The representative figures of modern regular script were Wang Xizhi, Liu Gongquan, Yan Zhenqing, etc. Wang Xizhi's regular script work, Preface to Lanting Collection, was hailed as a classic work in the history of Chinese calligraphy. Liu Gongquan's regular script work, Mysterious Secret Pagoda Stele, was hailed as Liu Gongquan's representative work, and Yan Zhenqing's regular script work, Sacrificial Nephew Manuscript, was hailed as Yan Zhenqing's classic work. These regular script works had high artistic value and cultural value, and were widely inherited and appreciated.
The following are a few regular script works suitable for beginners to copy: 1. [Ninety percent Palace Almond Spring Inscription] was one of Ouyang Xun's representative works. Its font was simple and its structure was rigorous, suitable for beginners. 2. The Multi-Pagoda Stele was one of Yan Zhenqing's representative works. The font was neat and suitable for beginners to practice their basic skills. 3. The Mysterious Secret Tower Stele was one of Liu Gongquan's representative works. It was square and suitable for beginners to practice. These works displayed the artistic charm and cultural value of regular script, and were one of the representative works of Chinese calligraphy culture.
The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty and Zhao Mengfu of the Yuan Dynasty. Their representative works were Ouyang Xun's " Ninety percent Palace Liquan Inscription ", Yan Zhenqing's " Multi-Pagoda Stele ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Records of Rebuilding Xuanmiao Temple ".
The representative works of the four masters of regular script were Ouyang Xun's " Nine-percent Palace Liquan Inscription ", Yan Zhenqing's " Yan Qinli Stele "," Yan Family Temple Stele "," Pagoda Stele ", and " Magu Immortal Altar Record ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Gates Record of Xuanmiao Temple Rebuilding ".
The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.
The four masters of regular script were Ouyang Xun of the early Tang Dynasty, Yan Zhenqing of the prosperous Tang Dynasty, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.
The representative works and characteristics of the four masters of regular script were as follows: 1. Ouyang Xun: His representative works include "Jiucheng Palace Liquan Inscription" and "Huadu Temple Stele" and so on. His specialty was that he was able to draw with both square and round strokes. His strokes were strong and condensed. His regular script was both steep and neat. It was steady in the side and loose in the compact. 2. Yan Zhenqing: His representative works include Yan Qinli Stele. His characteristic was that his regular script was dignified and majestic. His knots were in the middle of the square, and the strokes were well-proportioned. Some of the knots would tilt slightly to the left, and the arrangement of the patterns depended on the size of the font and the size of the font. It looked well-arranged. 3. [Liu Gongquan: His representative works include the Mysterious Secret Tower Stele and the God's Will Army Stele.] His characteristics were his rigorous composition, exquisite brush strokes, and upright strokes. His handwriting was strong and firm, giving people a feeling of iron and steel. 4. Zhao Mengfu's representative works include the Three Gates of Rebuilding Xuanmiao Temple. His characteristic was that his regular script was round and delicate, upright and rigorous, without losing the elegance and grace of his running script. His regular script was called "Zhao Style" by the world. Please note that the above answers are based on the search results provided and may not contain all relevant information.
The best regular script in the world referred to the regular script works created by the Tang Dynasty calligrapher Liu Gongquan. Liu Gongquan's works had a strong and powerful style. His strokes were standardized and neat, and he had a unique style and artistic value. He was known as the ancestor of regular script. Other than Liu Gongquan's works, the following were also some famous works in regular script: 1 Ouyang Xun's " Jiucheng Palace Liquan Inscription ": This was one of Ouyang Xun's representative works and was known as the king of regular script. The style of his calligraphy was precipitous and steep, and the strokes were standardized and neat, which had extremely high artistic value and historical value. 2. Yan Zhenqing's " Yan Family Precepts ": This was one of Yan Zhenqing's representative works and also one of the ancestors of regular script. Her calligraphy style was dignified and beautiful. Her strokes were smooth and beautiful, full of rhythm and strength. 3. Wen Zhengming's Tao Te Ching: This is one of the representative works of the Ming Dynasty calligrapher Wen Zhengming. His calligraphy style is elegant and unrestrained, his strokes are round and beautiful, and he has the temperament and cultivation of a scholar. 4. Zhao Mengfu's " Ode to Luo God ": This is one of Zhao Mengfu's representative works. Its calligraphy style is dignified and beautiful, and it is smooth and full of beautiful rhythm and music. 5 Wang Xizhi's Preface to Lanting Collection: This is one of Wang Xizhi's representative works. His calligraphy style is unrestrained and unrestrained, and his strokes are unrestrained and artistic.
The best regular script in the world was written by Ouyang Xun, a calligrapher of the Tang Dynasty. It was called the "Ninety percent Palace of Liquan Inscription". The world's best semi-cursive script was written by Wang Xizhi, a calligrapher of the Song Dynasty. It was called the Preface to Lanting Collection. However, these rankings were not absolute because the charm of calligraphy could not be measured by rankings. Different calligraphy styles had their own unique charm. Everyone could choose a calligraphy work that suited them according to their own preferences and aesthetics.
One of Liu Gongquan's representative works in regular script was 'Mysterious Secret Pagoda Stele'.
The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.