What was the principle behind animation?

The animation was based on the principle of persistence of vision. Generally speaking, after an object is formed on the retina, once the external light stimulation disappears, the image should disappear, but the optical nerve's impression of the light stimulation can be retained for about 0.1 seconds. This is the phenomenon of visual persistence. Therefore, as long as the interval between the two paintings that appeared in front of him was less than 0.1 seconds, the optical nerve would " overlap " the two paintings, forming an animation effect. In other words, the essence of the animation was formed by the continuous switching of static images.

Animation principles were the basic content that animation professionals must master. It included many aspects: 1. ** In terms of movement patterns ** - For example, small ball animation was often used to demonstrate the principles of animation. It involved the understanding and performance of the basic laws of motion such as the trajectory, speed, and acceleration of an object. The motion of a small ball might include uniform motion, accelerated motion, decelerated motion, and other different states. The appearance of these motion states needed to follow certain physical laws. - In character animation, the character's movements also needed to conform to the natural laws of motion. For example, when a character walked, the rhythm of the movement of each part of the body was different. The swing of the arm and the movement of the leg had a certain time difference and rhythm relationship. This sense of rhythm and coordination was the embodiment of the animation principle in the character's movement. 2. ** In terms of performance skills ** - The animation production needed to solve some of the problems that were often encountered in the production process, such as how to express the weight of the object. In the animation, when a heavy object moved, there would be a clear difference in the range, speed, and delay of the movement compared to a light object. - It also included how to express the character's emotions, such as through the character's body language, expressions, and other animation elements. This required the use of animation principles related skills. 3. ** Principles related to Game Animation ** - In the game animation, when changing the character animation in real time, the player's feeling when operating the button had to be considered, which was the so-called " operating feeling " or " touch feeling." For example, in a gunfight game, when the player pulled the trigger of the gun controller, the player had to feel that the bullet had hit the character. This was a special animation principle reflected in the game. - Game animators needed to consider the impact of their animation on the difficulty of the game. For example, the speed at which the zombie attacked would affect the player's awareness of the zombie attack and affect the difficulty of the game. This was also part of the principle of game animation.

The steam engine converted the linear motion of the pistons into the rotational motion of the crank shaft. Its working principle involved the coordinated operation of multiple components. In terms of structure, the steam engine was mainly composed of a steam boiler and a working body. The steam generating boiler produces steam, and the working body part includes a cylinder, a base, a valve, a connecting rod mechanism, a slide valve steam distribution mechanism, a speed regulation mechanism, a flywheels, and so on. The live steam enters the slide valve chamber from the boiler through the main steam valve and the throttle valve, and enters the left or right side of the cylinder under the control of the slide valve to drive the piston-like movement. The steam turbine was a machine that converted the kinetic energy of the steam formed by heating water into the kinetic energy of the turbine. In the impulse steam turbine, the process of transforming the heat energy of the steam into kinetic energy only happened in the spray head, while the working blades only transformed the kinetic energy of the steam into mechanical energy. Hurry up and click on the link below to return to the super classic " Lord of Mysteries "!

The design principle of the early animation was mainly based on the visual persistence characteristic, that is, after the human eye saw a painting or an object, it would not disappear for 1/24 of a second. Using this principle, if a painting was played before it disappeared, it would create a smooth visual effect. In the early stages of design, script creation was the foundation. To visualize the text, the script needed to be lively, interesting, clear, and logical. Shot splitting was the process of further visualizing the text. It was re-created according to the script to reflect the creative design and artistic style. Its structure was picture + text, which expressed the type of shot and movement, composition and light, movement method and time, and so on. Each picture represented a shot, and the text was used to explain the length of the shot, character lines and actions, etc. The styling design included the styling of people, animals, objects, etc. There were standard styling, turning drawings, structural drawings, proportional drawings, and other requirements. The scene design was the source of the scenery and environment in the entire animation. The rigorous scene design included the floor plan, the structure breakdown, the color atmosphere map, and so on. It was usually expressed in a picture. The concept design (preliminary design, atmosphere design) was a "sketch" drawn up based on the description of the original work and the director's personal imagination. It was an important basis for guiding art, setting, photography, and other work. There were requirements for light, shadow, and environmental color, but the structure and color did not have to be clear. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The principle behind Thinking Like a Crow was to guide thinking through the four steps of scientific thinking: observation, hypothesis, experiment, and evaluation. In the " Thinking through Observation " section, the program showed interesting but easily overlooked phenomena in daily life. The audience would first observe, such as the source of the sound of the train. This was the first step to trigger thinking. Then there was the Denison animation section. Three Denison little people incarnated as curious babies who boldly made assumptions about curiosity and questions and personally tested them. This reflected the steps of assumptions and experiments. Finally, through such a program setting, the audience would not be given a direct answer and would be guided to make their own evaluation. This would cultivate the ability to think independently and solve problems like how crows use pebbles to drink water from the bottom of a jar. The focus was on the cultivation of thinking methods rather than the instilling of pure knowledge. "The Crow's Testimony" is equally exciting. Everyone is welcome to read it!

