Shen Congwen (1892 - 1968), male, original name Shen Hongzhao, word major, Hunan Fenghuang people, modern China, critics, historians, archaeologists. Shen Congwen began to write in the early 20th century. His representative works included the novels "Border Town","Spring Silkworm" and other essays,"Congwen's autobiography","Study of Ancient Chinese Costume" and so on. His works mainly described the natural scenery, customs and traditional culture of Xiangxi area, and was known as the representative figure of "Border Town Literature". Shen Congwen also actively participated in the Chinese New Culture Movement, advocating the concept of "literature serves the people" and committed to exploring and promoting Chinese traditional culture. His research fields involved ancient clothing, history, folklore, painting, calligraphy, and many other fields. He was known as one of the "fathers of China's cultural industry." Shen Congwen had made significant contributions and influences in many fields such as literature, culture, and history. His works and ideas were deeply loved and respected by readers.
Shen Congwen (1892 - 1978) was originally named Shen Hongzhao. He was born in Liuyang, Hunan Province. He was a modern Chinese historian and a historian. The author of Shen Congwen's prose was Shen Congwen. He was good at describing the local conditions and customs of Xiangxi and showed the local life and culture from a unique perspective. His works have a strong local characteristics and cultural content, known as the classic works in the history of modern Chinese prose.
Shen Congwen's " Border Town " was a novella. It was set in the tea cave of the border town between Sichuan and Hunan in the 1930s. Through the beautiful strokes of lyric poems and essays, it depicted the unique local customs and practices of Xiangxi. At the same time, it also narrated the love story of the young girl Cecelia. It expressed the beauty of human nature through describing the pure love between young men and women, the kinship between grandparents and grandchildren, and the kindness between neighbors. "Border Town" used the love between the granddaughter of the old man, Cuicui, and the two sons of the boat manager, Tianbao and Nuosong, as clues to express the yearning and pursuit of the idyllic life. It showed a primitive, simple and beautiful world full of human nature, while depicting the painful fact that the people of Xiangxi could not control their own destiny in the face of nature and human affairs. Cecelia, Cecelia's mother, and Mr. Boat's two sons were repeating their sad and bleak lives, but they could not find a way to escape this fate. Shen Congwen revealed the mystery of the fate of the characters through the novel "Border Town" and praised the honest and kind hearts of the border people. He described a few ignorant people in a small town in Xiangxi and a tea cave on the bank of Youshui River. When they were involved in an ordinary matter, they each deserved a share of sorrow and joy to give an appropriate explanation for the word "love" of human beings. Border Town was hailed as the purest novel in the history of modern Chinese literature, as well as the pinnacle of modern Chinese literature. It expressed Shen Congwen's aesthetic ideals of "beauty" and "love", and it was also the one that could best express the beauty of human nature among his works.
Shen Congwen (1892 - 1988), formerly known as Major Shen Hongyu, was a modern Chinese historian and archaeologist. He was the author of Shen Congwen's masterpiece, Border Town. Shen Congwen spent a good time in his hometown of Fenghuang County in his youth. After that, he studied abroad in Japan and the United States. He dabbled in literature, history, sociology, archaeology, and many other subjects. His works were based on the Miao and Dong ethnic customs and rural society. His unique style and detailed description won widespread praise from readers. Shen Congwen's representative works include "Border Town,""Border Town,""Long River," etc."Border Town" is regarded as one of the classics of modern Chinese literature and has a profound influence on Chinese literature. He was not only an outstanding historian and archaeologist, but he had also conducted investigations and studies in Hunan, Guangxi, Guizhou and other places, leaving behind rich cultural heritage and historical documents. His contribution was not only in his creation, but also in his promotion and influence on Chinese literature and culture.
The fourth volume of Shen Congwen's anthology was a paper written by Shen Congwen titled " The Psychological Foundation of Fiction-writing ". This article mainly talks about the psychological needs that need to be satisfied in the creation of novels and the mental adjustment that needs to be paid attention to in the creation process. The article also introduced in detail the psychological state of the characters in the novel and how to create a profound image of the characters by describing their psychology.
Shen Congwen's novel language style was unique, poetic and lyrical. He often used a large number of adjectives and metaphor to describe the psychology and fate of the characters. The language of his novel was concise and delicate. Through exaggeration and metaphor, he portrayed vivid characters one by one, showing the rich traditional Chinese culture and historical customs. The language of Shen Congwen's novels often had strong local characteristics such as Sichuan dialect, Guizhou dialect, Yunnan dialect and so on. He was good at using these dialect vocabulary and oral expressions to make the novel more lively and interesting, while also showing the local cultural characteristics and historical background. The language style of Shen Congwen's novel is unique, poetic and lyrical. Through exaggeration and metaphor, he portrays vivid characters one by one, showing the rich traditional Chinese culture and historical customs.
