Was the Romance of the Three Kingdoms written in classical Chinese or vernacular Chinese?
The Romance of the Three Kingdoms was a classical Chinese. The Romance of the Three Kingdoms was a long novel written by Luo Guanzhong, a novelist of the Ming Dynasty. Compared to modern Chinese, classical Chinese had a more complicated and strict grammar and expression.
Was Luo Guanzhong's Romance of the Three Kingdoms written in classical Chinese, vernacular Chinese, or semi-vernacular Chinese?
Was Luo Guanzhong's Romance of the Three Kingdoms written in classical Chinese, vernacular Chinese, or semi-vernacular Chinese? Romance of the Three Kingdoms was a long novel written by Luo Guanzhong, a novelist of the Ming Dynasty. It was based on the history of the Three Kingdoms period. The political struggles and wars between the historical figures during the Three Kingdoms period were the main plots. The images of the historical figures were the clues. Through the description of historical events and characters, a group of colorful historical figures were shaped. The language used in Romance of the Three Kingdoms had the characteristics of classical Chinese, such as various official positions, titles, terms, etc. It also had the characteristics of vernacular, such as dialogue, narration, etc. It used vernacular. Therefore, it could be said that Romance of the Three Kingdoms was both a classical Chinese novel and a vernacular novel. The language style of Romance of the Three Kingdoms was rich. There were rigorous and solemn classical Chinese and lively and interesting vernacular Chinese. It also incorporated some poems, couplets, and other elements to make the novel more lively and interesting.
Romance of the Three Kingdoms, Vernacular Chinese
The Romance of the Three Kingdoms was a classic ancient Chinese novel about the war and political struggles between Cao Cao, Liu Bei, Sun Quan, and others during the Three Kingdoms period. There were many famous stories and characters in the novel, such as Zhuge Liang outwitting Sima Yi, Guan Yu going to the meeting alone, Zhang Fei roaring at Changban Slope, etc. In the novel, Liu Bei was a kind man who embarked on a long journey to find his foster father, Guan Yu. Cao Cao was a brilliant politician who tried to unify northern China. Sun Quan was a clever ruler who successfully resisted Cao Cao's attack and established his own dynasty in Jiangdong. There were also some very interesting characters in the novel, such as Diao Chan, Lu Bu, and Zhao Yun. Their stories were full of drama and adventure that readers would never forget. Romance of the Three Kingdoms is a classic ancient Chinese novel with high literary and historical value. It depicted an era full of wars and political struggles, but also showed the complexity of human nature and the spirit of heroism.
The Romance of the Three Kingdoms in Vernacular Chinese
The Romance of the Three Kingdoms is one of the four famous Chinese classical novels. It tells the historical story of the Three Kingdoms period. The novel described the political struggles and wars between the various forces during the Three Kingdoms period, while also reflecting the traditional Chinese culture and ideology. The Vernacular Romance of the Three Kingdoms consisted of six parts: " Sworn in the Peach Garden,"" Three Visits to the Cottage,"" Three Divides of the World,"" Battle of Red Cliff,"" Battle of Yiling," and " Cutting Beard and Abandoning Robe." These parts were all about the wonderful stories of the Three Kingdoms period, which were classics in the history of Chinese literature. The complete works of the vernacular novels of the Romance of the Three Kingdoms have a high literary value and ideology, not only in China but also in the world, enjoying a high reputation. This novel had become one of the most important representatives of Chinese culture and was widely read.
In Romance of the Three Kingdoms, could the effect be the same when reading classical Chinese and vernacular Chinese?
