Why did the protagonists in novels often let their enemies go and not kill them? Wasn't he worried about the enemy's counterattack? How many times in history had this led to failure?
In many novels, the protagonist would spare the enemy for various reasons. This might be because the author wanted to show the protagonist's kindness and tolerance, or to let the protagonist establish his own sense of justice. However, in some novels, the main character would also have to ensure the existence of the enemy in order to ensure the progress of the novel. Therefore, even if the main character had the ability to kill the enemy, he would choose to let them go. In addition, in some novels, the existence of villains was also to cooperate with the growth of the protagonist and the development of the story. Therefore, the protagonist would choose to let them go so that they could continue to provide challenges for the protagonist's growth. However, in some novels, the protagonist would also decisively destroy the enemy, depending on the plot and the protagonist's personality. I hope this information is helpful to you. You are welcome to read the novels recommended above.
Which fantasy novels had protagonists dying together with their enemies? How many could he recommend?
The ending of the fantasy novel," Peerless Poison Doctor: The Black-bellied Farmer Girl ", was that the protagonist, An Qianxi, and the enemy, Cang Hanchen, died together. Other fantasy novels with similar endings included " God of Ten Thousand Daos,"" The Dragon Bats the Sky,"" Special Summoner," and so on.
Wasn't the war between China and Vietnam a part of history? Why wasn't it in the history books?
The war between China and Vietnam was a part of history, but it was usually not described in detail in history textbooks. This was because the war took place in the 20th century, and history textbooks usually had to follow certain historical backgrounds and political standards to ensure the accuracy and continuity of their content. Although the war was an important historical event, its scale and influence exceeded the scope of traditional history textbooks, so it might not be completely covered in textbooks. In addition, due to the long history of the war, the relevant historical information and records were more scattered and diverse, which would also affect the compilation of history textbooks. Therefore, although the war between China and Vietnam was a part of history, it might not be completely described in traditional textbooks. It needed to be studied and discussed more deeply according to different historical periods and historical backgrounds.
The protagonists of fantasy cultivation novels were often bullied by the strong or powerful, and even schemed to kill for money. Why wasn't this in Japanese comics? If you imagine
The protagonists of fantasy cultivation novels were often bullied or even schemed against by the strong or powerful. Why isn't this in Japanese comics? If he imagined it. This question involved the different literary forms and creative styles of novels and anime. It needed to be answered from different perspectives. First of all, the protagonist in a novel was usually defined by the reader himself, not created by the author. Therefore, the protagonist's personality, experiences, and goals could all be imagined by the reader. In fantasy cultivation novels, the protagonist may experience many setbacks and difficulties, but he or she will eventually reach his or her goal. In Japanese comics, the protagonist's personality, experience, and goals were usually created by the author. Therefore, the protagonist often faced different challenges and difficulties, and these challenges and difficulties were not necessarily the same as the plot in the novel. Secondly, the plot in a novel was usually created by the author's imagination and conception, while Japanese cartoons were expressed in the form of animation and comics. In novels, the protagonists often encounter various powerful opponents. These opponents are usually created by the author's imagination and conception, so their abilities and backgrounds can vary. In Japanese comics, the main characters usually did not encounter such strong opponents as in novels because they were usually created by anime and manga authors. Their abilities and backgrounds would be different. Finally, the main characters in novels usually had more emotions and bonds, while the main characters in Japanese comics were usually simpler and clearer. In a novel, the protagonist might have complex emotions and fetters, such as family, friendship, love, etc. These emotions would bring a deeper experience to the protagonist's growth and battle. In Japanese comics, the main characters usually didn't have too many emotions or fetters. Their battles and growth were usually expressed in a relatively simple way. The protagonists of fantasy cultivation novels were often bullied or even schemed against by the strong or powerful. Why isn't this in Japanese comics? If he imagined it. This was because novels and comics had different literary forms and writing styles. The characters, experiences, and goals of the protagonists were also different. Moreover, the plots in novels were usually created by the author's imagination and conception, while Japanese comics were expressed through animation and comics.
There were many plots in the Romance of the Three Kingdoms. The author Luo Guanzhong should be a very resourceful person. But why wasn't he famous or why wasn't he recorded in the history books?
The Romance of the Three Kingdoms was one of the famous novels in ancient China. Its author was the Ming Dynasty novelist Luo Guanzhong. Although there were many schemes in the Romance of the Three Kingdoms, Luo Guanzhong was not famous or not recorded in the history books. The reasons for this were as follows: Luo Guanzhong lived in the Ming Dynasty, when China's culture and social structure had changed greatly compared with modern society. At that time, people had stricter requirements for literary works. Not only did they need emotional factors such as plots and character portrayals, but they also needed rational factors such as thoughts and philosophy. Therefore, although Luo Guanzhong's novels had many excellent plots and strategies, they might not be regarded as excellent literary works in the cultural and social environment of the time. Romance of the Three Kingdoms was a novel. Its purpose was not only to record history but also to shape the characters and promote the development of the story. Therefore, in the novel, the author Luo Guanzhong used more fictional techniques to create many excellent characters and wonderful plots. Although these characters and plots were written by Luo Guanzhong, due to the wide spread and influence of the Romance of the Three Kingdoms, many readers would treat the plot in the novel as real history. Luo Guanzhong was an official in the Ming Dynasty. His background and career made him different from others. Although he created the Romance of the Three Kingdoms, his work was not widely spread and did not receive the attention it deserved due to the limitations of his profession and identity. In summary, although Luo Guanzhong was not famous or the history books did not record him, there might be many reasons. However, the Romance of the Three Kingdoms, as a classic of ancient China literature, had a profound impact on the development of China culture and society.
