Lu Xun's Runtu was an essay in the Chinese literary classic, Lu Xun's Essay Collection, which described a poor, barbaric, and ignorant rural youth. Runtu's father was a drunkard and gambler, and his mother was the most vulgar woman in the village. He lived in a poor village without education, and his behavior was very barbaric and vulgar. In this article, Lu Xun reflected some of the real problems of China's rural society at that time, such as poverty, backwardness, gambling, alcoholism, etc., through the image of Runtu. At the same time, Lu Xun also revealed the ignorance and barbarism of the Chinese people at that time, as well as the ugliness and distortion of human nature through the description of Runtu. The image of Runtu was widely used in Lu Xun's works. It represented many of the bottom figures in the rural society at that time and became a cultural symbol.
My answer was not accurate enough. Runtu was not a character in Lu Xun's works but a character that appeared in Journey to the West. The main character in Lu Xun's work Hometown was Ah Q.
The Runtu in Lu Xun's works was a fictional character. In Lu Xun's novel 'Hometown', Runtu was a child's character who described the complicated relationship between him and Lu Xun's relatives. The story was about the contrast between a wealthy family and an ordinary peasant family. The image of Runtu was used to reflect the gap between social classes. Although Runtu in this story was fictional, his image and plot were deeply loved by readers and widely used in literature and entertainment works.
Runtu is not Lu Xun. Runtu was a character in Lu Xun's novel Hometown. In the novel, Runtu represented the vast bottom of the China society at that time. He was lively, kind, and sincere in his childhood, but under the oppression of the ruling class of the semi-colonial and semi-feudal society, he was poor, numb, humble, and dull as an adult. Lu Xun was the author. He used his own life experience as a blueprint to express his strong complaints against feudalism and imperialism through the creation of the character Runtu, reflecting the tragic experience of the people at the bottom of society at that time. The two had different identities and had different roles in the story. Runtu was a fictional character in the novel, and Lu Xun was the author who created this character. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The "I" in Lu Xun's "Young Runtu" referred to Lu Xun himself. In the novel, Lu Xun described his childhood experiences with Runtu in the first person, so "I" represented Lu Xun himself.
The original name of Runtu in Lu Xun's novels was Zhang Runshui. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Kong Yiji was a character written by Lu Xun. He was a poor, cunning and vain man. His image in the novel was that of a ragged, unkempt, big-bellied man who often drank and behaved absurdly because of his vanity. He was a very greedy man who often stole food, but because of his poverty, he could not get a better life. In the novel, the image of Kong Yiji represented the poverty, vanity, and depravity of Chinese society.
Lu Xun's Ah Chang was a female figure in ancient China. She was one of the protagonists in Lu Xun's novel, Ah Chang and Lu Xun. In the novel, Ah Chang was a low-status, short-sighted and misbehaving woman. She was described by Lu Xun as a greedy, selfish, ignorant, cruel and sinister person. Ah Chang was a woman who had put on makeup and dressed in gorgeous clothes, but she exuded poverty and filth on the inside. In order to obtain more money and status, she did not hesitate to deceive, extort, suppress others, and even hurt her own family. Her attitude towards Lu Xun was also very bad. She often mocked him, mocked him, and humiliated him. Lu Xun's Ah Chang was a typical representative of the remnants of feudalism. Her existence reflected the oppression and exploitation of women in ancient Chinese society, and also revealed the darkness and injustice of the society at that time.
The image of the sinologist in Lu Xun's works was a negative one. Sinologists were often described as lacking in scientific knowledge and practical experience, relying only on traditional cultural theories and classics to guide their lives and careers. In Lu Xun's novel Diary of a Madman, the Chinologist Zhou Erfu was portrayed as a group of self-righteous, brainless cultural liars who tried to cover up their ignorance and incompetence through so-called "national studies." Sinologists were often criticized for lacking modern awareness and innovative spirit, only indulging in the pile of old papers of traditional culture, unable to adapt to the changes and progress of the times. Their speech and behavior were often seen as a reaction to modern ideas and culture, an attempt to resist and reject the efforts and creations of modern people. The sinologist in Lu Xun's works was a negative image that represented the hypocrisy and isolation of traditional culture and a reaction to modern ideas and culture.
The story of Lu Xun and Runtu came from Lu Xun's short story 'Hometown', which was a novel. From the point of view of content creation, although Runtu had the prototype Zhang Yunshui, Lu Xun had done artistic processing in his creation. In the novel, by describing the comparison between "me" and Runtu's childhood and adulthood, it showed the great changes in the fate of the characters in the social background at that time. In his childhood, Runtu was lively, kind, and sincere, but in adulthood, he was poor, destitute, numb, humble, and dull. This change reflected the oppression of the ruling class of the semi-colonial and semi-feudal society at that time to the people at the bottom. The vast number of bottom-level farmers were bullied, mentally numb, submissive, and weak. This was a manifestation of Lu Xun's strong accusation against feudalism and imperialism, which contained fictional and symbolic elements. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. He was hailed as "the greatest China in a hundred years" and had a profound influence on the development of modern Chinese literature and thought. Lu Xun's works had a strong sense of social criticism and humane concern. They revealed the dark side of Chinese society and the painful lives of the people at that time, reflecting the Chinese people's yearning and pursuit of freedom, equality and democracy. His ideas were deeply supported by the Chinese people, especially in exposing and criticizing the feudal system and the old culture. Lu Xun was also a patriot and revolutionary who loved his country and people. He actively supported China's independence and democracy, advocated new culture and new ideas, and called for the awakening and unity of the Chinese people, laying the foundation for China's modernisation process. In the last moment of his life, he still firmly paid attention to the fate of the country and the people, leaving an immortal cultural and spiritual heritage.