I'm not sure what 'Long Live the Director' means. Can you provide more context or information? This way, I can better answer your questions.
No, a novel director was just a novel creator. Their job was to create interesting stories, not to adapt them into movies or television dramas. Movies and TV series are created by professional directors and screenwriters. Their job is to create attractive and innovative works that satisfy the audience. Although the novel director may make some adjustments to the novel, their responsibility is to maintain the original theme and plot of the novel and add some new elements to make the work more interesting and attractive.
"Long live Mexico!" It was a movie about a man who returned to his hometown to deal with his inheritance. Pancho Reyes was a middle-class family man. He worked hard to support his wife, Mary, and two children. When he learned that his grandfather had passed away and needed to be present to read the will, he did not want to know anything about his family. However, his wife encouraged him to see if there was an inheritance left for them that would completely change their lives. The movie was a comedy directed by Louis Estrada.
I-I don't know what kind of novel or movie 'Long Live the Director' is. Can you provide more background information or description? This way, I can better answer your questions.
"I'm a Supervisor in Tokyo" was a light novel, an original fantasy novel. It contained keywords such as daily life, 2D, director, and so on. The novel described the daily life and work experience of a young director shooting a film and television project in Tokyo. There was no lack of two-dimensional elements and fantasy settings. This novel could be said to be similar to Long Live the Director's novel. It was very worth reading. I hope you like this fairy's recommendation. Muah ~😗
Of course! I recommend you to read the following two novels: " The All-rounded Superstar of Rebirth " and " The Director's Life of Master Gu." In these two novels, the main characters entered the entertainment industry after being reborn. Then, they became directors and built their own careers. It suits your needs very well! I hope you like my recommendation.😘
Director Qiang Long was an action stuntman and director from mainland China. His real name was Qiang Xin, born on December 31, 1975. He was of the Han nationality and came from Baoji City, Shaanxi Province. Qianglong had a martial arts dream since he was a child. He entered the film and television industry in 1993 and worked as a stunt double and martial arts actor. He had participated in many TV series, such as "Against the Cold Water","Water Margins", etc. He had also directed some TV series, such as "Romance of the Sui and Tang Dynasties","The Decisive Battle at the Swallow Gate","Arrow Crossing", etc. He had also served as the director and action director of the ancient TV series "The Strange Star: When I Was Young" and "Ode to the Great Qin Dynasty". Director Qiang Long's works were very popular in the mainland of China.
There were some differences between TV drama directors and film directors in terms of work scope, degree of control, artistic creation angle, organizational form, and influence. In addition to concentrating on artistic creation, TV drama directors also had to work as producers and deal with society. Film directors, on the other hand, were more focused on artistic creation. They only needed to solve problems within the scope of artistic creation, and other matters were handled by specialized personnel. In terms of control, film directors had a strong sense of control and relatively low work tension. On the other hand, TV drama directors faced greater uncontrollable factors due to the documentary nature of their creations. They needed to make immediate decisions as events developed. From the perspective of artistic creation, the film director would turn the script into a movie, while the TV series director needed to turn the selected content into a television, and run through the entire process of creation. In terms of organizational form, film directors and TV drama directors were the commanders and leaders of artistic creation organizations, but TV drama directors also had to be the creators of the content of the works, deciding the theme, leading ideas, and content of the works. In terms of influence, although outstanding TV drama directors and film directors had similar recognition and commercial value in the country, once top film directors received international awards, their overall influence was often higher than that of top domestic TV drama directors. In general, there were some differences between TV drama directors and film directors in terms of work scope, degree of control, artistic creation angle, organizational form, and influence.
The director of Wen Sankuai, the Strange Doctor, was Liu Zhenwei.