The Investiture of the Gods, The Scholars, and Strange Tales from a Chinese Studio were originally one of the Eight Great Classics of China. Why were they squeezed out in the end?
"Investiture of the Gods,""The Scholars," and "Strange Tales from a Chinese Studio" were originally one of the eight classics of China. Why were they finally squeezed out? There were different views and debates on whether novels such as The Investiture of the Gods, The Scholars, and Strange Tales from a Chinese Studio were one of the Eight Great Classics of China. These novels had an important position in the history of Chinese literature and were known as one of the "three great novels". However, due to the differences in the time when these novels were written, their literary status, audience groups, and influence, their status in the history of literature was different from classic masterpieces such as Dream of the Red Chamber, Journey to the West, and Water Margins. They were also regarded as "masterpieces", but they were not equivalent to the "eight classic masterpieces". Among them, the Investiture of the Gods and The Scholars did not become classics because they were written relatively late and were not widely publicized and recognized. The story of Strange Tales from a Chinese Studio was limited because it involved some sensitive religious, moral, gender and other issues in the feudal society. Although these novels had a high status in the history of literature, there were differences in the spread and acceptance. They were also influenced by historical, cultural, social and other factors, so they could not be simply equated with the "Eight Great Classics".
Strange Tales from a Chinese Studio and The Scholars
Strange Tales from a Chinese Studio and The Scholars were both representative works of the Ming and Qing Dynasties. Strange Tales from a Chinese Studio is a collection of short stories with the theme of ghosts, monsters, immortals and other fantasy elements. It tells many stories of myths and legends with a strong romantic color. The Scholar's Unofficial History was a novel about the struggles and contradictions of the ancient Confucian elites in politics, academia, culture, and other aspects. It satirized and criticized the real society. Both of these works had a distinct Confucian color and were one of the classics in ancient Chinese novels.
"The Scholars","Strange Tales from a Chinese Studio","Flowers in the Mirror" and "The Strange Situation Witnessed in Twenty Years" are the Eight Great Masterpieces of China
The Scholars, Strange Tales from a Chinese Studio, Flowers in the Mirror, and The Strange Situation Witnessed in Twenty Years were not the Eight Great Masterpieces of China. The Eight Great Masterpieces of China were Dream of the Red Chamber, Journey to the West, Water Margins, Romance of the Three Kingdoms, The Scholars, Strange Tales from a Chinese Studio, and Flowers in the Mirror.
Why weren't Strange Tales from a Chinese Studio and The Scholars the Four Great Masterpieces?
Strange Tales from a Chinese Studio and The Scholars were not the official names of Journey to the West, Water Margins, and Dream of the Red Chamber, although they were widely regarded as classics in the history of Chinese literature. Journey to the West and Outlaws of the Marsh were classics in the history of Chinese literature. They were widely read and studied. 'Dream of the Red Chamber' was a classic in the Qing Dynasty and also in the history of Chinese literature. Strange Tales from a Chinese Studio and The Scholars are two representative works of novels in Ming and Qing Dynasties. However, compared with Journey to the West and Outlaws of the Marsh, they have a certain gap in literary achievements and historical status. Therefore, even though Strange Tales from a Chinese Studio and The Scholars occupied an important position in the history of Chinese literature, they were not the official names of Journey to the West, Water Margins, and Dream of the Red Chamber.
What were the characteristics of Strange Tales from a Chinese Studio?
Strange Tales from a Chinese Studio is one of the famous works of ancient Chinese literature. 1. Fantastic and magnificent: The monsters, immortals, ghosts and other characters in the Strange Tales from a Chinese Studio all have magical characteristics. Their images and behaviors often exceed people's common sense and cognitive range, showing unique charm. 2. Rich stories: The stories in Strange Tales from a Chinese Studio are very rich, covering many aspects, including love, horror, suspense, mythology, etc. The story plot is bizarre and fascinating. 3. Profound character creation: The characters in Strange Tales from a Chinese Studio are very profound. Although the monsters, immortals, and ghosts have the characteristics of fantasy, their hearts and emotions are also very real and profound. The way of character creation is also very unique. 4. Delicate description: The description in Strange Tales from a Chinese Studio is very delicate. The writing style is fresh and concise, and it is good at using rhetoric techniques such as metaphor, symbolism, and exaggeration to let the readers feel the vivid and true nature of the story. 5. Rich in ideology: The ideology of Strange Tales from a Chinese Studio is very rich. It contains a lot of deep thinking about human nature, morality, love, life and so on. It has a profound impact on the development of literature and ideology in later generations.
What were the characteristics of Strange Tales from a Chinese Studio?
Strange Tales from a Chinese Studio was a collection of fantasy novels in ancient China. It was known as the pinnacle of ancient Chinese science fiction. Its characteristics were as follows: 1. Rich imagination: Strange Tales from a Chinese Studio described many magical ghosts, monsters, and immortals. Many of the scenes were beyond the imagination of the real world and amazed the readers. 2. Colorful stories: The stories in Strange Stories from a Chinese Studio cover a variety of topics, including love, friendship, loyalty, betrayal, faith, desire, and so on. Each story had a different plot and ending, making it difficult for the readers to predict and guess. 3. Vivid characters: The characters in Strange Tales from a Chinese Studio are vivid. Each character has its own unique personality and characteristics. The readers can deeply feel their emotions and thoughts. 4. Beautiful language: The language of Strange Tales from a Chinese Studio is beautiful, full of poetry and philosophy. Through poetry and prose, it shows the author's deep thinking about nature and life. Strange Tales from a Chinese Studio is an imaginative and colorful collection of fantasy novels. Its rich plots, vivid characters and beautiful language make it a classic in ancient Chinese literature.
