In Du Fu's poem, the phrase " I will always remember the Han court and cry for the soul of Xiang River " referred to the longing and worry for the Han Dynasty and Wang Zhaojun. "Crying in the memory of the Han Dynasty forever" referred to the nostalgia and sadness for the Han Dynasty. They believed that the Han Dynasty should have a better future, but the reality was very worrying. "Pity for the soul of Xiang River" refers to the longing and worry for Wang Zhaojun, thinking that Wang Zhaojun should have a better home, but the reality is very worried. This poem has a strong sense of suffering, expressing Du Fu's deep thoughts and worries about history and reality.
In Du Fu's poem, the phrase " I'll always be sorry for the Han court and cry for the soul of the Xiang River " referred to a person who had a strong sense of hardship and expressed his loyalty and worry for the country. Among them,"Crying for the Han Dynasty forever" expressed his concern and worry about the fate of the country. He believed that his own fate was inseparable from the safety of the country, so he would cry for the country's misfortune. The "remote pity for the soul of the Xiang River" expressed his loyalty and longing for the country. He believed that he was the reincarnation of the god of the Xiang River and would work hard for the prosperity of the country. This sentence hinted at Du Fu's concern for the fate of the country and his own position. At the same time, it also reflected his strong sense of suffering.
The meaning of the Han River was referring to the scenery and emotions depicted in Wang Wei's poem,"The Han River Facing Flooding." The poem described the Han River flowing through Chu Sai and Jing Men's Nine Sects. The river surged into the distance, and the mountains appeared from time to time. The city walls seemed to float on the water, and the waves were turbulent, swaying in the distance. The scenery in Xiangyang was so beautiful that the poet was willing to get drunk with the mountain man. This poem displayed the magnificence and beauty of the Han River with its magnificent scenery and affectionate expression. It expressed the poet's praise for the natural scenery and his feelings for life.
Du Fu's broken chapter referred to Du Fu's poem "Climbing High", which expressed what he saw and felt when he climbed high in a concise language, which made people have endless aftertastes. Among them, the phrase "Looking at Chang 'an under the sun, Wu will meet in the clouds" was called "Du Fu's broken chapter" by later generations, meaning "Looking at Chang' an under the sun, looking at Wu will meet in the clouds". This poem expressed Du Fu's worries and sighs about the passing years and future, and it became a classic in the history of Chinese literature.
In the literary sense,"I" usually refers to the author's self-consciousness or personal identity, but it can also express the protagonist's psychological state or personality traits. In literary works, I usually express myself through narration and description. The readers can understand the meaning and theme of the story through my experience and thoughts. In the novel " The Three-Body Problem ", Liu Cixin's " I " was a character who wandered between human beings and the Three-Body Civilization. He explored the fate and future of human civilization through thinking and action. In literary works, I can be the representative of a character or the symbol of a story to convey the author's thoughts and feelings through my story.
Being in the imperial court and having a heart in the Han Dynasty was an idiom. It meant that although one's body was in the imperial court, one's heart was loyal to the Han Dynasty. This idiom originated from the Romance of the Three Kingdoms, one of the Four Great Chinese Classics. It mainly described how Guan Yu was in Cao Cao's camp, but he was still loyal to Liu Bei and still wanted to be loyal to the Han Dynasty. This idiom is often used to describe a person who, although working or living in a certain place, has a strong yearning and loyalty to another place or thing.
This poem was "Climbing the Stork Tower" by the Tang Dynasty poet Wang Zhihuan. This poem depicted the author climbing high and looking into the distance to see the clouds and fog in the sky. Therefore, he used the flute to blow the clouds and sing to disperse the fog to express his perception and praise of nature. Flute blowing clouds is a metaphor for expressing emotions or thoughts in a unique way that resonates with people. The dispersing of the fog was a symbol that the author's description of the natural landscape was like using music to compose a poem so that the audience could feel the emotions and artistic conception in it. This poem depicted the author's love and reverence for nature. He expressed his perception and praise for the beauty of nature by blowing the clouds with a flute and dispersing the fog with a song.
The river had a rich meaning in Chinese culture. In poetry, the river was used as a symbolic image, representing the pursuit of dreams that were far beyond reach. In psychological image analysis, water (including river) symbolized love, care, and help, as well as the source of life and the sex between men and women. Daoists viewed water as a symbol of good and beneficial to all things, expressing the characteristics of flexibility and wisdom. Water also symbolized indifference, spring breeze, rain, and silence. The river was also used to express rational human feelings, gratitude, and self-cultivation. In addition, the river could also symbolize friendship, warning the rise and fall of the situation, and the emotions of great people. In short, the river had a rich symbolic meaning in Chinese culture.
Jiang He had different meanings in classical poems. In ancient poems, the image of rivers could represent the clear meaning, like the Milky Way in the sky. At the same time, the river could also symbolize the magnificence of vigor and the sorrow of the passing. As the mother rivers of China, the Yellow River and the Yangtze River appeared in classical poetry in the form of rolling eastward and surging into the sea. The image of rivers could also express the sorrow of parting. All in all, Jiang He had rich images in classical poetry, which could represent different emotions and meanings such as clarity, magnificence, and sadness of separation.