The quality of a calligraphy work depended on many factors, including the skill level of the calligrapher, the overall concept of the calligraphy work, the use of pen, ink technique, composition, and so on. Generally speaking, good calligraphy works should have the following characteristics: 1. Superb skill: A calligrapher should have a superb level of skill and be able to display a unique artistic style and expression technique. 2. Clear meaning: A good calligraphy work should be able to clearly express the calligrapher's meaning so that the viewer can feel the author's thoughts and emotions. 3. Overall coordination: A good calligraphy work should coordinate the various parts to form a good overall effect. 4. Rich in variation: A good calligraphy work should be rich in variation and show the calligrapher's unique imagination and creativity. 5. Profound artistic conception: A good calligraphy work should have the characteristics of profound artistic conception, which can express the calligrapher's profound thoughts and emotions and bring a deep impression to the viewer. A good calligraphy work should have superb skills, clear strokes, overall coordination, rich changes, and profound artistic conception.
Mo Bao Fei Bao's works included " Set Fire Easy "," To This End of the Year "," Forever, Beauty Bone "," One Centimeter of Sunshine "," I Really Miss You "," Return Road "," Stewed Squid with Honey Sauce ", etc.
Calligraphy paper was a material used for calligraphy creation. It was usually soft, smooth, and airy, which could better reflect the calligrapher's strokes and emotions. The following are some famous calligraphy works: Xuan paper: Xuan paper is a traditional Chinese calligraphy paper. It is soft and has good water absorption and good ventilation. It is often used for calligraphy. 2. Bamboo paper: Bamboo paper is a type of calligraphy paper made of bamboo. It has a tough texture and good breathability. It is often used for hard pen calligraphy. 3. Crumbled tofu paper: Crumbled tofu paper is a kind of calligraphy paper made of tofu dregs. It is soft and has strong water absorption and good air ventilation. It is often used for hard pens and calligraphy. Watercolor paper: Watercolor paper is a kind of transparent and soft calligraphy paper often used for watercolor calligraphy. 5. Drawing paper: Drawing paper is a kind of hard calligraphy paper often used for calligraphy. 6. Woolen edge paper: Woolen edge paper is a kind of calligraphy paper with soft texture and good water absorption. It is often used for fountain pen words. These are some famous calligraphy papers. Different calligraphy styles and techniques require different calligraphy papers. Calligraphers can choose the appropriate calligraphy paper according to their own needs.
Mo Bao Fei Bao was a female writer and screenwriter from Mainland China. Her series of works included " A Lifetime "," Easy "," So Far "," Secret Room ", and " Drunken Life and Dream Death ". Among them," Forever, Beauty's Bone " and " Forever, Old Jiangnan " were her masterpieces. These novels used romantic love stories as their theme. The style of writing was elegant, and the plot was exciting. In addition, she also served as the screenwriter for many TV series, such as "Startling Step by Step","Why Silent Flute","Fire Like Song", etc. The works of Mo Bao Fei Bao were deeply loved by readers and were known as the unshakable existence of the Chinese novel world.
Van Gulik was a Sinologist from the Netherlands. His calligraphy had caused a lot of admiration in China. Even though he was not Chinese, his calligraphy works could make everyone in the Chinese calligraphy world marvel. His calligraphy works included couplets and other calligraphy works, one of which was still hung in the Shen family's former residence. His calligraphy works were drawn stroke by stroke. In addition to calligraphy, Gao Luopei was also a zither enthusiast. He had once taken Ye Shimeng, a famous zither master, as his teacher, and had written a book on the zither. His calligraphy works and zither skills both demonstrated his deep study and love for Chinese culture.
All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.
All of Mo Bao Fei Bao's works include " Set Fire Easy "," All the Years Till Here "," Suddenly Want to End of Time "," A Life of Beauty Bones "," I Really Miss You "," One Centimeter of Sunshine "," In the Blizzard "," Twelve Years, Old Friends Play "," The Return Road "," A Life of Jiangnan Old Cinderella "," Pumpkin Cinderella Carriage "," My Mandalin ", etc.
The characteristics of Mo Bao Fei Bao's works included the following aspects: First, Mo Bao Fei Bao's works mostly used modern romance as the theme. The plot was relatively simple and the length of the story was relatively short. Most of them were more than 100,000 words. This made the investment cost relatively low, and it was easier for the investor to choose the film adaptation. Secondly, Mo Bao Fei Bao was the original author and screenwriter of the work. He had strong screenwriting skills and knew the work the best, so he could avoid a large number of magical changes in the adaptation process. In addition, Mo Bao's works were elegant and fresh. The writing style was exquisite and the story was complete. Her works were based on the theme of warmth, and the emotional logic was relatively simple. The process of the male and female protagonists falling in love was often due to coincidence, not based on the attraction of the other party's character and personality. The works that were written in calligraphy were known as " Heart-warming Writers ", which could bring warmth to the readers.
The evaluation of a work that was not a treasure varied from person to person. Her works did not stick to the old routines in terms of character design and subject matter. She chose relatively unpopular occupations and vertical circles to bring novelty to the audience. Her writing style was praised as fresh and sweet, able to handle many types of story subjects. Nearly 90% of her novels had been remade into movies and television dramas, which meant that her works were loved by the audience. However, there were also some criticisms of her works. They felt that her works lacked descriptions of getting along in the love story and pursued too much of a sweet and sweet pattern, resulting in the lack of emotional logic in the love process of the male and female protagonists. All in all, Mo Bao's works had achieved a certain degree of success in the market, and her writing style had also been recognized by some readers.
There were many authentic works of calligraphy by the Tang Dynasty literati, some of which were famous works such as Li Bai's "On the Balconies" and Zhang Xu's "Four Ancient Poem Calligraphy". Li Bai's "On the Balconies" was a paper ink cursive calligraphy work he created in the third year of Tianbao (744). It was now collected in the Palace Museum in Beijing and was called a national treasure. Zhang Xu's "Four Styles of Ancient Poetry" was one of his calligraphy works, which showed the style of calligraphy in the heyday of the Tang Dynasty. In addition, there were also other calligraphy works by Tang Dynasty poets, such as Du Fu and Bai Juyi. These works were famous for their unique artistic style and rich ink strokes.
There were many calligraphy works about reading, some of which were famous works such as Yan Zhenqing's Duobao Pagoda Stele, Ouyang Xun's Jiucheng Palace Liquan Inscription, Liu Gongquan's Mysterious Pagoda Stele, and Wang Xizhi's Preface to Lanting Collection. These works had an important position in the history of calligraphy and were hailed as classics. They displayed the charm of calligraphy art through beautiful handwriting, unique strokes, and exquisite skills. These works not only had aesthetic value, but also conveyed the importance and value of reading. By appreciating these calligraphy works, we can feel the fun and meaning of reading, stimulate our desire for knowledge, and improve our own quality and character. In short, these calligraphy works about reading are the treasures of Chinese calligraphy art, worthy of our appreciation and learning.