The Four Great Classics originally had the Eight Great Classics, and there were four more. Why were they not selected?
The "Four Great Classics" referred to the four classic works of Chinese classical novels, namely "Dream of the Red Chamber","Journey to the West","Water Margins" and "Romance of the Three Kingdoms". These four works had a very high status in Chinese culture and were known as the pinnacle of Chinese classical novels. However, in fact, there was once a saying of "Eight Great Classics". These eight masterpieces included: Dream of the Red Chamber, Journey to the West, Water Margins, Romance of the Three Kingdoms, Strange Tales from a Chinese Studio, The Scholars, Dream of the Red Chamber, Journey to the West, and Water Margins. Among them, Strange Tales from a Chinese Studio and The Scholars were not traditional Chinese classical novels but modern ones, so they were not classified as the traditional "Four Great Masterpieces". As for why these four novels were not selected, it might be because some of the content or styles of these works could no longer adapt to the cultural needs and aesthetic trends of the time. In addition, there were some restrictions on the circulation and transmission of these works, making it difficult for them to be classified and recommended together with other classic literary works.
Why did the vixens in Strange Tales from a Chinese Studio like poor scholars?
Not all the vixens in Strange Tales from a Chinese Studio liked poor scholars, but some vixens liked to get close to them and try to confuse them to steal their property and knowledge. The nature and behavior of foxes are fictional, but their image and behavior are often influenced by society and culture. In some cultures, foxes are regarded as mysterious, beautiful, and attractive species, and are thus given some romantic and romantic images. In these stories, the relationship between the vixen and the poor scholar was often due to some special connection between them. For example, the vixen longed for human emotions and knowledge, while the poor scholar provided these resources. The vixens in Strange Tales from a Chinese Studio did not all like poor scholars, but because they had a special connection and similarities between them, they were more easily confused and used.
Why weren't Strange Tales from a Chinese Studio and The Scholars famous works?
Strange Tales from a Chinese Studio and The Scholars were both masterpieces of Chinese classical novels, but they were not masterpieces for the following reasons: 1 Strange Tales from a Chinese Studio is an ancient novel, but it was written relatively late. It was probably written in the middle of the Ming Dynasty, which has a history of hundreds of years from modern times. Although Strange Tales from a Chinese Studio had a high literary value, its position in the history of literature was relatively low. It was not as widely read and influenced as classic works such as Tang poetry, Song Ci, and Yuan Qu. The Scholars is a modern novel that was written around the end of the 19th century and the beginning of the 20th century. Although the scholars were also excellent in literature, they were not widely recognized and accepted because they did not conform to the values and aesthetic standards of modern society in the historical context. Although Strange Tales from a Chinese Studio and The Scholars are both classic works of Chinese classical novels, they are not masterpieces in the history of modern literature because their historical and cultural backgrounds are relatively deep, and their creation time is relatively late, which does not conform to the aesthetics and values of modern society.
What were the Eight Great Classics of China?
The Eight Great Masterpieces of China referred to the classic works in the history of Chinese literature, including: Dream of the Red Chamber: The Qing Dynasty depicted the love story of Jia Baoyu, Lin Daiyu, and others, as well as the decline of feudal society. 2. Water Margins: The Yuan Dynasty depicted the uprising of 108 righteous thieves, reflecting the darkness and corruption of feudal society. 3. Journey to the West: The story of Sun Wukong and others protecting Tang Sanzang during the Ming Dynasty depicted many gods in Chinese mythology. Romance of the Three Kingdoms: The Yuan Dynasty described the historical stories of the Three Kingdoms period and shaped the images of many historical figures. 5. The Scholars: The Qing Dynasty used the people and things in the scholars as the theme to reveal the corruption and hypocrisy of the feudal society. 6 Water Margins: The Yuan Dynasty depicted the uprising of 108 righteous thieves, reflecting the darkness and corruption of feudal society. Dream of the Red Chamber: The Qing Dynasty depicted the love story of Jia Baoyu, Lin Daiyu, and others, as well as the decline of feudal society. 8. Journey to the West: In the Ming Dynasty, the story of Sun Wukong and the others protecting Tang Sanzang and learning from the scriptures depicted many gods in Chinese mythology.
What are the articles about scholars in Strange Tales from a Chinese Studio?
Strange Tales from a Chinese Studio was one of the representative works of ancient Chinese novels. There were many descriptions and stories about scholars. The following are some of the famous titles: There are many stories about scholars in Strange Stories from a Chinese Studio, such as The Legend of the White Snake, Xu Xianzhi, The Peony Pavilion, etc. Among them, the Legend of the White Snake was considered one of the most representative stories in Liao Zhai Zhi Yi, which described the love story between the White Lady and Xu Xian. There was also a story called Huang Tingjing in the Strange Stories from a Chinese Studio. It told the story of a young man named Zhang Sheng who obtained the help of an immortal by reading the Huang Tingjing and finally became an immortal. This story emphasized the importance of reading. There were also many myths and legends about scholars in Strange Stories from a Chinese Studio, such as Cowherd and Weaver Girl, Seven Fairies, etc. The scholars in these stories usually had magical abilities, such as the Weaver Girl wearing seven layers of socks and the Cowherd wearing a galaxy. There were also some horror stories in Strange Tales from a Lonely Studio, such as the story in Strange Tales from a Lonely Studio, which described the horrible behavior of some evil ghosts. The scholars in these stories usually became the spokesperson of the ghosts to promote evil spirits. These are some of the famous chapters describing scholars in Strange Tales from a Chinese Studio. These stories have a certain cultural significance and artistic value, and have been widely praised to this day.