The program's positioning principle was to " reinterpret and interpret these stories by modern people with classic legends as the background." The program aims to provide a way for the audience to read the classics and legends to help them better understand history and culture, as well as provide an opportunity for the audience to entertain and think. Through the program, the audience could learn about different historical events and characters and gain inspiration and insight from them.

The reflection of light and shadow on the water surface was mainly due to the principle of light reflection. When light was emitted from a medium (such as air) to the surface of the water, a portion of the light would change its direction of transmission and return to the original medium (air), which formed a reflection. The surface of the water was relatively smooth, just like a mirror. It could reflect the light that shone on it according to a certain pattern, so that we could see the reflection of the water surface. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Strange Tales from a Chinese Studio is an ancient Chinese novel that contains many myths, legends, and ghost stories. Among them," Lian Cheng " was a relatively famous story that told the story of a beautiful woman, Lian Cheng. According to legend, Liancheng was a beautiful woman with a beautiful face and pure and noble character. However, Liancheng was imprisoned in a bottomless well for some reason. She could only rely on her courage and wisdom to escape from imprisonment. In the story of " City-Connecting City ", I understood an important truth: courage, wisdom, and perseverance are the keys to success. In the face of difficulties, we need to stay calm and find a solution to the problem and keep working hard until we succeed. In addition, Liancheng's story also tells us to cherish our own morality and kindness because only in this way can we win the respect and trust of others. At the same time, we have to protect our own lives. Don't take risks to avoid unnecessary harm. The story of "Lian Cheng" tells us that courage, wisdom and perseverance are the keys to success, and it is also indispensable to cherish one's own morality and kindness to protect one's life and safety.

The principle of bleachings was to make objects lose their color through the oxidisation properties of bleaches. Different types of bleaches had different principles. The principle of the bleaching-powder was that the bleaching-powder would produce hypochloric acid when it came into contact with water. The hypochloric acid could catalyze the coloring matter, thus achieving the purpose of the bleaching-powder. The principle of hydrogen dioxide was that hydrogen dioxide was a strong oxidiser. It could destroy the " chromophore " inside the organic color substance and cause it to lose its original color. The principle of the absorption bleachings was that the substance had a large surface area, which could absorb the dye and make the substance fade. Other bleaches such as sulfur dioxide and ClO2 had similar principles. In general, bleaches change the color of objects or fade them through an oxidization reaction.

The principle of reflexivity was proposed by Soros. This principle was based on a phenomenon that existed in human affairs: when someone was involved in something, the participant's view of the world was one-sided and distorted (fallibility principle), and these distorted views would in turn affect the things related to the point of view. From the perspective of the connection between the participant's thinking and the situation they participated in, it could be decomposed into a cognitive function and a participation function. In the cognitive function, the participant's cognition depends on the situation; in the participation function, the situation is affected by the participant's cognition. The interaction between the two is called reflexivity, which can be expressed as a pair of recursion functions: y = f(x), x = q(y). In the field of economics, traditional theories often avoided or denied reflexivity, and Soros believed that a fundamental factor in the existence of reflexivity was human cognitive bias. In addition, Kant believed that the application of moral laws in practice was based on the principle of reflexivity. This principle meant that every moral law must become a basic principle, and every rule must conform to the basic principles that any rational person could accept. In the moral theory he constructed, he emphasized human free will and free decision. This principle was widely used in modern philosophy and promoted the development and progress of human thinking. "Yun Anlu's Body Sacrifice" is equally exciting. Everyone is welcome to read it!