The protagonist always plagiarized other people's poems. Wasn't he worried about the lack of cultural accomplishment?
Haha, this book,'Transcribing Books 100,000 Times, Secretly Becoming the Supreme Saint of Confucianism' was indeed a very interesting topic. The main character copied ten times and obtained the Wenchang Divine Brush's ability. After copying ten thousand times, he could become a Supreme Saint of Confucianism. It was very heaven-defying. But don't worry, the protagonist doesn't just plagiarize other people's poems. He also has his own works. Although he had obtained it through the copying system, it was still considered his own hard work. Therefore, there was no need to worry about the problem of the literary courage cracking, because the main character's literary talent was also very outstanding. I hope you like this fairy's recommendation. Muah ~😗
Why Did He Have Such A Big Reaction When He Didn't Let Inuyasha Go To Cat Nation?
Inuyasha was very upset and disappointed when he was not allowed to go to the Cat Kingdom because he always thought that this trip was to find the Jade of Four Souls and he really hoped to find it. At the same time, Inuyasha was also very worried about his master, companions and relatives because he knew that there were many dangers and unknown things in this world. When he saw Inuyasha's sadness and confusion, he also felt very sad and heartbroken because he knew that Inuyasha was very important to his life and mood. He tried to comfort Inuyasha, but at the same time, he felt conflicted and helpless because he couldn't let his student take the risk. At this time, Inuyasha met Coral and she told him the truth about the Jade of Four Souls and the story of the Cat Kingdom and Inuyasha's master. Inuyasha got some inspiration and encouragement from Coral and decided to take the risk to go to Cat Country. Inuyasha was not able to go to the Cat Nation due to the opposition of the Killing Maru, but through his own efforts and courage, he finally succeeded in finding the Jade of Four Souls and brought it back to its location. In this process, Inuyasha became stronger and braver, and his relationship with Sesshomaru became closer.
Why did he stop writing novels about the public enemy?
Public Enemy novels usually involved political, military, social, and other aspects, so they might be restricted by the laws of some countries or regions. In addition, the term public enemy has a certain negative meaning, which may cause readers to have a bad emotional experience. Therefore, some authors may choose not to write such novels. In addition, it was more difficult to create a novel about the public enemy. It needed to dig deep into the emotions and humanity of the characters. At the same time, it also needed to deal with family relationships, social conflicts, and other elements. Therefore, some authors might need to spend more time and energy to write. To sum up, there were many reasons why he stopped writing novels about the public enemy. Among them, legal restrictions, emotional experience, and the difficulty of writing were all possible factors.
How many times did Reign go to Comic Con?
I'm not sure exactly, but I think it was a few times. Maybe three or four.
If novices in fantasy novels were worried about how to let others know about their novels, then let's talk about the novels they wrote!
Are novices in fantasy novels worried about how to let others know about their novels? Then tell them about the novels you wrote! Writing a novel was a very personal matter. Everyone had different understandings and ideas about the style, plot, and character setting of the novel. But if you want others to know about your novel, here are some suggestions that might be useful: 1. Join the online novel community: Post the novel link, introduction, and cover in the online novel community so that more people can understand the novel. 2. Post novel reading links: Post novel reading links on social media or on your own website so that more people can visit the novel and leave comments and feedback. 3. Take part in the online novel competition: Taking part in the online novel competition can let more people understand the novel and also gain some exposure opportunities. 4. Release the outline and draft of the novel: By releasing the outline and draft of the novel, more people can understand the structure and plot of the novel and get some feedback and suggestions. 5. Cooperate with other authors: By working with other authors, you can promote your novel together and get some resources and suggestions. Writing a novel was a very personal thing. It required constant practice and exploration to find the most suitable writing style and method.
11. In Journey to the West, Sun Wukong's will wasn't very firm when he started to learn from the scriptures. How many times did he return to Huaguo Mountain? Which times?
When Sun Wukong was learning the scriptures, his will was not firm. He had once returned to the Huaguo Mountain. The most famous one was during the time when Sun Wukong was chased out of the sect because he was misunderstood by Tang Sanzang. Then he returned to Huaguo Mountain and started a series of battles with the Bull Demon King, Princess Iron Fan and others. In addition, Sun Wukong was once banished to the mortal world and trapped under the Five Fingers Mountain for 500 years before returning to the Flowerfruit Mountain. In addition, Sun Wukong had also gone to Flaming Mountain, Coiled Silk Cave and other places because of his conflict with Tang Sanzang, but they all ended in failure.