What was the cultural concept behind Qiong Yao's drama? Why did someone criticize him for having improper views?
The cultural concepts behind Qiong Yao's dramas mainly included love, family, friendship, and other topics. Qiong Yao's novels usually revolved around love, describing the pure love between men and women, as well as the various contradictions and entanglements that occurred in these loves. The characters in her novels were often very vivid and full of emotions. Qiong Yao's dramas usually presented very romantic plots, including many dramatic scenes and conversations. These plots and characters often resonated with the audience and made them emotionally invested. However, there were also some criticisms of Qiong Yao's drama that her three views were not correct. The love in Qiong Yao's novels was usually very pure, but in real life, this kind of love did not exist. Secondly, the characters and plots in Qiong Yao's novels often did not conform to real life. The behavior and choices of many characters did not conform to social norms and moral standards. In addition, the concept of family and friendship in Qiong Yao's novels was also controversial. It was thought to be too idealistic or inconsistent with reality. Therefore, although Qiong Yao's dramas were romantic, their three views were not completely correct. There were also some plots and characters that did not match reality.
What did Qiong Yao drama mean?
Qiong Yao dramas usually referred to a kind of drama with love as the theme. The story was often filled with romantic, sad, jealous, hatred and other emotional elements, describing the love story between the protagonists and the complicated relationship and conflict between them. Qiong Yao's dramas were very popular in China and Taiwan. Many works were translated into different languages and were widely welcomed around the world. His representative works included Princess Pearl and Love in the Rain.
Why did Qiong Yao tell him about her death?
Qiong Yao was a famous Chinese writer. Her novels often involved the fate and life choices of the characters. Confession was a common plot to make the character's fate more complicated and uncertain, while also enhancing the dramatic effect of the novel. There could be many reasons why Qiong Yao told him about her death. She might feel that she had spent the best years of her life and wanted to leave behind some inheritance or property so that her family and friends could share her achievements and happiness. She might also hope that by telling her story, her life would be meaningful and memorable so that her soul could continue to share her stories and thoughts with readers. Qiong Yao's works often involved the fate and life choices of the characters. It was a common plot to explain the afterlife. In this way, the dramatic effect and depth of the novel could be enhanced.
What was Qiong Yao drama?
Qiong Yao opera usually referred to the mainland of China including novels, essays, scripts, and so on. Qiong Yao's novels were often full of romantic plots and delicate descriptions of love, family, marriage and friendship. She was regarded as one of the representatives of modern Chinese literature. Qiong Yao's plays were featured by sincere emotions, twists and turns in the plot, and plump characters, which were deeply loved by readers and audiences. In addition to Qiong Yao's novels, the representative works of Qiong Yao's drama also included "Princess Returning Pearl" and "Deep Love in the Rain".
What was a Qiong Yao drama?
Qiong Yao dramas usually referred to a television drama in the mainland of China called Princess Pearl. The TV series was first broadcasted in 1997. It told the story of Little Swallow and Crape Myrtle. Little Swallow was a girl with a strong personality. Crape Myrtle was a gentle and kind girl. The two of them became good friends.
What was a Qiong Yao drama?
Qiongyao dramas were a type of romance novel that used love as the main plot element. It usually described a beautiful love story in which the protagonists experienced many twists and turns and finally came together. The plots of Qiong Yao's dramas were often poetic and imaginative, depicting many affectionate, romantic, twisted, and complex characters. Qiong Yao's dramas were very popular between the 1950s and 1970s. They were loved by Taiwan readers and audiences, and later became popular in other Asian countries and overseas. Although Qiong Yao's dramas were outdated, their classic plots and romantic style were still popular among some people.
Qiong Yao's TV series were generally considered to have improper values. Why?
Qiong Yao's novels and TV series were often criticized because the storyline and character settings in her works often caused controversy and even negatively affected the audience's values and worldview. The following are some of the reasons why Qiong Yao's TV series may be considered to be immoral: Love is supreme: Qiong Yao's novels and TV series often emphasize that love is supreme and can almost surpass all other factors. This mindset could cause the audience to react too emotionally to the actions of certain characters, and even cause them to lose their minds. 2. Distortion of reality: The characters and plots in Qiong Yao's novels and TV dramas are often fabricated in great detail, sometimes even distorting or exaggerating the facts in the real world. This kind of fictional plot might cause the audience's understanding of the real world to be biased. [3. Disrespect for minorities: In Qiong Yao's novels and TV series, there is often discrimination and disrespect towards minorities, women, the elderly, and other minority groups.] This discrimination might cause the audience to feel disgusted by the behavior of certain characters and lead them to have a negative attitude towards the minority groups in society. 4. Over-glorifying the cruel reality: Qiong Yao's novels and TV series often glorify the cruel reality, which may cause the audience to overreact to the behavior of certain characters and events, and even cause them to have a wrong view of some social problems. Qiong Yao's novels and TV series might cause the audience to have prejudice against certain characters and plots, and even negatively affect the audience's values and worldview. Although these works had a certain literary value, they needed to pay attention to their performance and influence in the entertainment market.
Is there a Xu in Qiong Yao's drama?
Qiong Yao's dramas were usually about love, so it was less likely for a character with the surname Xu to appear in the novel. Although the names of the characters in Qiong Yao's novels were often gorgeous, they usually did not use overly strange or rare surnames.
The female lead of Qiong Yao's drama?
The female lead of Qiong Yao's drama usually had a rich emotional experience and a complicated personality. She often had a strong appearance and a soft inner world. The image of the female lead in Qiong Yao's drama often overlapped with the female lead in other literary works, such as Mei Xiang in Plum Blossom Branding, Qin Hong in Water and Clouds, and Zi Ling in A Curtain of Dreams. The emotional entanglements and life experiences of these characters often became the core of the plot, attracting the attention and love of the audience.
What do you think of Qiong Yao's drama?
Qiong Yao's drama was a modern Chinese literature that described romance, love, and marriage. It was very popular among the audience. The language of Qiong Yao's drama was beautiful, the plot was complicated, and the characters were distinctive, with strong Chinese characteristics and cultural atmosphere. Although Qiong Yao's dramas were of high artistic value, they were also criticized by some audiences for placing too much emphasis on love and ignoring the concern and reflection of social reality.
Did Qiong Yao choose the leading role in the drama herself?
Qiong Yao usually chose the leading role in her dramas herself. Qiong Yao's novels usually used women as the main characters. She shaped these characters according to her own experiences and values, hoping to convey her thoughts and feelings through these characters. Therefore, the leading actors in Qiong Yao's dramas were usually carefully selected by her to better interpret the characters in her novels.