May I ask what the contents of Li Bai's [General's Drink] and Bai Juyi's [Pipa Song] are?
Li Bai's "The Wine" and Bai Juyi's "Song of the Pipa" are classics in the history of Chinese literature. The following is their full text: "Drink Up" Don't you see that the Yellow River flows from heaven to the sea and never returns? Can't you see the bright mirror in the high hall sad, white hair in the morning like black silk, turning into snow in the evening? Life is full of joy, do not let the golden cup empty face the moon. I'm born with talent, I'm sure it'll be useful. Cook sheep, slaughter cattle, and enjoy the party. You must drink three hundred cups at a time. Master Cen, Dan Qiusheng, will not stop drinking. I'll sing a song for you, please listen to it for me. Bells, drums and jade are not worth being expensive. I hope I'll be drunk for a long time and don't wake up. Since ancient times, sages and sages have been lonely, only the drinker left his name. In the past, the king of Chen gave a banquet in Pingle to drink ten thousand taels of wine. Why should the host say that there is little money? I must buy it directly and pour it to you. I'll go out and exchange my five-streaked horse for fine wine to relieve my eternal sorrow with you. Song of the Pipa The big strings are like the rapid rain, and the small strings are like whispers. The noise was so loud that the pearls fell on the jade plate. The orioles in the pass whisper, the bottom of the flowers is slippery, the deep spring is difficult to flow under the ice. The icy spring is cold and astringent. The strings are frozen and frozen, and the sound is not heard for a while. There are other sorrows and dark hatred. At this time, silence is better than sound. The silver bottle suddenly broke, and the water burst out, and the cavalry rushed out with swords and spears ringing. At the end of the song, I pluck the strings carefully and draw the four strings. The sound is like tearing silk. East boat, west boat, silent, only to see the river center autumn moon white. I meditate, put the plucking string on the string, straighten my clothes, and get up. He said that he was originally a woman in the capital who lived under the toad tomb. At the age of thirteen, he learned the pipa and became famous in the first section of Jiaofang. After the song, I once taught good talents to dress up and make up, often being envied by autumn Niang. The young men of the Five Ling Dynasties competed to wrap their heads with a piece of red silk. The silver comb on the head of the mother-of-pearl hit the knot and broke the blood-colored silk skirt, turning the wine stain. This year's laughter will be the same as next year's autumn moon and spring breeze. My younger brother went to join the army and my aunt died. In front of the door lonely pommel horse rare eldest son married merchant woman. Merchants value profit and despise parting. A month ago, they went to buy tea from the pontoon bridge. Going to the river's mouth to guard the empty boat around the boat, the moon is bright, the river is cold. In the middle of the night, I suddenly dreamed of a young man doing things, crying in my dream. My makeup is red and my tears are dry. I heard the lute sigh and hear the words again. Why should we know each other when we meet again? Last year, I resigned from the capital and was demoted to Xunyang City. Xunyang is remote, there is no music, all year round did not hear the sound of silk and bamboo. I live near the Qijiang River, low and wet. Yellow reeds and bitter bamboos grow around my house. What do you hear in the morning and evening? cuckoos cry, blood apes wail. Spring river flowers in autumn moon night often take wine also alone pour. Are there no folk songs and village flutes? it's hard to listen to my hoarse voice and mocking. Tonight I hear your lute singing, as if listening to fairy music. Don't refuse to sit down and play a song for you to play "Pipa Song." Moved by my words for a long time, he stood up and sat down, urging the strings to turn faster. The mournful voice is not like the voice of the front, and the whole seat is covered with tears when it is heard again. Who cries the most among the guests? the green robes of Jiangzhou's Sima were wet.
The next line of "The Song of the Pipa" in Bai Juyi's "The Song of the Pipa"
I come out after a thousand calls, still holding a pipa half covering my face.
The next line of "The Song of the Pipa" in Bai Juyi's "The Song of the Pipa"
I still hold my pipa in my arms, half covering my face.
The next line of Bai Juyi's Song of the Pipa?
I come out after a thousand calls, still holding a pipa half covering my face.
May I ask you a few questions about Li Bai's " General's Drink "?
May I ask what story Li Bai's 'Into the Wine' tells?
Enumerate the famous lines from Bai Juyi's Song of the Pipa?
The famous quote from the ancient times was as follows: The sound of the big strings is like the rapid rain, and the small strings are like whispers. The noise was so loud that the pearls fell on the jade plate. Three rooms, the orioles whisper, the bottom of the flowers is slippery, the deep spring is difficult to flow ice. The icy spring is cold and astringent, the strings are condensed and condensed, and the sound is not heard for a while. There are other sorrows and dark hatred. At this time, silence is better than sound. The silver bottle suddenly broke, and the water burst out, and the cavalry burst out with the sound of swords and spears. At the end of the song, I pluck the strings carefully. The sound of the four strings is like tearing silk. The boat in the east and the boat in the west are silent. Only the autumn moon in the middle of the river can be seen. 9 I meditate, pluck my bowstrings, straighten my clothes, and make myself solemn. 10 said that she was originally a woman from the capital who lived under the toad tomb. At the age of 11, he learned the pipa and became famous in the first part of Jiaofang. 12 songs have taught good talent to dress up, every time I was jealous of autumn. The young men of the Five Ridges fight to wrap their heads in a piece of red silk that I do not know how many. 14 The silver comb on the head of the mother-of-pearl knocks the knot and breaks the blood-colored silk skirt, turning the wine dirty. This year's laughter will be the same as next year's autumn moon and spring breeze. My younger brother left the army and my aunt died. 17 The door is deserted, the pommel horse is rare, and the eldest is married to a merchant's wife. 18 Merchants value profit more than parting last month to buy tea on the bridge. Going to the mouth of the river to guard the empty boat around the boat, the moon is bright, the river is cold. At night I suddenly dream of a young man crying in my dreams, tears red in my makeup.
