Why was Qianlong called Zhao Qianlong in the Henan local drama Liu Yong's Descent to Nanjing?
The Qianlong character in the Henan local drama Liu Yong Descends to Nanjing was called Zhao Qianlong because the story was set in the Ming Dynasty and the emperor's surname was Zhao. During the reign of Emperor Zhao, officials were forbidden to brew wine privately, so the local officials in Henan used the name of "Emperor Zhao" to show respect and awe. In this story, Zhao Qianlong was an official named Zhao Yong. He heard that there was a master named Zhao Qianlong in Nanjing, so he went to Nanjing to seek advice. Zhao Qianlong heard of Zhao Yong's talent and decided to teach him some important ways of governing the country, so he married his daughter to Zhao Yong. Due to the relationship between Zhao Qianlong and Zhao Yong, in this fictional story, Zhao Qianlong was called "Zhao Qianlong" and Zhao Yong was called "Lord Zhao".
Liu Yong's Pendant in Nanjing
Liu Yong's Descent to Nanjing was a work of Henan opera, which told the story of Liu Yong's death of the Grand Tutor Ye Lvhong and his subsequent demotion to Nanjing's magistrate. The entire show was a collection of classic performances of Henan opera, and there were audio and video versions for listening and watching. He needed to know more about the specific plot and actors.
Liu Yong's Pendant in Nanjing
Liu Yong's Descent to Nanjing was a work of Henan opera, which told the story of Liu Yong's death of the Grand Tutor Ye Lvhong and his subsequent demotion to Nanjing's magistrate. The entire show was a collection of classic performances of Henan opera, and there were audio and video versions for listening and watching. He needed to know more about the specific plot and actors.
Seeking a historical drama with Qianlong as the theme
The Qianlong Dynasty was a historical drama with the theme of the Qianlong Emperor of the Qing Dynasty. It described the policies and life of the Qianlong Emperor during his reign and his relationship with the people of all ethnic groups. The show debuted in 2010 and achieved high ratings in mainland China and Taiwan. The director of the drama was Li Shaohong, and the main actors included Chen Daoming, Zhou Yiwei, Zhang Jiayi, and so on.
Qianlong Style
Qianlong's aesthetic style was diverse and unique. He showed a strong interest in Han culture and Han clothing. He liked to play different roles in his paintings, such as Han people, literati, Taoist priests, hermits, hunters, and Samantabhadra Bodhisattva. Qianlong also liked cosplay, showing his aesthetic through role-playing in paintings. In addition, Qianlong also had a unique aesthetic pursuit for porcelain making. He created many porcelain with complicated craftsmanship and colorful patterns, which was considered one of his aesthetic symbols. Qianlong's aesthetic style was rich and varied, with both traditional Han cultural elements and original artistic taste.
Qianlong San
San was a traditional dish related to Emperor Qianlong. Legend has it that when Emperor Qianlong went to Jiangnan and passed by Linyi area, the local officials offered a unique breakfast for Emperor Qianlong to try. After Emperor Qianlong drank it, he felt that it was delicious and casually asked," What is this?" The local official mistakenly thought that Emperor Qianlong was asking about the grits, so he replied," This is grits, grits!" From then on, this kind of breakfast was called grits. The characteristics of the grits were the spiciness of ginger and pepper, the freshness of meat, the aroma of rice, and the chewiness of wheat. At present, grits are divided into two categories, one is the "black grits" in Linyi area, and the other is the "white grits" in Zaozhuang and Jining areas.
Qianlong literature
The characteristics of Qianlong's literary thoughts were advocating nature and attaching importance to artistic authenticity. Emperor Qianlong paid attention to the inheritance and development of culture, advocated "returning to nature", and emphasized that literary works should truly reflect social life and people's inner world. Qianlong's poetry creation paid attention to nature, freshness and beauty, and pursued the perfect combination of artistry and ideology. His prose style was smooth and natural, and had a high literary value. The novels of the Qianlong period also showed a "pure and elegant" aesthetic tendency, such as "Dream of the Red Chamber" and other works were deeply loved by readers. The influence of Qianlong's literary thoughts on modern literature was also obvious. The study of Qianlong's poems had received more and more attention in recent years, and there were special works to organize and publish his poems. Qianlong's imperial poems were regarded as works of important literary value. They were compiled and published, and their versions were examined. Qianlong's literary level was considered very high. His literary attainments made him an excellent scholar, poet, artist, and connoisseur. Qianlong's poems and imperial poems were regarded as important works in the history of Chinese literature, which had a positive impact on the development of Chinese literature.
The Five Blessings of Henan Local Drama Collection
The opera " Five Blessings at the Door " was a local opera work in Henan Province, belonging to a type of Henan opera. Henan Qu opera originated from Ruzhou, Henan Province. It was a local opera, also known as Henan Qu opera or Gaotai opera. It was developed by combining the miscellaneous tunes of Henan drum songs and folk songs and dances. The tunes of Henan opera were easy to learn. They were sung in their own voices and the performance style was close to life, so the spread was very fast. In 2006, Henan opera was included in the first batch of intangible cultural heritage in Henan Province. The Five Blessings at the Door was a classic play in Henan opera, with Li Zhenqian, Ma Lan, Gao Guizhi and other actors. This play had a certain collection value among Henan opera lovers.
Qianlong's Successor Fictions
There were two novels related to Qianlong's successor that were worth recommending. The first book was " Dust in the Palace ", an ancient romance novel written by the author I Love Roasted Pork Rice 6. It told the legendary story of Empress Wu La Na La, the successor of the Qianlong Emperor. The second book was " It's Hard for the Emperor and Empress ", a novel about Empress Wulanala, the successor of Qianlong. However, the search results did not provide any information about the specific content and the latest situation of the two novels.
Qianlong's Concubine Bai
Qianlong's concubine Bai was one of the nobles. Qianlong had a total of 45 concubines, including 3 empresses, 5 imperial consorts, 5 imperial consorts, 6 imperial concubines, 6 imperial concubines, 12 noble people, 4 Chang Zai and 4 Cheng. After Qianlong's death, three imperial concubines, three imperial concubines, one concubine, and three noble people died, but there was no mention of the specific situation of the Bai family. Therefore, further information about Qianlong's concubine, Bai Shi, was currently unknown.
List of Qianlong's sons
The order of Qianlong's sons is as follows: 1. Yonghuang 2. Yonglian 3. Yongzhang 4. Eternal 5. yongqi 6. Yongrong 7. Yongcong 8. Yongxuan 9. Forever 10. Eternal 11. Yongjing 12. Yonglu 13. yongyan 14. Yonglin 15. An untimely son with an unknown name 16. An untimely son with an unknown name 17. An untimely son with an unknown name