, such as the gap between urban and rural areas, interpersonal relationships, professional ethics, etc., with distinct characteristics of the times and regional colors. At the same time, Mao Dun's literary works were also known as "one of the founders of modern Chinese literature" for their superb language arts and unique artistic style.
Mao Dun's Midnight
Midnight was a long novel by Mao Dun, written between 1931 and 1932. The novel was set in the old Shanghai of the 1930s, depicting various social contradictions and struggles at that time, showing a broad picture of Chinese social life in the 1930s. The story revolved around the national capitalist Wu Sunfu, who profiteered in the stock market and eventually went bankrupt after losing a fight with the comprador capitalist Zhao Potao. The novel described the life of the people in old Shanghai with precise language and showed all aspects of Chinese society at that time. Midnight was one of Mao Dun's representative works. It had been popular until now and had been translated into more than a dozen languages. It had a wide international influence.
Mao Dun's Midnight
Mao Dun's Midnight was a long novel set in Shanghai in the 1930s. It mainly described the sharp contradiction and struggle between the national capitalist Wu Sunfu and the comprador Zhao Botao. The novel depicted Wu Sunfu and other national capitalists struggling to survive in the cracks between comprador capital and feudal autocracy, and made a profound analysis of the social reality of old China. It showed the broad picture of Chinese social life at that time, reflecting the whole picture of metropolis life and mainstream thinking. The specific content of the story included commercial wars, riots in Shuangqiao Town, and the strike of female workers in Yuhua Silk Factory. It showed the grand social outlook and profound and specific characters.
Mao Dun's Trilogy
Mao Dun's trilogy referred to the three Chinese literary classics, Dream of the Red Chamber, Journey to the West, and Water Margins. 'Dream of the Red Chamber' was hailed as the pinnacle of Chinese fiction in the Qing Dynasty and a classic in the history of Chinese literature. The novel tells the love story of Jia Baoyu, Lin Daiyu and others, as well as the decline of feudal society and the complexity of human nature. Journey to the West was the story of Sun Wukong and the others protecting Tang Sanzang in the Ming Dynasty. The novel portrayed a fantasy world with rich imagination and vivid characters, showing the good and evil of human nature and the change of moral values. The Water Margins was a story about 108 heroes of Liangshan who gathered together to fight for justice in the Ming Dynasty. The novel expressed the Chinese people's longing and pursuit of justice, loyalty and freedom with distinctive characters, vivid plots and profound theme. These three works all had important literary value and historical significance. They were widely praised and read, becoming one of the classics of Chinese literature.
Mao Dun's works
Mao Dun was a famous screenwriter and director in modern China. He was born in 1896 and died in 1981. His representative works included the novel Midnight, Spring Silkworm, City Notes, and other prose collections such as The Beginning of Wind and Cloud, as well as the script Dream of the Red Chamber. Mao Dun's works deeply reflected the Chinese society and people's living conditions at that time, showing his exploration of human nature and concern for social reality. His works had a profound influence on the development of modern Chinese literature and film.