Why didn't anyone write Liu Xiu's Doujin novel?
There were some, such as "The Arithmetic of the Divine College." It told the story of whether one could still remember their original intentions when the great power was behind them in the world of the Divine College. There was also 'Live Broadcast of the Three Kingdoms: This Streamer Is Too Unstable!' Liu Xiu traveled to the Three Kingdoms in a parallel time and space, leaving behind legends about him. I hope you like this fairy's recommendation. Muah ~😗
Why didn't anyone write a novel about the tramp?
Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.
Why didn't anyone write base novels anymore?
Base novels were novels that revolved around the base. Such novels usually had elements of science fiction and fantasy. The base was a very important element. It could provide the base setting, technology setting, and character setting for the story. Although base novels were once very popular, with the continuous development of technology, people gradually realized some limitations of base novels. For example, as an independent location, a base usually required a large amount of resources and materials to maintain its operation, which was not possible in modern society. In addition, base novels often involved a large number of supernatural phenomena and magic, which were no longer accepted in modern society. To sum up, although base novels have many attractive elements, due to their limitations, very few people write base novels now. People preferred to explore more advanced technology and a more realistic future rather than going back to the past.
Why didn't anyone write novels about gods?
The Investiture of the Gods was an ancient Chinese mythological novel that mainly told the story of the rise of Jie School at the end of the Shang Dynasty. Jiang Taigong was the leader of Jie School, and the core of its teachings was the Investiture of the Gods. It was said that the list was written by Taishang Laojun, which recorded the locations and situations of all immortals, demons, ghosts, and monsters. In the novel, at the end of the Shang Dynasty, King Wen of Zhou, the leader of the Shang Dynasty, was killed by an immortal sent by the Tribe of Severity. King Wu, the son of King Wen of Zhou, inherited his father's throne and became the leader of the Tribe of Severity. Jie School rose up at the end of the Zhou Dynasty and fought fiercely with the forces of the Shang Dynasty and the Qin Dynasty. Because the content of the Investiture of the Gods had a strong mythological color and the novel had an important position in Chinese history, there were very few novels about this type in modern literature. Although the novel is still of great significance in cultural traditions, modern readers may have some difficulty accepting its mythological colors and historical background, so creators rarely choose this genre to write.
Write Liu Xiu's novel
Liu Xiu was the founding emperor of the Han Dynasty. His story has been written into many novels and television dramas. The following is a novel with Liu Xiu as the main character: Liu Xiu was an orphan. His life was very poor. However, he did not give up on his dream. He had been very interested in reading and learning since he was young. He spent time reading and learning every day. When Liu Xiu grew up, he decided to become an official. After a long period of hard work, he finally became an official. He performed well in his work and was praised and respected by people. One day, Liu Xiu heard a story about Liu Bang, the founding emperor of the Han Dynasty. Liu Xiu admired Liu Bang very much because he not only had outstanding leadership skills but also cared about the lives of the people. He decided to follow Liu Bang and contribute to the Han Dynasty. Liu Xiu and Liu Bang started their uprising together. Together, they defeated the rulers of the Qin Dynasty and established the Han Dynasty. In this process, Liu Xiu continued to grow and improve, becoming an even more outstanding leader. In the end, Liu Xiu became the founding emperor of the Han Dynasty. He faced many challenges and difficulties, but he continued to work hard and finally became a great emperor. Liu Xiu's story tells us that as long as we persevere and work hard, we can realize our dreams. He also told us to care about the lives of the people and contribute to them.
Why doesn't anyone write Doujin novels about Kendo?
My answer may not reflect your question completely. The question of why no one wrote Doujinshi novels about Kendo Supremacy was a rather complicated one. It involved many factors. First of all, Kendo Duzun was a very famous wuxia novel. Its storyline and character setting were very mature, and it was difficult to create a second creation in the form of a doujin novel. Secondly, Kendo Supremacy's copyright protection measures were also very strong. Many authors would have a hard time getting a chance to contact the copyright of this book. In addition, Kendo Supremacy's storyline and character image were already very profound, and it was difficult to further process and re-create it in the form of doujinshi novels. To sum up, writing a Doujin novel about Kendo Supremacy required the author to have a very high creative ability and copyright awareness. At the same time, it also required a deep literary foundation and a rich imagination. Therefore, although the possibility of Doujin novels being created was low, there were some authors who tried to write Doujin novels about Kendo Supremacy, but their works were often unable to reach the standard of the original book.
