"Random Pen under the Lamp" was selected from Lu Xun's "Morning Flowers Picking Up at Evening". The central idea of the work was to criticize the decline of traditional culture and the various contradictions in the process of modernisation through the comparison of traditional culture and modern life. In the novel, Lu Xun revealed the various ills of Chinese society at that time, such as the remnants of feudal ideology, the tragic fate of individuals, and so on, through his observation and deep thinking of the lives of ordinary people around him. At the same time, he also expressed his nostalgia for traditional culture and hope for the future. The views criticized in the works included the decline of traditional culture, personal tragedy in the process of modernisation, and social injustice.
Lu Xun's pen name came from the book 'Scream'.
Kong Yiji was a novel written by Lu Xun and included in the book Diary of a Madman.
The term 'social opera' came from Lu Xun's The True Story of Ah Q. In the novel, Ah Q was portrayed as a self-abased and obscene person. His life was a typical social drama that constantly performed in self-deprecation. This word became a common term in Lu Xun's novels and also represented his criticism of Chinese society at that time.
For the first time, Lu Xun used Lu Xun's pen name to publish 'A Madman's Diary'.
I don't know which works you're referring to. Please provide more information so that I can better answer your questions.
Lu Xun's 'Hometown' came from his novel 'A Madman's Diary'.
Lu Xun's 'Hometown' came from his novel 'A Madman's Diary'.
" Young Man Moistening the Earth " was not from Lu Xun's work, but from modern China's " Camel Xiangzi." The novel was first published in 1939 and is one of Lao She's representative works.
This sentence came from Lu Xun's " Madman's Diary."
Yang Ersao was a character in Lu Xun's The True Story of Ah Q. Second sister-in-law Yang was a common female image in the novel. She was an ignorant, cowardly, greedy and cunning woman, but she was also a very important character. Through the description of second sister-in-law Yang, it revealed the living conditions and psychological conditions of the women at the bottom of Chinese society at that time. Yang Ersao was one of the most representative characters in Lu Xun's novels and one of the classic images in modern Chinese literature.