In ancient times, novelists had a relatively low status because their works were mainly created and disseminated as entertainment literature. In ancient society, novelists were often regarded as a fringe profession, and their status was often inferior to that of poets, essayists, politicians, and militarists. Although the works of novelists were widely recognized and appreciated in ancient society, they were often not given a high social status. Some famous ancient novelists such as Cao Xueqin, Lu Xun, Jin Yong, etc., although their works had a profound impact on Chinese literature, their social status was relatively low key.
This problem involved cultural, economic, political, and many other factors that needed to be analyzed from many angles. China's cultural policy has been undergoing reforms in the past few decades, but generally speaking, there is still relatively little support for literary creation and film screenwriting. In Chinese culture, literature and film are regarded as different art forms. Literature is often regarded as an elegant and traditional art form, while film is regarded as a form of mass entertainment. Therefore, in terms of cultural policy, the government invested relatively little in literature and film creation, and the support for literature and film was not as important as other art forms. China's economic development also had an impact on the creation of literature and movies. During the period of rapid economic development in China, the creation of literature and film was valued. However, in recent years, with the continuous development and stability of China's economy, the creation of literature and film gradually returned to the traditional development mode, which was especially obvious in the film industry. China's social and cultural background also influenced the creation of literature and movies to a certain extent. In Chinese culture, people tended to pay more attention to traditional culture and history, while modern literature and film creation often paid more attention to the inheritance and interpretation of traditional culture and history. Therefore, literature and movies often had to conform to the values and aesthetics of traditional culture, which limited the creative space of literature and movies to a certain extent. The low status of Chinese novelists and screenwriters was also related to their own creative characteristics and cultural background. Although these factors exist, it does not mean that the status of Chinese novelists and screenwriters will never improve. With the reform of cultural policies, economic development and changes in social and cultural background, Chinese literature and film creation will continue to develop and progress.
The social status of novelists in the Ming and Qing Dynasties was relatively low. They were usually regarded as representatives of "wild literature" and were regarded by society as a "entertainment industry" rather than a professional art form. In the Ming and Qing Dynasties, the works of novelists were regarded as "novel" or "legendary" and were often created and disseminated together with historical stories, folklore, and operas. Although the works of novelists were valued, their social status was relatively low. They were often regarded as " low-class people " or " both refined and popular." It was difficult for them to obtain formal literary awards and recognition. However, novelists also had a certain influence during the Ming and Qing Dynasties. Their works were often regarded as one of the main forms of "novels", which had a profound impact on later literature and literary creation. In addition, the works of novelists also reflected the social reality and people's lives at that time to a certain extent.
Jin Yong and Gu Long were two masters in the field of Chinese martial arts novels. Their works had influenced the literature and culture of the entire East Asia region and were regarded as one of the treasures in the world's literary treasure house. Although Jin Yong and Gu Long's works were regarded as martial arts novels, their works also covered other types of content such as love, history, politics, etc. In the history of Chinese literature, there were many orthodox novelists, such as Du Fu, Bai Juyi, Su Shi, Li Qingzhao, etc. Their works had influenced the development of the entire Chinese culture. Although these novelists and novelists had different styles and subjects from Jin Yong and Gu Long's works, they were not the same as Jin Yong and Gu Long. Therefore, it can be considered that Jin Yong and Gu Long's status and orthodox novelists or their works also occupy an important position in the history of Chinese literature.
In ancient times, child brides didn't have a low status, so they had to help their husbands do some shameful things at night. In modern society, men and women had equal status, and women did not have to rely on men. However, in ancient society, men and women had unequal status, and women often had to rely on men. In ancient times, child brides were usually raised by their husbands and families until they could get married. Because child brides did not have independent status and property, they needed to rely on the support of their husbands and families. At night, the child bride might help her husband do all kinds of shameful things, such as bathing together, sleeping together, and so on. This behavior was considered a natural behavior at the time, but in modern society, such behavior may be considered immoral or inappropriate. Therefore, this kind of behavior was embarrassing in modern society.
The following are some of the famous ancient romance novels: Bai Juyi of the Tang Dynasty. His novels such as Song of Everlasting Sorrow and Song of the Pipa are regarded as classic works of love novels. 2. Su Shi of the Song Dynasty also wrote about love in his novels such as Jiang Cheng Zi. Zheng Sixiao's A Chinese Ghost Story was considered a classic of ancient Chinese romance novels. 4. Feng Menglong of the Ming Dynasty. His novels such as The Peony Pavilion were considered one of the representative works of ancient romance novels. 5 Cao Xueqin of the Qing Dynasty. His 'Dream of the Red Chamber' is a classic of ancient Chinese novels, which describes the love relationships between many characters. In addition, there were many other famous ancient romance novels, such as Li Bai in the Tang Dynasty, Xin Qiji in the Song Dynasty, Luo Guanzhong in the Ming Dynasty, Nalan Xingde in the Qing Dynasty, etc. These became classics in ancient Chinese novels.