Shen Congwen's essay Xiangxi mainly described the natural scenery and cultural customs that Shen Congwen observed in his hometown, Fenghuang County, Hunan Province. In his works, he depicted the mountains, rivers, forests, stones, soil, buildings and other aspects of Xiangxi area, and displayed the unique charm of Xiangxi with delicate and vivid strokes. The Xiangxi region had magnificent natural scenery, including mountains, canyons, waterfalls, streams, forests, and so on. In the work, Shen Congwen described the mountain scenery of Xiangxi, emphasizing the towering and steep mountains, as well as the natural scenery and biological richness of the mountains. He also described the water scenery in Xiangxi, showing the abundance and clarity of water resources in Xiangxi, as well as the magnificent scenery of rivers, lakes and reservoirs. In addition to the natural scenery, Xiangxi also had a rich cultural atmosphere. In the work, Shen Congwen described the folk culture of Xiangxi, including the traditional culture and lifestyle of many ethnic minorities such as Miao, Yao, Tujia and Dong. He also showed the architectural culture of Xiangxi, including the traditional architecture and folk architectural forms of Xiangxi, as well as the architectural art and architectural style of Xiangxi. In Xiangxi, Shen Congwen showed the natural scenery and cultural customs of Xiangxi through the description of Xiangxi area, and showed the unique charm of Xiangxi with delicate and vivid strokes. This work also became one of Shen Congwen's representative works, reflecting his deep love for his hometown and his continuous attention to the natural environment and cultural customs.
Shen Congwen's prose language is full of poetry and beauty, focusing on emotional expression and artistic conception. 1. Natural and smooth: Shen Congwen's prose language is natural and smooth without any decoration. The simple and vivid language makes the article read like a harmonious movement. 2. Simple and true: Shen Congwen's prose language is simple and true, not pursuing luxurious rhetoric and gorgeous rhetoric, but using simple language to express profound emotions and thoughts. 3. Delicate and meticulous: Shen Congwen's prose language is very delicate and good at capturing details. Through describing the expressions, movements, psychology and other ways of describing the characters, it shows the inner world of the characters so that the readers can feel the emotional changes and emotional experiences of the characters. 4. Connotation and euphemism: Shen Congwen's prose language is implicit and euphemistic. He often uses euphemistic expressions and rhetorical techniques to express the author's views and emotions, so that readers can have more thoughts and feelings. 5. Comprehensive use of multiple language styles: Shen Congwen's prose language not only uses a natural and smooth style, but also uses some humor, irony, exaggeration and other language styles to make the article more unique and charming.
" Border Town " was a novel by Shen Congwen, not a prose. First published in 1934, the novel narrates the history and culture of a beautiful ancient town and the love story between Cuicui and Wang Zian. From Shen Congwen's perspective, the novel presented the traditional Chinese culture and human spirit through Cuicui's story, which was regarded as a classic of modern Chinese literature.
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. His masterpieces included the novels Diary of a Madman, The True Story of Ah Q, and New Stories. These works were regarded as classics of modern Chinese literature. Lu Xun's works deeply reflected the social reality and the sufferings of the people at that time, revealing the shortcomings of the feudal system and feudal culture, which had a far-reaching impact on China's culture, education, politics and other fields at that time. He was known as the "Greatest China in the Past Hundred Years" and was also the most influential and representative figure in the history of modern Chinese literature. Lu Xun's life and thoughts received widespread attention and research. His thoughts influenced the development of modern Chinese culture and politics, and also had a profound impact on global ideology and culture.
Zhang Kangkang, whose original name was Zhang Zeliang, was a famous Chinese essayist, scholar, and social actician. He was hailed as one of the founders of modern Chinese prose. Zhang Kangkang was born in 1918 as Zhang Zeliang from Shaoxing, Zhejiang Province. His father was an overseas student at the end of the Qing Dynasty, and his mother was a well-educated woman. Zhang Kangkang had been influenced by her family and school education during her growth and had a solid cultural foundation. Zhang Kangkang was born in Hokkaido, Japan in 1941. After returning to China, he received his Ph.D. from Peking University, Tokyo Imperial University, and Tokyo Women's University. His literary works were well received by readers and won many domestic and foreign literary awards. Zhang Kangkang's prose works mostly used modern Chinese history as the background to express his deep thinking and concern about the times, people and destiny. His prose style is fresh and natural, the language is concise and lively, rich in philosophy and appeal, known as the classic of modern Chinese prose. Zhang Kangkang was also a well-known social actician and lecturer who had actively participated in the cause of China's democratic revolution and social progress. He had served as the president of Peking University and the secretary general of the Central Committee of the China League for Liberation. He had made important contributions to the development of China's politics, culture, and social causes.