The Romance of the Three Kingdoms is one of the classical Chinese novels. Although there are some differences in the expressions of classical Chinese and vernacular Chinese, their effects are similar in terms of story plot and character creation. Because the Romance of the Three Kingdoms is a classic literary work, its value has been deeply rooted in people's hearts. Many people are already familiar with the expressions of classical Chinese and vernacular Chinese. Therefore, whether you look at classical Chinese or vernacular Chinese, you can understand the plot and character well. However, for some readers, reading classical Chinese may be more challenging because they may need to adapt to longer sentences and more Chinese characters. In addition, the expression of classical Chinese was more obscure and difficult to understand. It required the reader to have a certain foundation in classical Chinese to understand. Therefore, for readers who wanted to better appreciate the Romance of the Three Kingdoms, choosing to read classical Chinese or vernacular Chinese depended on their reading ability.
Vernacular Chinese of the Three Kingdoms
There is a vernacular version of the Records of the Three Kingdoms. The vernacular version of the Chronicles of the Three Kingdoms translated by Chen Shou was translated by Wang Jingzhi and published by New World Press. This book could help readers understand the official history of the Three Kingdoms. It could also be used as a reference for classical Chinese or Luo Guanzhong's Romance of the Three Kingdoms. In addition, there were other vernacular versions of the Records of the Three Kingdoms that could be read and downloaded.
Romance of the Three Kingdoms, Chapter 20, Vernacular Chinese
Chapter 20 of the Romance of the Three Kingdoms told the story of Cao Cao's defeat at the Battle of Red Cliff. In this letter, I will describe in detail what happened. Cao Cao led his army to Red Cliff, hoping to defeat Sun Quan and his army in the Battle of Red Cliff. Cao Cao's army encountered a fierce attack from Sun Quan's army at Red Cliff, but due to Cao Cao's improper command, the army was in chaos and defeated. The result of the Battle of Red Cliff was extremely tragic. Cao Cao's army was utterly defeated by Sun Quan's army, losing almost all of their fighting strength. In the end, Cao Cao had no choice but to retreat and accept Sun Quan's peace proposal. This incident had a profound impact on Cao Cao's historical status. The defeat at the Battle of Red Cliff made him realize the power of Sun Quan's army and also made him more modest and cautious. From then on, Cao Cao began to learn from Sun Quan and began to adopt more prudent and wise military strategies in order to achieve better results in future wars. This was the vernacular description of the 20th chapter of the Romance of the Three Kingdoms.
What was the difference between classical Chinese and ancient Chinese? Why is it said that "The Romance of the Three Kingdoms" is only an ancient vernacular, not a classical Chinese
The classical Chinese and the ancient vernacular Chinese were two different ways of expressing themselves. There were great differences in language, grammar, vocabulary, sentence patterns, and so on. The classical Chinese was a formal language that developed on the basis of ancient Chinese. Its grammar and sentence structure were very strict, and the vocabulary and expressions used were also very formal. It often had a certain cultural meaning and historical background. The expression of classical Chinese is more concise and can express more profound and rich meanings. Therefore, it has been widely used in literature, history, philosophy and other fields. The ancient vernacular was a form of expression in the development of modern Chinese. Its grammar and sentence structure were relatively free to use, and the vocabulary and expressions were also relatively oral, often with a certain sense of the times and emotional color. The expression of ancient vernacular was more intuitive, more oral, and easier to understand and accept by modern people. Therefore, it was widely used in literature, news, advertising and other fields. The Romance of the Three Kingdoms was a relatively early vernacular novel. Its language expression was closer to the ancient vernacular, but it did not mean that it did not belong to the category of classical Chinese. The classical Chinese and the ancient vernacular Chinese are two different languages with their own unique characteristics and development process.
classical Chinese and vernacular Chinese
The classical Chinese and the vernacular Chinese were two different ways of writing, each with its own characteristics and development process. The classical Chinese was a form of written expression in ancient China that originated from the pre-Qin period and matured in the Han Dynasty. With its unique grammar and expression, classical Chinese shows a high degree of specialization and rigor. It is often used in ancient academic works, official documents, and literary works. The classical Chinese had gone through many evolutions and gradually developed into a part of modern Chinese. For example, the idioms and two-part sayings in modern Chinese were the variants of the classical Chinese. The vernacular was a form of modern Chinese that originated from the late Qing Dynasty and matured in the early 20th century. The vernacular language, with its unique spoken language and expression, shows a kind of easy-to-understand and flexibility. It is often used in modern novels, prose, poetry and news. The development of vernacular Chinese was influenced by the social background at that time, such as the acceleration of the process of industrialization, modernisation and urban development, as well as the arrival of the cultural revolution. The classical Chinese and the vernacular Chinese are two different ways of writing, each with its own unique characteristics and development process.