The two lines in Bai Juyi's Song of the Pipa that described the agitation of the music?
In Bai Juyi's Song of the Pipa, two lines describing the agitation of the music are: "The big strings are noisy like the rapid rain, and the small strings are like whispers."
In Bai Juyi's poems, what was the long narrative poem that was as famous as the pipa song?
Bai Juyi's long narrative poem that was as famous as the pipa song was the Song of Everlasting Regret. Song of Everlasting Sorrow was a narrative poem that described the court struggle of the Tang Dynasty and the love story between Emperor Xuanzong and Yang Guifei. It was regarded as one of the representative works of the Tang Dynasty's narrative poems and a classic in the history of Chinese literature. The poem was based on the story of Emperor Xuanzong of the Tang Dynasty and Concubine Yang. It described the political struggle and the distortion of human nature in the court of the Tang Dynasty by describing the debauchery of Emperor Xuanzong of the Tang Dynasty and the grief of Concubine Yang. Song of Everlasting Sorrow used a wealth of rhetorical devices such as metaphor, contrast, and parallel. It was praised as one of the representative works of narrative poetry in the Tang Dynasty.
Bai Juyi's Song of Everlasting Regret
The full text of Bai Juyi's Song of Everlasting Regret is as follows: The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, once chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. Li Palace high into the blue clouds, fairy music blowing everywhere. Slow singing and slow dancing, condensed silk and bamboo, all day long the king can not see enough. The drums of the fisherman's sun shook the earth, breaking the song of the rainbow dress and feather dress. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. The six armies could not do anything but turn around and die in front of their horses. The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was decorated with golden sparrows. The king covered his face and could not save him. He looked back and saw blood and tears flowing. The yellow dust scattered in the wind, and the cloud stack lingered on the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River is green and green, and the mountains are green. The Lord is in love day and night. The palace saw the moon sad face, night rain heard the sound of the bell heartbroken. Heaven and earth spin back to the dragon ride, here hesitant can not go. Please note that the above is the full text of the Song of Everlasting Sorrow.
Bai Juyi's Song of Everlasting Regret
Bai Juyi's Song of Everlasting Regret was a famous long poem from the Tang Dynasty. It described the tragic love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The following is the translation of the poem: Song of Everlasting Sorrow Tang Bai Juyi The emperor of the Han Dynasty was so fond of women that he poured the whole country and the world to seek them for many years, but he could not find them. The king covered his face and could not save himself from seeing the blood and tears flowing in harmony. The yellow dust is scattered, the wind is bleak, the cloud stack is winding, climbing the Sword Pavilion. At the foot of Mount Emei, there are few people walking. The flag is dark and the sun is thin. The water of Shu River is green, and the Lord Green of Shu Mountain is in love day and night. I see the moon in the palace, sad face, night rain, hear the sound of the bell, heartbroken. Heaven and earth spin, I recall your tears like beads of tears. Parting attentively, re-send words, words have vowed to know each other. On the seventh day of the seventh lunar month, in the middle of the night when no one was whispering in the Longevity Palace. In heaven I wish to be lovebirds, on earth I wish to be twigs. As long as the heavens and earth last, this regret will never end. This poem described the tragic fate of Emperor Xuanzong and Yang Guifei. The poem depicted the debauchery of Emperor Xuanzong of the Tang Dynasty and the grief of Yang Guifei, expressing people's loyalty and desire for love. The poem also mentioned some historical events and figures, such as the Han Emperor's love for women, the Battle of the Sword Pavilion, and Wang Zhihuan's "Climbing the Stork Tower", which had certain historical and political significance.
Li Bai's Listening to a Shu Monk Playing the Qin, Bai Juyi's Pipa Song, and Li He's Li Ping's Introduction to the Harp were compared and analyzed.
Li Bai's Listening to the Guqin of a Shu Monk and Bai Juyi's Song of the Pipa are both classics in the history of Chinese literature. They have dabbled in literature and music, so they are also reflected in the description of music. In Li Bai's Listening to a Shu Monk Playing Qin, Li Bai vividly expressed the emotions of music by describing the relationship between the zither sound, the player and the audience. He compared the piano to "high mountains and flowing water", the player to "immortal", and the audience to "confidant" to express the subtlety of the piano, the skill of the player, and the intoxication of the audience. In this poem, Li Bai used a lot of metaphor and symbols to describe the music vividly. In contrast, Bai Juyi's Song of the Pipa described the feelings of music more directly. The poem described the relationship between the pipa sound, the pipa player and the audience, expressing the mood of the pipa player being forced to play the pipa and the audience's admiration for the pipa player's skills and feelings. The poem used a large number of rhetorical devices such as personification and metaphor to make the music description more vivid. Li Bai's Listening to a Shu Monk Playing the Guqin and Bai Juyi's Song of the Pipa used a lot of rhetoric and figurative metaphor to make the music description more vivid and profound.