Was this novel good? Why didn't anyone read it?
😋For those who have unique tastes, I have two very good novels to recommend to you. The first book was " Invincible Without Cultivation ", a fantasy novel about the continent. It told the story of the protagonist being able to exchange various treasures for cultivation time, thus easily achieving invincibility. The second book was " Big Bosses in Love Are Always Adorable ", a modern romance novel. It told the story of the female protagonist being pestered by a big boss from the same school after her rebirth. The sweet and hilarious love story between the two of them. I hope you like these two books.
Why didn't anyone film Guo Jingming's novel?
Guo Jingming's novels had been tried to be made into films before, but they were often unsuccessful mainly because of the following reasons: Guo Jingming's novels usually involve a large number of fashion, pop culture and commercial elements, which are often difficult to fully express in film production. These elements might be cut or modified after being made into a movie, resulting in the overall effect of the movie not being as good as the novel. Guo Jingming's novels often describe the protagonist's emotional entanglements and love stories. These emotional stories often require actors to have strong emotional expression skills, while filming requires a more delicate way of expression. Therefore, an actor's acting ability was also one of the important factors for the success of a movie. Guo Jingming's novels usually have a lot of typos and grammar errors, which is also a challenge for film production. Because the film review required the accuracy and fluency of the text, if there were a large number of typos and grammar errors in the film, it might be rejected by the review department. Guo Jingming's novels usually have high literary value, but film production usually pays more attention to visual effects and entertainment. Therefore, film directors might pay more attention to special effects and action scenes than literary value. To sum up, the reason why Guo Jingming's novels were difficult to make into films was that the novels contained a large number of fashion, pop culture, and commercial elements that were difficult to fully present in film production. There were also limitations on the acting ability of actors, the expression of emotional stories, and the accuracy of the text.
Why didn't anyone write a novel about a northeasterner being an overbearing CEO?
It was an interesting plot for a northeasterner to appear as the protagonist in a domineering CEO novel, but due to historical, cultural, geographical and other factors, this situation was not common. The following are some possible reasons: 1. Regional cultural differences: The culture of the northeast region may be different from other regions. For example, people in the northeast may emphasize family and kinship more than people in other regions attach importance to personal achievements and rights. This cultural difference might cause the characters and plot settings in the novel to be different. 2. Historical and practical problems: The historical and practical problems of the northeast region, such as economic backwardness and social instability, may affect the plot of the novel. Therefore, creating a novel depicting a domineering CEO in the northeast region might face some difficulties and challenges. 3. Reader's taste: readers may prefer novels that describe other regions or characters. Therefore, writing a domineering CEO novel with a northeasterner as the protagonist may attract fewer readers. To sum up, although it is an interesting plot for a northeasterner to appear as the protagonist in the novel, this situation is not common due to various factors.
Why didn't anyone limit the number of words they could write online?
The word limit of a novel was a complicated issue. Different platforms and websites had different rules and standards. On some platforms, the word limit for novels may be set by the platform itself. On other platforms, the word limit for novels may be set by the website itself or jointly by the platform and the website. The main purpose of the word limit was to control the length of the novel to avoid being too long or too short. It also helped to improve the readers 'reading ability and appeal. For some short stories or simple stories, there was no clear word limit to better display the author's imagination and creativity. Different platforms and websites might have different word limits. Some platforms may require a novel to reach a certain number of words before it can be published or published, while other platforms may allow authors to freely control the number of words in the novel or even increase or decrease the number of words as needed. Therefore, there were many reasons why people published novels online without a word limit, including the rules of the platform and website, the author's personal wishes, and the creative needs.
Why didn't anyone read the novel? Was it because of the title?
There were many reasons why no one read novels. The title of the novel might be one of the reasons, but it was not the only one. The titles of some novels might be too ordinary or vague to interest people. For example, some novels with titles like One Hundred Years of Solitude, The Kite Runner, Pride and Predict, etc., have been widely accepted and have profound meanings, so they may attract some readers. Some novels might not suit the readers 'tastes or the subject matter might not be suitable for the current reader group. For example, some novels might involve sensitive topics or subjects that might cause readers to feel uncomfortable or rejected. The title of the novel could also be a factor, but it was not the only factor. Other factors such as the plot, the image of the characters, the quality of the writing, and so on needed to be considered.