The Arabian Nights was a monumental work of Arabian literature, which told many myths and legends, so there was no direct prototype in real life. However, there were similar or related legends and stories in the Arabian region and other regions. For example, some of the stories are related to the legends of Buddhism and India, while others are related to the stories of Persia and Greece. In addition, many of the characters and scenes in "One Thousand and One Nights" also appeared in other literary works and cultures, such as Greek mythology and Roman stories. Although there was no direct prototype for 'One Thousand and One Nights,' its story and characters had a profound impact on many cultures and art forms.
The Lord of the Mysteries was a fictional novel. The countries and regions in it were fantasy worlds created by the author, and there were no real archetypes. Hurry up and click on the link below to return to the super classic " Lord of the Mysteries "!
The inspiration for " Miracle Boy " came from real events. The author borrowed the life story of a South African black leader named Nathaniel Mandela and integrated it into the plot of the novel. Therefore, it could be said that Miracle Boy had a prototype.
Chen Guilin's prototype was Liu Huanrong, one of the top ten most wanted shooters in Taiwan's criminal history. Liu Huanrong was a professional killer with a cold and ruthless personality. He had participated in many major cases, including the Chen Brothers 'massacre. Although he had committed many crimes, he had never hurt innocent people. He donated to the orphanage during his escape. After he was imprisoned, he taught himself Chinese painting and donated the money from the sale of his paintings to the Women's Rescue Foundation. His kindness and repentance triggered people to think about good and evil. In the end, Liu Huanrong was sentenced to death. His organs were donated, and the last remaining heat of his life was used. Chen Guilin's storyline in the movie Zhou Chu San Xu was based on Liu Huanrong's experience.
The story of the Legend of the White Snake played an important role in Chinese history and culture, but there was no conclusive evidence in history as to whether it had a historical prototype. Legend has it that the story of the Legend of the White Snake originated from ancient Chinese myths and legends, which told the love story between the White Lady and Xu Xian. However, the authenticity of this story had not been proven in history. According to historical records, there were already myths and legends about snakes in China during the Qin Dynasty, but there was no record of the story of the Legend of the White Snake. In the Han Dynasty, legends about the White Snake appeared in some documents, but there were no records of the plot related to the Legend of the White Snake. Therefore, it could be said that the story of the Legend of the White Snake was fictional and not a historical prototype. However, this story had a profound influence on Chinese history and culture, and it became one of the classics of Chinese literature.
Dwelling Narrowness was a fictional novel set in Shanghai, China in the 1990s. Therefore, it couldn't be a true story, and the characters in it didn't have a prototype. Although 'Dwelling Narrowness' was a popular novel, its plot and characters were all fictional imaginations of the authors, Hai Zao and Hai Qing. The characters and plots in the novel do not reflect any specific historical events or characters, nor do they have any practical impact on any person or organization.
The characters in mythological novels usually had an archetype. An archetype referred to a real person or animal that was used in mythological stories to represent a certain trait or attribute. The archetype of a mythological novel usually comes from real-world history, legends, myths, or other cultural sources. The archetype can be a person, an animal, an event, or a specific situation. When writing mythological novels, the author would usually refer to these archetypes to create a story character with specific characteristics and attributes. For example, the White Snake in the ancient Chinese myth, Legend of the White Snake, referred to the image of an ancient goddess, the White Snake. The image of the White Snake in the story represented love, kindness, courage, and other qualities, which also matched the image of the white snake in ancient legends. The archetypes of characters in mythological novels were very important for the creation of mythological novels. They could help the author create a unique and charming character and add realism and credibility to the story.
There was a prototype in the reality of the TV series Double-Sided Glue. Prototype referred to the characters or plots that were directly or indirectly important in the work. Double-Sided Glue was a TV series that told the story of a family's marriage and family affairs. The archetype characters included her famous lover, Chen Deming, her parents, siblings, and so on. These characters were given deep emotions and delicate descriptions in Qiong Yao's creation, so their performance in the TV series was also very outstanding.
That's right, the anime 'Horizon of Records' had a game based on him. The game was called Arknights, an action-adventure game developed by the Japanese company FromSoftware and released in 2011. The game was influenced by games like Final Fantasy 7 and Devil May Cry and incorporated elements from Japanese ARPG and action games. Some of the characters and scenes in Recording Horizon were similar to the game's worldview.
The Blue Wings series itself did not have an official prototype or doujin novel, but there were some novels and manga related to the Blue Wings series, including: 1. Blue Wings 2. Blue Wings Comic 3." Blue Wings " Side Story: " Blue Wings: Forbidden Spell Island " These works all described the stories of different characters in the Blue Wings World with the Blue Wings as the theme.
Sun Wukong was the main character in the Chinese mythical story, Journey to the West. He was considered the Great Sage Equal to Heaven. However, there was no real Sun Wukong in real life. The image of Sun Wukong was a creation of Chinese culture and mythology, representing the characteristics of wit, courage, wisdom, and kindness in traditional Chinese culture. Although there is no direct character prototype in real life, there are many different versions of the image of Sun Wukong in literature, movies, animations and other cultural products. These images are all influenced by traditional Chinese culture.