Vernacular Chinese in the 40th chapter of Romance of the Three Kingdoms
Romance of the Three Kingdoms chapter 40 in the vernacular is as follows: In the 40th chapter, Liu Bei attacked Dongwu and successfully occupied Red Cliff. In the Battle of Red Cliff, Liu Bei, Sun Quan and Cao Cao each played an important role. Liu Bei used his wisdom and courage to buy time for Sun Quan in the fire attack and finally seized Wulin. Sun Quan used his advantage in the water route to play an important role in the Battle of Red Cliff, and joined forces with Zhou Yu, Lu Xun, and other generals to defeat Cao Cao's army. Cao Cao, on the other hand, had demonstrated his military talent in the war and adjusted his strategy many times before finally escaping the Red Cliff battlefield. This time, the battle between Liu Bei, Sun Quan, and Cao Cao was even more intense. Their resourcefulness and bravery collided with each other, presenting a magnificent picture. This was also one of the most exciting chapters in the Romance of the Three Kingdoms. It presented the readers with the struggle and cooperation between various forces in a historical background.
70 Excerpt from Romance of the Three Kingdoms in Vernacular Chinese
Romance of the Three Kingdoms was a classic Chinese novel that depicted the wars and political struggles between Shu Han, Wu, and Wei during the Three Kingdoms period. Here are 70 of them: Liu Bei was the founding emperor of Shu Han. Guan Yu was an important general of Shu Han. Zhang Fei was a minister of Shu Han. Liu Bei, Guan Yu, and Zhang Fei were sworn brothers. Cao Cao was the founder of the State of Wei, Sun Quan was the founder of the State of Wu, and Liu Bei was the founding emperor of the State of Shu. Zhuge Liang was an important general and politician of Shu Han. He was one of the most famous characters in the Romance of the Three Kingdoms. Liu Bei visited him three times and invited him to help him establish Shu Han. 4 Zhao Yun was an important general of Shu Han. He had performed well in many wars and was known as the "Tiger General". Cao Cao once wrote the phrase "Watching the Vast Sea" to express his feelings about history and his yearning for the future. Guan Yu was very powerful with the Green Dragon Crescent Blade. He was appointed as a general by Cao Cao, but he was loyal to Liu Bei and made great contributions to the establishment of Shu Han. Liu Bei visited Zhuge Liang in Wolonggang and asked him how to govern the country. Zhuge Liang proposed the strategy of "dividing the world into three parts, taking Yizhou and governing it, taking Jingzhou in the east, taking Hanzhong in the south and taking Hanzhong in the west". Sun Quan once sent Lu Su to Zhou Yu's home to ask him how to deal with Cao Cao. Zhou Yu proposed a "fire attack" strategy and finally defeated Cao Cao's army. Guan Yu and Zhang Fei had written a poem about Liu Bei's marriage," The wings are full and soaring ", which implied the deep feelings and mutual trust between them. Liu Bei suffered a crushing defeat in the Battle of Yiling, but he did not give up. Instead, under Zhuge Liang's suggestion, he reformulated his strategy and finally won. Zhao Yun sacrificed himself to save Cao Cao's beloved general Lu Bu in the Battle of Changban Slope, becoming a famous hero in history. 12 Cao Cao wrote in "Longevity of the Tortoise" that "The son of a galloping horse is born in the dragon pond on three plates of nine fragrant quilts in ten days of cool autumn. The night of the third day of the ninth month is like the dew of a real pearl and the moon is like a bow." It expressed his longing for history and his feelings for life.