On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clusters here and clusters there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.
Ye Shengtao's "Record of Jinhua's Double Dragon Cave" was as follows: " I lived in a small village called Shuanglong Village in Jinhua. Surrounding the village was a famous scenic spot called Shuanglong Cave. I don't like mountains and rivers, but I was still surprised to see the lifelike divine dragons in the cave. So I decided to go in and take a look. This was the beginning of Ye Shengtao's "Record of Jinhua's Double Dragon Cave".
On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clusters here and clusters there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.
On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clumps here and clumps there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.
Ye Shengtao's original name was Ye Shaojun (1894 - 1988). He was a famous Chinese teacher, translator, and cultural critic, and was known as the "Father of Modern Chinese Literature."
Ye Shengtao's original name was Ye Shaojun (1894 - 1988). He was a famous Chinese teacher, translator, and cultural critic, and was known as the "Father of Modern Chinese Literature."
Ye Shengtao's original name was Ye Shengtao (1894 - 1980). He was a well-known modern Chinese teacher, translator, social actician, and ideologist.
There were two clues in the article " Jinhua Shuanglong Cave ": one was the author's description of the natural landscape to show the impermanence of life and the mystery of fate, and the other was the dark line that revealed the corruption of local officials and the dark side of human nature.
Ye Shengtao's Morning Glory was as follows: Morning glory, also known as morning glory The sound of the trumpet filled the branches One by one, they were bright red. When the morning awakens the earth The trumpets have begun to play; Afternoon, dusk, sunset And go with the wind. Living like this year after year Bringing the flower of life to the world. This was a description in Ye Shengtao's 1934 novel Morning Glory. Through describing the growth and life cycle of morning glory, the novel shows the tenacity and tenacity of life and the harmonious symbiosis between human beings and nature.
Ye Shengtao (1894 - 1978) was originally named Ye Shengtao, Tao Zi Bo Ju, a native of Suzhou, Jiangsu Province. Ye Shengtao was one of the outstanding representatives in the history of modern Chinese literature and was known as one of the fathers of modern Chinese literature. His works covered novels, essays, poems, fairy tales, essays, and many other fields, but all of them had profound thoughts and unique artistic charm. Ye Shengtao's representative works included "Jean-Cloister,""Lao Zhang's Philosophy,""Grass Hut,""Bonded Worker," etc. These works revealed various problems in Chinese society at that time and deeply reflected the real life and inner world of the Chinese people. In addition, Ye Shengtao had also served as a professor at Peking University, Tsinghua University, and other famous universities, dedicated to promoting the development of China's education and culture. At the same time, he was also a person who loved the translation industry. He had translated many excellent literary works, such as shakespeare's plays and russians. Mr. Ye Shengtao was an outstanding, educational, cultural critic and ideologist. He had a profound influence on Chinese literature, education and culture, and was regarded as one of the giants in the history of modern Chinese literature.
Ye Shengtao (1894 - 1978), formerly known as Ye Houcheng, was a well-known Chinese scholar, editor, novelist, and social practitioner. He was one of the outstanding representatives in the history of modern Chinese literature and was hailed as one of the fathers of modern Chinese literature. Ye Shengtao was born in Suzhou City, Jiangsu Province. He studied in Japan in his early years and then returned to Beijing University to study. After graduation, he stayed on as a teacher. He had served as the president of Peking University and the translator of China's Central Translation Bureau. In addition, he also actively participated in various social charity activities such as initiating and organizing the "Literature Research Society" and the "New Literature Movement". Ye Shengtao's representative works included Ni Huanzhi, Bonded Labourers, Lin Family Shop, etc. His works were famous for his deep social insight, real characters, and infectious language style. At the same time, he was also committed to literary creation and editing. He had once served as the chief editor of the "Fictional Weekly" and the editor of the "Literature Weekly" and made important contributions to the Chinese literary cause. Ye Shengtao was one of the most important figures in the history of modern Chinese literature. His works and thoughts had a profound influence on modern Chinese literature and culture.