There were many famous novelists in ancient times. 1 Cao Xueqin: The representative works of the Chinese Qing Dynasty novelists include Dream of the Red Chamber. 2 Lu Xun: The representative works of modern Chinese novelists include "Scream" and "Hesitation". [3] shakespeare: the representative works of the novelist of the renaissance period in england include hamlet. 4. Owen: The representative works of the British Renaissance novelist include One Hundred Years of Solitude. Faulkner: Representative works of modern American novelists include The Sound and the Fury. 6. Hugo: The representative works of modern French novelists include "Miserables" and so on. 7. Dickens: The representative works of British Victoria include A Tale of Two Cities. 8. The representative works of modern French novelists include Mayakovsky. 9 Tolstoy: Representative works of modern Russian novelists include War and Peace. 10 Maugham: The representative works of modern British novelists include The Moon and Sixpence. The works of these novelists were very famous at that time and now, and had a profound impact on Chinese literature, art, culture and other fields.
Thunderstorm was a classic work in the history of Chinese literature in the 20th century. It was regarded as the foundation of modern Chinese drama. There were several reasons why he had such a high status in literature and drama: 1. Unique narrative technique: Thunderstorm uses a non-linear narrative technique to divide the development of the story into multiple time periods, making the relationship between the characters and the changes in the plot more complicated, increasing the suspense and interest of the play. 2. Profound character portrayals: Every character in Thunderstorm has a distinct personality and profound thoughts, especially the father and son of the protagonist Cao Yu and Zhou Puyuan. Their distinct images and outstanding personalities left a deep impression on the audience. 3. Profound social criticism: Through the concern and criticism of the reality of Chinese society, Thunderstorm reveals the social class, family ethics, women's status and other issues at that time, which have a profound impact on modern Chinese drama. Excellent performing arts: " Thunderstorm " was starred by Cao Yu and others. Their superb acting skills and unique performance style vividly portrayed the characters, making the play highly praised in the performing arts. In summary, Thunderstorm's unique narrative techniques, profound character portrayals, profound social criticism, and excellent performance arts made it a classic in the history of Chinese literature in the 20th century, enjoying a high status in literature and drama.
I recommend the following three novels to you: "The Emperor's Brocade World","Tomorrow's Beauty", and "Dressed as the Emperor's Palm Beauty". "The Emperor's Brocade" was a female dynasty novel. The female protagonist was a modern gold medal female assassin who traveled to ancient times to become the imperial princess of the Fengjin dynasty. The male protagonist was a gentle and beautiful divine doctor. The male protagonist was noble, pure and kind, and loved the female protagonist wholeheartedly. "Tomorrow's Beauty" was a classical fictional novel. The female protagonist had transmigrated into the world of a rich girl, and her biological father's secret gourd was the male protagonist. This made the female protagonist become the first love of the male protagonist after he lost his memory. The male protagonist and the female protagonist finally knew each other and cherished each other, thus breaking the arrangement of fate. "Dressed as the Emperor's Palm" was a fantasy romance novel. The female protagonist was a modern god of studies who had been reborn into another world. The male lead was a noble and elegant big shot. The relationship between the male and female lead had gone through a lot of ups and downs. After some twists and turns, they finally got a perfect ending. The above is my personal recommendation. I hope you like my recommendation. Muah ~
This question involved the background of ancient history and political systems, as well as the psychological state of society and culture. In ancient times, the political system was often cruel and unstable, causing many poets, poets, and novelists to have unhappy lives. For example, during the Warring States Period, the vassals fought for hegemony frequently. Many poets 'works reflected the cruelty of war and the suffering of the people. In the Tang Dynasty, politics was corrupt and society was in turmoil. The works of many famous poets reflected their dissatisfaction with society and their thoughts on life. In the Song Dynasty, due to the failure of Wang Anshi's reform, political corruption, and social unrest, many poets 'works reflected their dissatisfaction with society and their thoughts on life. In ancient societies and cultures, mental states were often fragile and unstable. The works of many poets, poets, and novelists reflect their deep thoughts about society and life, which are often based on their personal experiences and emotions. Due to social and cultural instability, their personal experiences and emotions may also be affected, resulting in their dissatisfaction with life and political dissatisfaction. Most of the famous poets, poets, and novelists in ancient times were unhappy in politics and life because of the defects of the ancient political system and the instability of social culture.
In ancient times, the low social status of actors was mainly due to the fact that their occupations did not conform to the traditional cultural values. In ancient times, opera was a form of traditional culture and was regarded as an elegant art. Meanwhile, the performers were regarded as " actors " or " artists " and had relatively low social status. In addition, actors were often discriminated against by society in ancient times, often facing poverty, joblessness, suppression, and other difficulties. However, with the development of modern society, people's understanding of traditional culture has gradually changed, and opera has gradually become a popular cultural art form. At the same time, with the society's attention and respect for artists and actors, their social status gradually improved, and compared with other professions, the status of actors gradually became equal. In ancient times, the social status of actors was relatively low. In modern times, with the change of cultural cognition and people's attention and respect for artists and actors, their social status has been improved, and compared with other professions, the status of actors has gradually become equal.